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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

On eloquence vs. prettiness

By James Fallows
May 18 2009, 6:17 AM ET

Based on its transcript -- here at the Washington Post site, oddly not yet in any obvious place at WhiteHouse.gov [Update: it's now on the White House page, here]-- Barack Obama's Notre Dame commencement speech was another extraordinary performance. "Extraordinary" meaning that it was like his speech last year in Philadelphia about race relations, his speech last month in Prague about nuclear weapons, and, only slightly less impressive, his speech last month at Georgetown University laying out his long term economic plan. Or, on a small scale, his answer in Strasbourg about "American exceptionalism."

What made these presentations extraordinary was not any single phrase or sentence, nor any paragraph-long flight of fine language. Indeed, I can hardly remember any phrase or sentence from any speech Obama has ever given. (Phrases or sentences are to be distinguished from campaign slogans, like "Yes we can" or "not 'red states' or 'blue states' but the United States of America.") Instead the power of those speeches comes from the quality of their thought -- from the ideas and truths the speaker is trying to grapple with:

In the case of the race speech, the different burdens and resentments Americans of all background held, and why we had to face and work through them. In the nuclear speech, the dangers that remained long after the Cold War had ended, and America's special opportunity and responsibility to find a solution. In the Notre Dame speech, the difficulty of resolving, in an open democracy, differences of moral certainty that are fiercely held on all sides. And so on. A passage from this latest speech after the jump.

This kind of eloquence is different from what I think of as rhetorical prettiness -- words and phrases that catch your notice as you hear them, and that often can be quoted, remembered, and referred to long afterwards. "Ask not..." from John F. Kennedy. "Blood, toil, tears, and sweat" from Winston Churchill. "Only thing we have to fear is fear itself" from FDR. "I have a dream," from Martin Luther King. Or, to show that memorable language does not necessarily mean elevated thought, "segregation today, segregation tomorrow, segregation forever!" from the early George C. Wallace.

At rare moments in history, language that goes beyond prettiness to beauty is matched with original, serious, difficult thought to produce the political oratory equivalent of Shakespeare. By acclamation Lincoln's Second Inaugural Address is the paramount American achievement of this sort: "With malice toward none, with charity for all, with firmness in the right as God gives us to see the right..."

The reason to distinguish eloquence of thought from prettiness of expression is that the former tells you something important about the speaker, while the latter may or may not do so. Hired assistants can add a fancy phrase, much as gag writers can supply a joke. Not even his greatest admirers considered George W. Bush naturally expressive, but in his most impressive moment, soon after the 9/11 attacks, he delivered a speech full of artful writerly phrases, eg: "Whether we bring our enemies to justice or bring justice to our enemies, justice will be done." Good for him, and good for his staff.

Rhetorical polish, that is, can be a staff-enhanced virtue. The eloquence that comes from original thought is much harder to hire, or to fake. This is the sort of eloquence we've seen from Obama often enough to begin to expect.
___


The passages that struck me from this speech were the same ones Andrew Sullivan just highlighted:

I do not suggest that the debate surrounding abortion can or should go away. No matter how much we may want to fudge it - indeed, while we know that the views of most Americans on the subject are complex and even contradictory - the fact is that at some level, the views of the two camps are irreconcilable.

This is not "pretty" as language. "Fudge it"???  But it is surprisingly honest as thought.

In this world of competing claims about what is right and what is true, have confidence in the values with which you've been raised and educated. Be unafraid to speak your mind when those values are at stake. Hold firm to your faith and allow it to guide you on your journey. Stand as a lighthouse.

But remember too that the ultimate irony of faith is that it necessarily admits doubt. It is the belief in things not seen. It is beyond our capacity as human beings to know with certainty what God has planned for us or what He asks of us, and those of us who believe must trust that His wisdom is greater than our own.

This doubt should not push us away from our faith. But it should humble us. It should temper our passions, and cause us to be wary of self-righteousness. It should compel us to remain open, and curious, and eager to continue the moral and spiritual debate that began for so many of you within the walls of Notre Dame. And within our vast democracy, this doubt should remind us to persuade through reason, through an appeal whenever we can to universal rather than parochial principles, and most of all through an abiding example of good works, charity, kindness, and service that moves hearts and minds.


I challenge you to find a sentence there that will be remembered, "I have a dream"-style. But the thought, complete with non-politician-like emphasis on "irony" and "doubt," is an important one, and not likely staff-borne.

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