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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

More on weirdo language school ads (updated)

By James Fallows
Apr 14 2009, 12:37 AM ET

Following this from yesterday.

From reader Sherry S in Paris: Posters there show ads similar to Wall Street English (with the tongue, reminder below).


From numerous readers in Japan: Ubiquitous posters there for the GABA language school very similar to the English First ads in China (bondage theme). GABA below, EF reminder under that.
gaba1.jpg

   


From numerous professional and amateur semiologists: generally worried comments about what the imagery of these ads says about the stereotyped relationships between Asian women and Western men. I'm not going near that for the moment. But here is a reminder that the target audience for these ads is in fact young Asian people, largely women. I look forward to dissertations on this topic -- and on the subtle but clear difference in affect between the Westerners shown in the Chinese vs the Japanese tied/chained-together ads.  Thanks to, among others, Landon Thorpe and Jed Schmidt, and to this "Eikawa Wonderland" site for the GABA pic.

UPDATE: below and after the jump, testimony from a former English teacher in Japan about why the lashed-together imagery of the ad was shrewd target marketing:
I worked in Japan a few years ago for the now defunct Nova Corp, and Nova had an extremely strict non-fraternization policy, which was a key selling point. Nervous moms would sign their daughter up, safe in the knowledge that the wouldn't have to worry about little gaijin [foreign] babies a year down the line.


Gaba, on the other hand, had fraternization as their key selling point. They hire generally fit, good looking western instructors who work one on one with a set client list. They are trained to develop a close connection with students, and encouraged to develop friendships with these students. It's the "whole package" approach that has earned Gaba the (slightly exaggerated) reputation as the high end escort service eikawa [English conversation school].

In that sense, the poster entirely plays to that image

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