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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Another argument for the Kindle

By James Fallows
Jan 17 2010, 3:50 PM ET

My main view on communications media is that new systems usually add to old ones, rather than displacing them. Radio didn't eliminate books and newspapers -- that would come later!; movies didn't eliminate still photos; TV didn't eliminate either movies or radio; and the internet has not (yet) eliminated TV. A few communications systems do disappear altogether, except for specialist/curio use: vinyl records, photos on real film, etc. Usually the field just becomes more crowded and the options more diverse.

So it will be, at least for a while, with e-readers like the Kindle versus "real" books. My two Kindles -- and the other competing models that no doubt I'll eventually buy -- are more convenient in many circumstances than thick, heavy books. In other cases, the "real" books are just nicer.

One of the nice elements of a real book is all the physical manifestations of its substance and tone: the look of the print on the page, the kind of binding, the look of the jacket and the illustration on the cover, plus the fact that when you're holding a book in public those qualities somehow become part of your presence too.

Thus when I ordered a book that I'd heard was good -- The Max, by Ken Bruen and Jason Starr -- and it arrived just before I was headed to the airport for a trip, I had to decide: was I actually going to read this in a crowded airport and on a jam-packed plane?
 
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I decided -- ummm, No. (Yes, I realize this is part of the superb Hard Case Crime series, which features retro-lurid covers as its trademark.) If I'd had it on a Kindle, no problem! But for a man of mature years, I figured this was not the right look for a Sunday afternoon in public. Maybe I need to loosen up. Or just stuff the thing inside a magazine and let people think I'm reading that. Imagine how impressed they will be:
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