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James Fallows

James Fallows - James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States, and once worked as President Carter's chief speechwriter. His latest book, China Airborne, will be published in May.
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James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the US Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His two most recent books, Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009), are based on his writings for The Atlantic; he is at work on another book about China. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Other people's celebrities

By James Fallows
Nov 19 2006, 3:01 AM ET

A few weeks ago I was on a China Eastern flight from Shanghai to Changsha, in Hunan province. I was in a window seat. The two people next to me, and the three on the other side of the aisle in the same row, were a standard group of hip-looking Chinese in their 20s.

When we trudged off the plane and through the baggage area, I was amazed to see a full press gaggle, complete with TV cameras and civilian onlookers, whose members began asking questions, shooting off flash pictures, and screaming in delight when the people in my row came into view. Apparently they were famous, and not by a little!

Half of Changsha -- well, in a city with a multi-million population, I'll just say a lot of people from Changsha -- had turned out in hopes of getting a little glimpse of the same people I'd spent the previous two hours jammed-up next to.

In its own weird way it is unsettling to encounter another culture's celebrities. If you haven't spent the preceding years hearing how cute, how sexy, how talented, how brilliant, how famous a given person is, you're likely not to give the person a second glance. Something similar happened recently at a prestigious university in Shanghai. There was a big queue of (mainly female) students, atwitter at an upcoming promotional appearance, pushing some beauty potion, by an androgynous teen-idol sort (male) who, if you didn't know he was a phenom, you would consider just another kid.

Why is this unsettling? Well, what does it make you think about achievement, renown, "success," failure, popularity, and so forth in your own home culture? About The Meaning of It All? I will stop thinking this way, since the next stop is existentialism -- perhaps joining President Bush in rediscovering the works of Camus -- or, more appealingly, Zen.
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