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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Superior genre fiction: An Ordinary Spy

By James Fallows
Mar 3 2008, 12:15 PM ET

Some reviewers and blurbers have loved Joseph Weisberg's An Ordinary Spy ("In two words: a masterpiece," from Gary Shteyngart, author of Absurdistan.) A few others have not -- you can go find those reviews yourself.

One of my rules of life is: there are a whole lot of terrible books out there, but many, many books deserve a better shake and wider audience than they receive. An Ordinary Spy deserves attention and a chance. Its immediately noticeable gimmick is that pages in the finished book have passages blacked out, "redacted," as if this really were what the fictional premise holds, the memoir of a CIA agent. The pages look like this:
http://i142.photobucket.com/albums/r96/jfallows/IMG_5187.jpg


and even, as the climax to one joke, this:
http://i142.photobucket.com/albums/r96/jfallows/IMG_5190.jpg


I found this artifice, and the resulting guesses about what was left out, increasingly interesting as the book went on; some reviewers were bored or annoyed.

But the book's real point is conveying what the craft of spying is like -- now, with all we know about failures of intelligence and America's blundering in the world. Weisberg himself is a former CIA agent. Is his account realistic? Well, the CIA's former chief of counterintelligence says so:
An Ordinary Spy captures perfectly the spy world I lived in my whole career, how we talk, how we think, and how we operate. Joe gets it better than Clancy and is on a par with McCarry.

The McCarry here is of course the sainted Charles McCarry, former CIA agent and author of The Tears of Autumn and many subsequent Paul Christopher novels. (McCarry is a good friend of mine; I have met Weisberg only briefly but do know his wife and brother.)

I have my own minor criticism of one element of Ordinary Spy's finale, which for spoiler reasons I won't mention except to say that the more you've read of Dennis Lehane, the more you'll see what I have in mind. But overall I thought this was a very good book. To be put in Charles McCarry's company, for knowledge of spycraft and for narrative skill, is high praise -- and deserved, I think. Check it out.

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