Interesting Software: More on Scrivener

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I've mentioned several times my use of and enthusiasm for Scrivener, a $39.95 writing program put out by a two-person operation in Cornwall, England. It's Mac-only, so stop right here if that means you can't consider it. (With VMware Fusion, I can happily run any Windows program on a Mac, but things don't work the other way around.)

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Actually, don't stop right here, since the traits that make this program (logo at left) valuable are in principle ones that could be applied in other writing and research programs. Because it helps explain these useful features, and not because it's essentially a free ad for Scrivener (with which I have no connection of any sort, other than as a customer), I quote a note from a recent convert, Noah Ennis, a graduating senior at the University of Chicago. He talks mainly about two of the program's features: a simple-sounding but surprisingly important "full screen mode," which blocks out everything else happening on the computer so you can concentrate just on what you're writing; and a "project" organization system that makes it easy to amass many notes, files, quotes, research documents, etc related to the essay or article or book you're writing.  Again the point about what follows is, it tells us something about this particular program, which may or may not suit your computer-using tastes; but it also suggests broader truths about the ways computers help and hinder the way we think. Ennis wrote this to me because I suggested the program to him. He says:

I don't think I've ever been excited about software, but this is something that's such a quantitative increase in efficiency (by lowering the energy tax on storage, retrieval, and switching between documents) that it qualitatively changes the way I read and write on the computer. Here are four areas in which it's drastically changed my computer life:

1. It makes all writing projects, but especially any large project, easier and more pleasant. My old method was to have a bunch of different Word documents open, and to move between them with a lot of time spent searching for windows and a lot of redundant writing. For [his undergraduate thesis], I ended up with something like 40 documents of which I only ever used 8 or 10. In Scrivener everything is instantly accessible and easy to switch to, which paradoxically means that I can write more haphazardly-- I can paste large block quotes from sources instead of putting a link, I can keep multiple outlines going at the same time as I'm writing. To say nothing of the full screen mode. I'm completely baffled that appleworks, word, and textedit haven't done something as simple as allow document loading from a side bar, or implement a fullscreen button (or if they have, I'm baffled at my and my friend's ignorance of these features). I'm convinced that if I had Scrivener when I was writing the [thesis], I could have saved literally dozens of hours of redundant work simply from better organization.

2. Scrivener means that I can keep all of my lists and files in one or two central places, instead of in 50 word documents in my OS X dock. I used to have to hunt for the appropriate document every time I wanted to store a word, quote, book title, new concept, article, person's name, block of text to read later, etc.. Now I can do it in one place (and again, paradoxically, this means I can multiply the number of bins I have because the attention externality of each bin is so much lower. So I can make a bin for quotes about "ways of reading" where before that level of specificity would take too much time to access quickly and frequently).
3. Scrivener gives me a central place to keep all of my French word lists, tasks, practice, and articles, where before I had some horrible mixture of documents, website bookmarks, notecards, etc., etc. Since language study is hard and I go out of my way to avoid it, making it even slightly more convenient is a big help.

4. Scrivener allows me to create daily reading assignments that are centralized (one document) and offline (not distracting), and to simultaneously archive what I've been reading (and to keep notes on it in the same place). So when I see something to read, rather than adding its url to a list and hoping to go back to it, I can paste the text into a scrivener document for that day or week, meaning a) I have an effortless record of what I'm reading, b) I have a place to go to procrastinate, rather than idling about blogs and websites, and c) I can do the reading with the wireless turned off, so I don't check email every 15 seconds as is my way.

Overall, a magnificent product and im shocked that the mainstream word processors dont copy the more obvious features (full screen, documents on side, not having page breaks).

Again, this is interesting incidentally because it's about one program but more generally for what it says about the ways computers work with, and against, our brains.

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.
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