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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Why isn't this book more famous? (Stephen Amidon dept)

By James Fallows
May 31 2007, 5:29 AM ET

I’ve read Stephen Amidon’s Human Capital only now, three years after it came out. My main question is why people hadn’t been telling me about it before. OK, the operational explanation may well be that it got dismissive “not quite up to snuff” handling in the all-powerful NYT. For instance, right near the top of Michiko Kakutani’s “we are not amused” review was: “The novel never lives up to its Dreiseresque ambitions…And those larger aims sometimes clash with the author’s more commercial impulses to write a made-for-the-movies thriller.” Etc.



The reception most other places was far more enthusiastic — these near-raves from the Christian Science Monitor and the Guardian and the Observer in England corresponded more closely to my own reaction. But when last I checked, the book was #823,000 on Amazon’s sales list. One obvious comparison for the book is with Tom Wolfe’s Bonfire of the Vanities, with Amidon writing about the financial boom of the late 1990s rather than Wolfe’s mid 1980s. By normal novelistic standards (as opposed to deliberate social caricature), Amidon’s is clearly the more refined work. When compared with A Man in Full, Wolfe’s novel about the 1990s boom, Human Capital is not only better as a novel but also a more insightful and true-sounding rendering of the era. And I’m a fan of Wolfe’s! It’s worth moving this book into three- or four-digit Amazon ranking range.

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