Ta-Nehisi Coates

Ta-Nehisi Coates is a senior editor at The Atlantic, where he writes about culture, politics, and social issues. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore -- not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-'90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

The Conservative Black Hope, Cont.


The other day I tried to tease out the difference between African Americans with conservative politics, and African Americans who promote themselves at the expense of the community from which they hail. To understand what it once meant to be an African-American conservative, it's worth checking out this old Washington Post piece on former Rep. J.C. Watts, who represented his beliefs but wanted to be something more than the guy who assured Jesse Helms that he was not racist.

You can see the other side of this dynamic in the recent panel of "black conservatives" convened by Sean Hannity. Among the participants was Jesse Lee Peterson. If you have a moment I urge you to listen to Peterson's analysis of slavery. Again, it is one thing to believe that deficit reduction is the most important issue of the day. It is another to imply that the Middle Passage was like "riding on a crowded airplane when you're not in first class." It is one thing to believe that America must always have the world's strongest military. It is another to say, "Thank God for slavery." It is one thing oppose gun regulation. It is another to say, to "the white man for going there and getting us here, I want to say 'Thanks.'"

Martin Luther King Jr. wrote:
Negroes are human, not superhuman. Like all people, they have differing personalities, diverse financial interests and varied aspirations. There are Negroes who will never fight for freedom. There are Negroes who will seek to profit for themselves alone from the struggle. There are even Negroes who will cooperate with there oppressors. These facts should depress no one. Every minority and every people has its share of opportunists, profiteers, free-loaders, and escapists."
There's nothing about being "conservative" that necessarily puts an African American among that group. I would gladly put, say, Kwame Kilpatrick -- who fleeced his city, then hid behind the specter of racism -- in that category. But the category does exist. When you are thanking "the white man" for slavery, you might be well a contestant for the summer-jam screen.

UPDATE: Included the full King quote. Quote is from King's book Why We Can't Wait.

Fine Old Cannibals

In an earlier post, I wrote:

It is often said that racism is the result of a lack of education, that it must be defeated by civilization and progress. Nothing points to the silliness of that idea like the Holocaust. "Civilization" is irrelevant to racism. I don't even know what "civilization" means. When all your great theory, and awesome literature, and philosophy amounts to state bent on genocide, what is it worth? There were groups of hunter-gatherers wandering the Kalahari who were more civilized than Germany in 1943.

I probably should not have.

I was trying to do two things: 1.) Question the idea of "civilization," a word that I have a hard time disentangling from intellectual bigotry. 2.) Point out that even by the standards of those who use words like "civilization, " alleged "civilizations" often fail.

But sometimes when we try to question a bigoted claim, we end up simply restating the bigoted claim. I should have been clearer. I don't want anyone leaving with the impression that I think it is helpful, useful, or even accurate to attempt laud entire ethnic groups as "civilized" and others as "uncivilized." Not because it's "mean," but because I don't think such talk has any meaning or content.

Some of the deepest revelations of my life have come from sitting with Herman Melville. Even deeper ones have come from sitting with my father. I would expect that exact same thing to be true on the Kalahari.

Humanism and Holocaust History

I'm getting toward the end of Antony Beevor's The Second World War. If you only know the outlines of World War II, I would very heartily recommend it. Speaking for myself, this is the first book I've read that devotes considerable attention to the Holocaust. It's one thing to know the numbers. It is another to be faced with the methodology.

When studying a great evil, my general approach is to try to preserve my judgment but suspend my judgmentalism. In other words, I want to be able to tell you very forthrightly about the evils of, say, slavery, while at the same time telling you about the psychology of the slaveholder. And I want to do this with the full knowledge that I could have been on either side of the whip.

No historian whom I've read better handles this than Drew Gilpin-Faust. Her work on the women planters during the Civil War does not excuse anyone. When she speaks of patriarchy or white supremacy, she does it with seriousness and specificity. She manages to avoid the temptation to lump women, blacks, and poor whites into some vague activist mélange called "The People." And at the same time, Faust is able to sketch the very real societal bonds that kept these women in a cage. That humanist approach to history, as opposed to marshaling history for condemnation or the improvement of collective self-esteem, is one I have tried to emulate.

In the case of the Holocaust, it is failing me. For all the talk of supremacy, Nazism in Beevor's telling is savagery and cannibalism. I don't mean that for rhetorical effect. The Nazis are using human body hair, human skin, and human fat to make products. When practiced by the darker peoples of the world, we call this savagery. Here is Beevor quoting a Nazi paymaster in the Ukraine:

In Bereza-Kartuska where I took my midday break, 1,300 Jews had been shot the day before. They were taken to a hollow outside the town. Men, women and children were forced to undress completely and were dealt with by a shot through the back of the head. Their clothes were disinfected for reuse. I am convinced that if the war lasts much longer Jews will be processed into sausage and be served up to Russian prisoners of war or to qualified Jewish workers.

Vasily Grossman looking at Treblinka noted that 800,000 Jews and 'Gypsies' -- a population of "a small European capital city" -- were killed by a staff numbering just over a hundred. "Never before in human history," writes Beevor, "had so many people been killed by so few executioners."

So I find humanism failing me here. Perhaps it is because I am American and not German, and thus there's greater distance. Or perhaps it's because I just haven't read enough. (When I first began studying slavery, I was not a humanist.) Certainly the scale of death, and its industrialization, presents a challenge. The irony of slavery (in the United States) is that planters have an incentive to keep enslaved people alive. You see the embers of the kind of hate that could lead to genocide, but never the fire. There's just too much money involved.

Anyway, I am not saying this as though it's a fresh insight, I strongly suspect that the entire field of Holocaust Studies is grappling with this challenge. Or maybe the field has gotten past it. I just don't know.

One final point. It is often said that racism is the result of a lack of education, that it must be defeated by civilization and progress. Nothing points to the silliness of that idea like the Holocaust. "Civilization" is irrelevant to racism. I don't even know what "civilization" means. When all your great theory, and awesome literature, and philosophy amounts to state bent on genocide, what is it worth? There were groups of hunter-gatherers wandering the Kalahari who were more civilized than Germany in 1943.

'None of Us Is Simple'

Yesterday I wrote about Michael Kelly. I started off by saying "I didn't know Michael Kelly." I actually don't know a lot of people, and I generally like it that way. One of the perils of this job is you begin to "know people" and this compromises your willingness to strongly and loudly disagree with them. The compromise isn't total, and one of the things I know that we've tried to do here (especially Conor, Jim, Jeff and myself) is fight publicly. Maybe we don't always do it as much as we should. But it is a value we hold.

I don't want to speak for anyone else, but the danger of becoming a "Serious Person" lingers in the back of mind. And so I keep my distance from certain scenes.  But sometimes knowing someone actually allow you to say something deeper, and more insightful, something you coud not know without proximity. 

In that spirit, I would encourage you to read Jim Fallows' response to my piece (and some other pieces) on Michael Kelly. Here's Jim assessing a truly egregious column Kelly wrote on Al Gore:

Michael's judgment was not merely wrong. It was "dishonest, cheap, low." And it had impact. It is hard now to convey the drumbeat of arguments for the war and also of ridicule and impatience for anyone who lacked war fever. That is what you see in Michael's contemptuous dismissal of Gore. The buildup to the war was probably Christopher Hitchens's worst moment, too, when he was dead-set on the moral rightness of the invasion and intent on demolishing people who disagreed. The two of them, Michael and Christopher, were not the only ones striking this tone, but they were very influential. 

Now, the complication. At just the time Michael was writing those words about Al Gore, he was supporting and trying to improve my cover story, in his own magazine, arguing that we would regret the consequences of invasion for many years to come. None of us is simple.

At first I was thinking that it must be easier to write this sort of thing when the person has passed away. And then I remembered that Jim is, in no way, new to to this challenge. So maybe it's not easier. In fact, it's probably never easy to publicly assess people whom you've known, and liked, privately. But it's part of the work. 

Some Thoughts on Michael Kelly

I didn't really know Michael Kelly. We had one friend in common, and as the years have gone by I've come to be fairly close with people who respected and loved him. Kelly died ten years ago while covering Iraq. In reading about him, it's clear that what many respected about Kelly was his willingness to put himself in great danger in order to answer the great questions. He does not come off as the sort of guy to opine on TV comforted by the safety of reports from Brookings.
  
But nor does he come off as the sort of guy who subject to the calm and rational consideration of dissent.

Over at Gawker, Tom Scocca published a very hard--and very fair--assessment of Kelly's role in the Iraq War. I hadn't read much of the work Scocca referenced, so I did myself a favor and looked up some of Kelly's columns in the days leading up to Iraq. What you find in these columns is the pit of all that, to this day, angers those who were against the war from the start. Kelly's columns are not just pro-war, they are ferociously pro-Bush, and gleefully contemptuous of liberals who thought otherwise. 

It's the glee that burns. There's a kind of writer who gets his kicks writing bad reviews of music and books. You see that same spirit in Kelly's mocking of Paul Krugman, Kurt Vonnegut, and Janeane Garofalo, or in his attacks on the French by evoking the ghost of Pétain. 

That glee turned Kelly  into a thin writer who spurned nuance in favor of hyperbole. In the fall of 2002,  for instance, Kelly wrote that Bush...

...presides over an administration that is unusually intelligent -- and also cunning -- unusually experienced, unusually disciplined and unusually bold.

He continued:

Democrats will howl...that the president is not competent, that his administration is not to be trusted, that Republican presidents and Republican policies are radical and dangerous and frightening and bad...

I suppose they will continue to believe this, and continue to say it, in voices growing ever more shrill and ever more loud, yet, oddly, ever more distant and faint.

The president wasn't competent. Iraq and then Katrina proved that. And the voices did not grow more "distant and faint." They led to the election of Barack Obama. But again, it is not the simply the wrong-ness, it's the gleeful and casual dismissal. Here is Kelly writing after witnessing an antiwar march in early 2003:

The debate is over. The left has hardened itself around the core value of a furious, permanent, reactionary opposition to the devil-state America, which stands as the paramount evil of the world and the paramount threat to the world, and whose aims must be thwarted even at the cost of supporting fascists and tyrants...

After embedding with the military in Iraq, Kelly said of the war:

It is remarkable enough that the United States is setting out to undertake the invasion of a nation, the destruction of a regime and the liberation of a people. But to do this with only one real military ally, with much of the world against it, with a war plan that is still, by necessity, in flux days before the advent, with an invasion force that contains only one fully deployed heavy armored division -- and to have, under these circumstances, the division's commander sleeping pretty good at night: Well, that is extraordinary.

A victory on these terms will change the power dynamics of the world. And there will be a victory on these terms.

A few weeks ago, my colleague Jim Fallows argued that "People in the media who were for the war have, with rare and admirable exceptions, avoided looking back."

Reading through Kelly's file, you begin to understand why. Michael Kelly wasn't an outlier. He was one of the most important journalists of his generation. He was a National Magazine Award winner and the one-time editor of The Atlantic, The New Republic (he helped birth Stephen Glass) and The National Journal. Kelly was at the center of media power, and he was beloved by many around him

It is often tough to reconcile what people do professionally with what they do personally. I don't mean to attack a man who was--by every account--a great father and husband, and a great friend. But great fathers and great husbands die with some regularity and do not merit remembrances in national publications. Michael Kelly is not publicly notable because of his personal fidelity but because of his professional work. Faced with a historic conflict, Kelly's professional work amounted to a gleeful embrace of what was wrong, and a gleeful assault on what was right.

That too must be remembered.

The Conservative Black Hope


My Times column today looks at the phenomenon that is Dr. Benjamin Carson. For kids like me who came up in Baltimore during the '80s and '90s, Carson has special importance. Whenever the black folks at our summer camps or schools wanted to have a "Be A Credit To Your Race" moment they brought in Dr. Carson. I saw him speak so many times that I began to have that "This guy again?" feeling. As an adult, knowing how much it takes to speak in front of people, I can recognize that Carson's willingness to talk to black youth (and youth in general) came from a deeply sincere place. There were no cameras at those summer camps and school assemblies. No one had money to pay him. But he showed up. And that was what mattered.

There's nothing about "showing up" that is inconsistent with being conservative. Some of the most committed black people I know -- in some other America -- would be Republicans. But in this America, this conservative movement, has a fairly nasty romance with white racism. There are black conservatives (some Republican, some not) who manage to steer clear of this -- Bill Cosby, Condoleeza Rice, Colin Powell, and possibly Tim Scott. And there are others who, to put it bluntly, profit from it. 

It's perfectly respectable to think Obamacare is bad for the country. It's less respectable to claim that Obama isn't an African-American. It's perfectly respectable to believe in a flat tax. It's less respectable to tell a room full of white people that Obama, isn't "a strong black man" or that he has "never been a part of the black experience in America." It's respectable to believe that the Ryan Budget is the key to the future. It's less respectable to believe that equating same-sex marriage with child-rape puts you on Harriet Tubman status.

The corollary of that last metaphor -- the idea of liberalism as a plantation -- is especially noxious and deeply racist. It holds that black people are not really like other adult humans in America -- people capable of discerning their interest and voting accordingly -- but mental slaves too stupid to know what's good for them. 

When Ben Carson uses this language he is promoting himself at the expense of the community from which he hails. More, he is promoting himself at the expense of the community in which I once saw him labor.  That is tragic.

If You Want to Be Married Young, You Should Marry While Young

Over at SlateAmanda Marcotte and Julia Shaw are debating the virtues of marrying young. I found myself agreeing with a lot of what Shaw said, but this brought me up short:

Sometimes people delay marriage because they are searching for the perfect soul mate. But that view has it backward. Your spouse becomes your soul mate after you've made those vows to each other in front of God and the people who matter to you. You don't marry someone because he's your soul mate; he becomes your soul mate because you married him.

As long-time readers of this blog know, I have a somewhat contentious relationship with the idea of marriage. I've been with my wife for 15 years. We got married two years ago, mostly because I was afraid of exactly what happened to me two weeks ago taking place, and there being some confusion about who was charged with my affairs. If we were religious, we probably would have married right away.

At any rate, I entered the long-term, monogamous portion of my relationship when I was 23. My son was born when I was 24 and my partner (now wife) was 23. The seal was our son. We were pretty clear that our 20s--as they exist in the popular American mind--were over when he was born. Whatever. We weren't doing shit but drinking and smoking anyway. Besides I thought she was sort of cool. And she thought I was sort of cool. And we both thought cool people might make a cool kid together. 

And knowing that you don't meet cool people every day, and knowing, too, that coolness is a force in the universe which cool kids don't always understand, and that four cool hands are cooler than two, we thought it imperative that we play some Al Green, and, like, stay together, and, like, make sure that cool kid went on to become a cool dude.

Here is where I relate to Shaw--the act of making the boy was the act of making me a man. Before creating family, I was prepared to subject myself to any number of stupid things. Knowing that other people suffer when you suffer has a way of leading you from childish things. (If you are cool.) 

And that's been good. But it's been good with a lot bumps in the road--some of them existential. I don't know how it is for other people, but my sense is that any long-term relationship, any long, happy marriage, has had points when its primary advocates could see the end. And not a theoretical end, an actual end; a path untaken, but very much possible.

Where I differ with Shaw isn't in the advantages she sees in marrying young, but in the certainty and determinism. The notion that the declaration of marriage can make a human, with all their hard flaws, into something as abstract and moist as a "soul-mate" strikes me as off. Even if it's on for you, to declare it as such for the world strikes me as surely off. 

To decide to romantically cohabitate with another person for the rest of your life, to make a family with that person, is to go to war. To borrow the language of my mother--you had best love their dirty drawers, because you will be seeing them. And it strikes me that you should understand that cool people fail at being cool together all the time. Sometimes they fail for lack of morality, but very often not. 

That women--with all they have to lose in this world, having to struggle to secure the kind of things that the other half of the world takes for granted (the body, for instance)--would be particularly discerning about such a decision, that they would wait until accumulating some amount of power, financial and otherwise, seems logical. The dynamics of power--societal and personal--are inseparable from marriage. Those of us who've, thus far, managed to navigate those dynamics should probably be more thankful than boastful. May our days ever be thus.

Letters to a French Autodidact

My study in Switzerland was pretty intense. Class began at about 8:30 every morning and went until 1. There was une brève pause from 10 to 10:30. I was still working on east coast time, so my studies began at about 3 in the morning and finished around 7. Much to my tutor's amusement, I spent the first half of class just trying to get my head in the game. I would have an exercise, know the answer, and take two minutes to actually bring it  out. In the afternoons there was often some sort extracurricular activity. I went out to a vineyard on Wednesday in the small town of Aigle. Best wine in the world.

What I picked up from my study is what I already knew--acquiring a new language is hard, and people who claim that you can do so inside of a year without changing anything else about your life probably have their hand in your pocket. It isn't to say that no one can do it. But if you're going to learn a new language you should expect a fight and gird yourself accordingly. You should even expect it to be hard if it's your child.

My tutor here in the States learned French when she was six at an immersion school. Her recollections of picking up French are bracing: long periods of not knowing and knowing you don't know; French teachers yelling at you for doing something wrong, and you not being sure what it was. My son has just started his French studies (his request, not mine) and they're going to intensify over the summer, so I expect him to get a little bit of the same. It's obviously true that it's easier to acquire language when you're younger. But this has no meaning to the individual experiencing it--your only frame of reference is your own skin.

Accordingly, I had a French session yesterday and picked up the intensity. Two hours, instead of the usual hour. All of it in French. If I didn't understand something my tutor was trying to explain, oh well. C'est Français. By the end, my brain was cake batter. Language really is different that other intellectual pursuits in its physicality. Learning to properly pronounce "Vevey" isn't a matter of abstract theory--it's a matter of training your mouth and tongue, in the same way a ballerina or singer trains, in the same way one would master a jump shot. There's just no way to make that go quicker. Hours must be put in. Reps must be performed. There's no other way.

In many ways I compare it to my journey of becoming a healthy person. The same get-rich-quick claims revolve around language-learning, as around weight loss. But I found that becoming a healthier person meant acting, thinking and making the kind of decisions that a healthier person would. It was not enough to say that I wanted to lose 20 pounds, any more than it would be enough to say I want to speak French. In both cases, I have had to learn to think like the man I wanted to be. Your old self can't come with you. In both cases I found that I what I doing was more important than what I consider myself to be. Words like "intelligence" and "discipline" held no power for me. Words like "practice" and "planning" did.

I don't say this to ward anyone away from a foreign language, or from French specifically. On the contrary, there's a beautiful democracy to it all. I am not convinced that anyone can be a Baudelaire. But I am convinced that anyone can understand, and make themselves understood. It's just that the work is unrelenting. It's a law of nature. There's no way around it.

What Is the Purpose of Foreign-Language Education?

I am almost two years into my study of French. I write okay. I read pretty poorly. I speak pretty poorly. And my ear is woeful. I'm somewhere in the A2 range, which is probably a good reflection of the actual directed hours I've put in. What I got clear on this week was the sheer amount of hours it takes to feel comfortable in a language. I thought that a kid who took, say, four years of high school French would be conversational in Paris. I'd expect her to be able to write a decent letter, order at a restaurant and generally get around. But now I'm not so sure about the conversational aspect. Many of my co-students were, themselves, high school students who'd taken French for years. They were right in A2 with me. (They were German, not American.)

I'm interested in what the general expectation and reasons we have for putting our kids in foreign language are.

Something else: What if we treated foreign language in America the way we treat sports. It is not unusual to see kids in high school spending two hours after school, every day, in football or basketball practice. In some private schools, sports are required. If I spoke French well and could get that type of time with a group of kids in Baltimore, threw on some competitions for elocution or writing, and topped it off with a trip to France every year, I could make some soldiers.

Maybe this is the zeal of the recent convert and someone's already doing this. At any rate, I would love to hear thoughts from those out in the field. How good do foreign language teachers tend to be in their particular language? Does it matter? Are we using foreign language as kind of weed-out for college? What is the ultimate goal?

Departures, Cont.

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V. Fin

I think I've given all I should about Europe for now. Maybe not. I'm not sure. You can read each of the entries hereherehere and here. I'm not so much out of thoughts, as I want to hold some of this (Hi Corby) for later. I haven't said much about the Swiss portion of my trip and I think there might be some juice there.

A few final notes:

1.) I want to thank Judah Grunstein, a true gentleman who helped me see a lot of Paris that I would have missed. I also want to thank Jeffrey Burr, who came out and met me in le Jardin du Luxembourg when I was feeling really lonely.

2.) I want to thank everyone who came in and commented on this journey. I learned almost as much from you guys as I did from the trip. I also want to thank you for enduring what is effectively a rough draft of personal history, with all the flaws, hiccups, mistakes, and lack of reflection inherent to such a thing.

3.) All during this trip I've been reading Antony Beevor's tremendous history of World War II, The Second World War. A few weeks ago I noted that white racism is not particularly original in its scope, lethality, nor its cruelty. Nothing shows this off like World War II, where terrorism was just what states do. People were killed by the thousands seemingly for sport. There was a portion of the rape of Nanking (it's called the rape of Nanking, son) where the Japanese generals decided to practice their swordsmanship. To do so they lined up a group of Chinese senior officers and make them kneel. They then beheaded them one by one.

The point here is not that white racism isn't a big deal. On the contrary, it is a big deal, because it belongs to us. You don't get to ignore your high blood pressure because your neighbor has lung cancer. And it may be true that slaughtering a city is more carnage than slaughtering a village, but if you are a survivor of that village it is an Apocalypse all the same. Moreover, white racism's power is not limited to America even if the pain of racism feels different in Paris than it does in New York. It also feels different in Atlanta.

3A.) Here is something else--there are other ways of looking at the world besides "Is mine bigger than yours?" Among them, noting that there is nothing intractable, incurable or petrifying about racism. White racism is a particular problem of power. The world is filled with other such problems, the effects of which have been all around me during the past week.

3AI.) I leave confirmed in the belief that if you are reading a history of feminism in America to see if white women or black men have had it harder, you have already failed on several important levels. One of our failings on the left is our tendency to default to the most base usage of categories, assume that they are always the best way to see an individual, and then make broad assumptions of power. "I don't know anything about this because I'm white" is neither endearing nor self-deprecating. It's a cop-out. ("I don't know anything about this because I haven't researched/experienced/read/thought much about it," is not.)

3AII.) I leave confirmed in the advice of my friend Jelani Cobb--whenever someone, noting a pathology, begins a sentence with "Black people are the only people who..." they are in trouble.

4.) I bought a nice pair of expensive headphones for this trip. I have not used them since I got off the plane. Very odd.

5.) It was a brazil nut that clipped me. I feel like 50--they should have bodied me when they had the chance.

Departures, Cont.

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IV. Dimanche

On my last afternoon in Paris I summoned all the courage I could muster, walked into a small café, and said, "Bonjour Madame. Je voudrais diner, s'il vous plaît." My phrasing was awkward--almost rude perhaps. But madame just smiled and escorted me to my seat. Whatever fluency is, I am far removed from it. I am told that someday I will dream in French and that will be the sign. 

I tell you again that this is as far from home as I've ever been in my life. I was more afraid walking the streets of Paris than I have ever been walking through the projects. American violence, I know well. You raise your hands. You run. You curl up in a ball. You choke a man out. You stay strapped. This is a dialect of my early years. I think of that scene in The Wire where Bunny Colvin is working with group of alleged scrappers. These kids have seen the worst of West Baltimore. Then Bunny takes them to a steakhouse, where they are flummoxed by the specials, the quietness, the difference between the waitress and the hostess. The curtain fails away to reveal our hardrocks presently transformed into shook ones. On North Avenue we are kings. In Ruth's Chris we are peasants. And we know this.

So sitting there on that last afternoon, I was feeling good for the come-up. I ordered the cheeseburger and salad with sautéed potatoes on the side. The café grew crowded. A larger party came in. I was asked to move to another table. I obliged. I watched a young man and his cherie, sans neck-tie, in a beautiful navy suit. I watched a group of high school kids and thought of my son, who would have seen them here trading coffee, cigs and laughter, and thought them the pit of cool. I had a Konigsberg. Then I had another.

I was high when I left, but walking the streets, and then walking through le Jardin du Luxembourg, I fell down again. I was headed out to meet a new friend. Le Jardin is a manicured walking space where the gravel rivals the green. That afternoon it throbbed with Parisians in the way that the bars in New York throb after a blizzard shuts the whole town in. The children raced small pedal cars. A group of old men assembled under a band shell. There were rows of leafless trees sculpted into brown boxes. 

I felt myself as horrifyingly singular there. A language is more than grammar and words, is the movement of The People, their sense of appropriate laughter, their very conception of space. In Paris the public space was a backyard for The People and The People's language was not mine. Even if I learned the grammar and vocab, so part of it must be off-limits to me. It could never really be "mine." I had a native language of my own. I felt like a distant friend crashing a family reunion. Except the family was this entire sector of the city. I could feel their nameless, invisible bonds all around me, tripping my every step.

A month ago I was giving a talk at a college where someone asked me why it was wrong for white people to use the word "nigger" in a friendly way. I responded, as I always do, by pointing out that the names people use depend on their relations. That I should not expect to call another man's wife "honey" by pointing out that he calls her the same thing. That my wife and her friends use the word "bitch" between them, but that is not a name I should expect (or want) to employ. That whatever they say, I have no desire to address my gay friends as queer. If you respect the humanity of black people, then you respect that they get to do what other humans do--ironically employ epithets in a communal way.

But walking through le Jardin, I saw the problem from another angle. Perhaps it isn't simply that black people have used "nigger" in irony (as all people tend to do with epithets) but that we have made "nigger" beautiful. Our artists, our writers, our comedians, our people have turned poison into wine that only we may drink. That hard alienation must sting a bit for those who, as sure I have no sense of the history of Paris, have no sense of the history of black folks. We don't know why we're shut out. And somehow it feels unfair. It isn't. I am an American and an Anglophone. With that tile I could, at any moment, make myself understood here. It takes a particular kind of tyranny to demand access to everyone's power, to everyone's family reunion.

The next day I packed my bags and went to Gare de Lyon. I was headed back to Switzerland where I would spend the week studying French. I had to buy my ticket at the main office. To buy a ticket I had to take another ticket with a number and a letter on it. I then had to watch the screen for my number. The office looked like it was erected by the same people who built the DMV, and constructed specifically to spite Mitt Romney. But I got my ticket, boarded the train. and descended further into the European continent.

The loneliness was intense. I knew at a least few people in Paris. But this train winding through high and gorgeous country, leaving behind small Hallmark towns, was truly taking me into foreign depths. For most of the ride there were English translations. But when I transferred at Lausanne, the pretensions dropped away and there was only French.  I have spent almost as much time away from my family in the past year as I've spent with them. Is this how it's supposed to be? Is learning forever winding through these strange and foreign places? Is study the opposite of home?

In Vevey, I was met at the station by a mother and her daughter. They gave me the layout of the town. They showed me how to catch the train to school. They told me how to lock up their house. They poured me red wine, served bread and cheese. This was immersion. I was given a room. I called my wife then went to bed. That night everyone in my dreams spoke French. I could not understand a word they said.


Departures, Cont.

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III. Samedi

I woke up this morning, wrote, took a long shower and then dressed. I walked to a pâtisserie, ordered a pain au chocolat and a coffee (it's becoming a ritual) and thought mostly of my wife. I was watching the people come and go. I was watching the children here, lost in their strange freedom unlike anything I've ever known. They range the city--embracing, grazing, laughing.

When I was a kid in West Baltimore, the cops called this loitering. Childhood was a suspect class always bordering on the edge of the criminal. You play football on the traffic island and the cops chase you off. Never mind that it's the only long patch of green in your neighborhood. You fly your kites from the second level of Mondawmin Mall and the les gendarmes are in effect. Go back to watching the Wonder Years and dreaming. You nail a crate to a telephone pole, because all the courts near you have been stripped. The city doesn't send people to repair the courts, but to tear down your crate.

Perhaps somewhere in Paris it is the same. But what I have seen is a place with a different sense of the Public, with children loosed in such a way that I have not seen even in wealthy areas. In America you structure the lives of your children, or they will be structured by the hands of all you fear. A child's mind is naturally devilish and needs correction even more than safety.

But I was in the pâtisserie thinking of my wife, who beat me here by seven wise years because she is a woman whose vision sends me to sonnage. I have always been a simple man, and left to my devices, my guiding principles would revolve around warm snugglies, Word of Warcraft and intravenous pizza. Except that I have never really walked alone. Instead, I've been surrounded by people who insisted upon other languages. When I was nine my mother remanded to the tender clutches of a man who taught swimming out in the county in his back yard. On the first day I learned to hold my breath. On the second I floated. On the third I front crawled. On the fourth, I cried as he tossed me into the deep end over and over. And on the fifth, I crawled in the deep end, and it was all I ever wanted.

I think now that violence is my first language, the one I truly respect and understand. Learning through immersion is a kind of violence, a humiliation, a shaming which you must embrace as sure as I had to embrace what looked to me like infinite depths. I earned everything I have under the gun, or with a foot in my ass. My older brother and my father sent me out in the streets. They would not live me alone with D&D and my collection of X-Factor. I had to know the culture of the community in which I lived. And I acquired it violently. I came to West Baltimore illiterate, and came out -- not a poet -- but fluent just the same.

When I was 17 mother forced me out that fluency, out of Baltimore, into the Mecca of Howard University. Why should I want to go? What was out there but strange people, wild customs and gruesome words. But they pushed me and I learned that Black is a country--that there is West Baltimore and there is Jack and Jill, that there are two South Sides of Chicago, that there are Trinidadians with their own rendition of blackness, and Ghanians with another, and though none match mine, all are real.

Being shaped by the deep end, it is perhaps natural that I would spend the lions share of my adult in the company of a woman who pushes. I never wanted to come to New York--a city which I knew was the pinnacle of discomfort and interpersonal low-grade war. But Kenyatta, worn down, as black girls will be, by closed minds and bourgeoisie orders, by Chicago in its jheri curled and high yellow Vanity years, had long dreamed of getting out. This is the difference between us I was always pushed, but never rejected. The people I grew up around never looked at the color of my skin and thought "You're not good enough." If anything they looked at me and thought "Why aren't you better?"

This sense of rejection powers most of my New York friends. They come to the city fleeing home, looking for some place that will accept them in all their weird ways. I don't know how this happened, but in Baltimore I felt both weird and accepted and so I missed the wisdom that comes with being outcast, with having a burning need to strike out. And so I came to New York uncivilized, with my wife seeing things which I could not, and me falling in love with things which she'd discovered at half my age.

She went to Paris in 2006. I had no interest. Why? More strange people. More strange words. But she came back with these pictures. The pictures were of great doors -- wooden doors, painted green, blue and brown. Their sheer size made you wonder what was inside.

I thought of her while sitting in the pâtisserie at the corner at the corner of Boulevard Raspail, wondering how she felt here, watching the knowing people come and go.

"You will love it," she told me. "Because you love old things."

"You will love it," she said. "Go."

So I am here now, far from home, an iPhone my only tricorder, on a planet with no regard for the comforts of Class M. I do not love it anymore than I loved New York, than I loved learning to swim, than I loved learning to write, than I loved my folk. I hate being alone. I hate the unfamiliar. I want burgers, fries and beer. And I want it English. Somewhere, I am convinced, that there is a man who lives just like that. But all my baptisms are bloody, and I know now that whether I love is pointless. I know that I could, because I've loved difficult things before. Even now part of me is blooming, leaning toward another language, angling against home.

Departures, Cont.

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II. Vendredi

I have come to regard anyone who speaks more than one language as the bearer of great and unearned power. You say bilingualism and I imagine ice sleds, healing factors, and flight. In New York, I am surrounded by the secret schoolmen of Salem. They speak and my fingers dabble at the inhibitor collars.

I am deep in my dark and twisted lab. I am building a machine of fantastic power and awesome savoir-faire. Soon I shall flip a switch, and all those who laughed at my "Parlay-vouz" and "Jay Nay Say Pahs" shall turn, light leaping from them into the cone of my terrible device. Then they will stagger before brilliant me, blinking and depowered. For now I just murmur "Mutie scum" under my breath and bide my time.

I am in Geneva, like the only human on Asteroid M. They told me that the people would switch to English as soon as they heard my French. But this only happens when we are discussing money. An entire conversation will go over in French. Then from out of nowhere a merchant will say "twenty-five" and then there is nothing but French. I was unprepared for the loneliness of thought. The only spoken English is in my head.

But people were as people usually are--kind. I expected fewer black folks. But they were there. They did not nod, or flash a secret sign, as they sometimes did back home. There's no real reason for them to do so. Skin prejudice in America is a specific thing, which is different than saying skin prejudice in America is a unique thing. How it shows up in Switzerland (beyond the obvious) I don't know. But I made no assumptions.

I took a train into Paris--just under four hours--then the subway to my hotel. Here, the manager could smell all of America wafting off of me and spoke to me in English.

"You won't mind if I inflict my terrible French on you, will you?" I said.

"Not everyone can speak French," she said politely laughing.

"Not yet freak," I thought. "The ion correlator still needs work."

More »

Departures

I. Jeudi

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Yesterday I ate a bad nut on the train to Boston and went into anaphylactic shock.  A doctor who happened to be seated nearby shot me up with an epipen. The train made an emergency stop in New London where the paramedics were waiting. I was shivering crazily, which was better than the bullets I'd been sweating moments before. The doc told me it was the adrenaline. I kept apologizing. I couldn't believe I was making a scene on the Quiet Car.

The paramedics came in and took my blood pressure. They were moving to get me on a stretcher. I told them I could stand. They told me I could not as my blood pressure was such that I would likely faint. So they hauled me up and off, got me to the hospital, ran some oxygen through my nose and put an IV in my arm. When I got the hospital the doctors took great care of me. Two points: First, my theory of assholes clearly should be revised; the kindness of strangers is always amazing. Second, America, whatever its flaws, is very often amazing in its efficiency and compassion. It did not escape my mind that in some other place I might have died. This is not chest-thumping or jingoism. It is a fact of my residency.

Through it all, I could only think of one thing: Will I get to Europe? The doctor came in after I'd awaken. My swelling had gone down. But the drop in blood pressure spooked him. After some deliberation he released me and told me if I had no problems over the next 24 hours, I would be fine to fly. 

I have not had any problems. At 8:45 I will board a ship. It will punch through the sky. At some point, God willing, that ship will emerge over airspace far from the beloved West Baltimore of my youth. Something is happening in this world. I think of my grandfather, lecturing from the daily newspaper, drowning in alcohol, addicted to violence. I think of my father, working all summer as a child, saving his funds for a collection of recordings that promised to teach him French. He didn't learn French, but he learned to compel his son to want to learn French. I think of my grandmother pushing up from the Eastern Shore of Maryland raising three daughters in the projects, somehow sending them all to college. 

I think of what these folks might have been had they not lived in world intolerant of black ambition. The world has changed. It has not changed totally, but it has changed significantly. When I fell out on the train, everyone on the car was white. So were all the paramedics and all the doctors and nurses. The challenge for someone trying to assess America, at this moment, is properly calibrating how far we've gone with how far we have to go. Too much optimism renders you naive; too much pessimism makes you cynical.

Je ne sais pas. What I know is I live in a time that people who made me possible only dreamed of. And then yesterday I almost lost it all. Today I called the doctor who assisted me on the train. He told me that by some act of magic the guy behind him had an epipen. He had no idea what would have happend if not for that fact. I remember standing in the bathroom thinking, I don't need to tell anyone. This will pass. And then my vision started going. I stumbled out of the bathroom and said, "I need help." After I laid down, I heard the doctor say, "I can't get a pulse." This is something no one ever wants to hear.

But I have seen the elephant now. It would not have been the worst way to go--kinda quiet, as Biggie would say--but it would have been going all the same. And I am most happy to still be here, to be with my family, and my friends, to be in the world with you. I'm not very good with crisis. I tend not to grasp the import until years later. 

For now, I am off to partake in an adventure, armed with a sack of meds, the works of Brendan Koerner, Ursala Le Guin, Antony Beevor and enough French to defend myself. I look forward to reporting back in the days to come.


The Iraq War and History as Self-Flattery

In his post arguing that the failures of the Iraq War are likely to be repeated, Jim Fallows makes the following point:
After Pearl Harbor, after Vietnam, after World War II, after the 9/11 attacks, even after civilian disasters like the Challenger explosion or Katrina, there were official efforts, of varying seriousness and success, to find out what had gone wrong, and why, and to yield "lessons learned." That hasn't happened this time, for a lot of reasons. 
For the Bush Administration, there was no "failure" to be examined and explained. For the Obama Administration, the point was to "look forward not back." People in the media and politics who were against the war know that it can grow tiresome to keep pointing that out. 

Example: Barack Obama would not be president today if he had not given a speech in Chicago in October 2002, saying that he (as a mere state senator) did not oppose all wars but was against a "dumb" and "rash" war in Iraq. Listen to how he talked in those days! He also denounced "the cynical attempt by Richard Perle and Paul Wolfowitz and other armchair, weekend warriors in this administration to shove their own ideological agendas down our throats, irrespective of the costs in lives lost and in hardships borne." Because of that speech, six years later Obama could argue that his judgment had been right, and the vastly more experienced HIllary Clinton's had been wrong, about matters of war and peace. But there's no percentage for him in bringing that up now.
Fallows's piece is all about the failure of Americans to revisit an important episode in our history. For those of us who've spent a good deal of time discussing the pernicious effects of racism, "look forward not back" is a familiar phrase. It's usually stated as thought it were some inviolable and honorable principle, when in fact it is an effort to escape accountability. As I said yesterday, it's not so much that we don't want to "look back" so much as we don't want to "look back" on things that might demand onerous labor on our part. Faced with a credit-card bill, I have often thought to suggest we should "look forward not back." Faced with a paycheck, not so much.

What separates the Iraq War from everything else Jim mentions here, is that it indicts not just an administration, but an entire class of "Serious People." These people tend to be powerful and they are insulated by the distance increasing distance between those who agitate for wars and those who fight them. They are insulated by the death of 120,000 Iraqi civilians. Given that, Jim is probably right. It will almost certainly happen again.

The Ghetto Is Public Policy

Beryl Satter's Family Properties is really an incredible book. It is, by far, the best book I've ever read on the relationship between blacks and Jews. That's because it hones in on the relationship between one specific black community and one specific Jewish community and thus revels in the particular humanity of all its actors. In going small, it ultimately goes big.

But the most affecting aspect of the book is the demonstration of the ghetto not as a product of a violent music, super-predators, or declining respect for marriage, but of policy and power. In Chicago, the ghetto was intentional. Black people were pariahs whom no one wanted to live around. The FHA turned that prejudice into full-blown racism by refusing to insure loans taken out by people who live near blacks. 

Contract-sellers reacted to this policy and "sold" homes to black people desperate for housing at four to five times its value. I say "sold" because the contract-seller kept the deed, while the "buyer" remained responsible for any repairs to the home. If the "buyer" missed one payment they could be evicted, and all of their equity would be kept by the contract-seller. This is not merely a matter of "Of." Contract-sellers turned eviction into a racket and would structure contracts so that sudden expenses guaranteed eviction. Then the seller would fish for another black family desperate for housing, rinse and repeat. In Chicago during the early 60s, some 85 percent of African-Americans who purchased home did it on contract.

These were not broken families in need of a lecture on work ethic. These were black people playing by the rules. And for their troubles they were effectively declared outside the law and thus preyed upon. 

Americans did not escape the implications of racist public policy. Here is Satter foreshadowing much of what we see in today's housing crisis:

[B]y the late 1960s, the system began to falter. Buildings were in such a sorry state that buyers were increasingly likely to put $100 down, make a few months of high payments, and then, overwhelmed by the avalanche of expenses necessary to make their new homes livable, abandon the properties. Without steady contract payments, Lawndale's contract sellers had no intention of continuing to pay their own mortgages. 

Instead, they defaulted on their loans, dumping hundreds of crumbling, overmortgaged buildings back onto the lending institutions. Since the near-ruined buildings were now worth only a fraction of the original loans, the institutions essentially lost their loan money, amounting to millions of dollars. These losses pushed First Mutual to the point of collapse. Desperate to recoup something, the company offered the buildings for sale, at "rock bottom prices," to whoever would take them. 

The scavengers who gathered to buy were often the same men who had dumped them in the first place. In one day alone, Moe Forman turned six slums over to First Mutual; five of the six ended up back in his hands, with Gil Balin as copartner. Al Berland dumped approximately sixty buildings onto First Mutual and then repurchased them at a fraction of their former worth.

By 1968, First Mutual was out of business, and 659 of its defaulted mortgages--worth $7.8 million--landed with the Federal Savings and Loan Insurance Corporation (FSLIC), the governmental agency that insured savings and loan deposits. Many of these debts had been owed by Lawndale's worst contract sellers. They included $756,920 in delinquent mortgages owed by Berke, $280,000 by Berland, $502,323 by Forman's F & F Investment company, $28,945 by Forman himself, and $241,658 by Fushanis's estate.
In the interest of racism, the American taxpayer ended up bankrolling a massive fraud perpetrated on black communities in Chicago. It gets worse:

Some observers found it difficult to understand why Forman and his circle were so eager to reclaim the buildings they had so recently shed. "Slums don't pay. If there was a conspiracy, it was stupid," claimed Pierre DeVise, an urbanologist who taught at the University of Illinois in Chicago. In fact, the "stupid" one was probably DeVise. As the Tribune commented, "Such disbelief ... has been the slumlords' greatest ally." For those ruthless enough to stomach the consequences, it was easy to make profits out of buildings for which one paid cash and on which one owed nothing. As Timothy O'Hara pointed out, "If you're not making repairs ... you are making 100 percent profit." 

However, O'Hara noted a growing trend among slum landlords: to "avoid paying gas bills until your tenants freeze." Leaving one's building without heat during Chicago's winters was of a different order from refusing to fix faulty wiring or broken windows. It indicated a new phase in their operation, in which the goal was not to get money from tenants but to force them out altogether. For tenants, the results could be lethal. After her nineteen-month-old son, Scott, died of pneumonia, Mary Miller told reporters: "We had to huddle together around the stove and pile on coats and blankets. But it didn't do any good." Every time she complained, "the landlady would say 'If you don't like it get out.'" In the winter of 1969, three babies died over a three-week period because their West Side slum apartments had gone unheated. Their deaths confirmed the insight of the Chicago Tribune's investigative reporters, who noted that, "when someone has to die in this shabby shell game played for money, it is usually a child." 

Slumlords' eagerness to rid their buildings of tenants was part of yet another profit-making scheme. It involved the manipulation of the Illinois Fair Plan, which was established in the aftermath of the 1968 riots to ensure that black neighborhoods were covered by fire insurance. As a result of the Fair Plan, buildings in Lawndale were now insurable for the same amount as those on the city's North Side Gold Coast. Slumlords realized that they could insure their rotting, neglected structures for twenty to thirty times what the buildings were worth. Of course, as one observer noted, they "aren't worth anything unless you burn them"--but if you didn't mind arson, then "even an abandoned building could be turned into a $60,000 windfall." 

Al Berland didn't mind. By August 1970, fires had broken out in forty-seven of his buildings and he had collected $350,000 in insurance. In one case, a tenant saved the lives of his four children by dropping them one at a time from a second-floor window. In another, Berland and Wolf were observed entering a property they owned at 715 South Lawndale "carefully" carrying some liquid in a bucket. The two men left "in a hurry" and shortly thereafter the building went up in flames. Later that day the police found Berland at his paint store, still wearing the clothing described by a witness. The witness later withdrew from the case "after his car caught fire mysteriously in front of his home." Chicago police sergeant John Moore, an arson expert, said that in his department Berland was known as "a torch."
One retort that people often make when discussing the history of racism is "We should not dwell on the past." It's an opportunistic claim--no one looks at July 4 and says "We should not dwell on the past." But more to the point, this is not the distant past. The men and women who suffered at the hands of the FHA and the racist aspects of New Deal legislation are very much alive today. Furthermore, their children are alive and the effects of that policy on the country are fairly obvious. We know what we want to know. We believe the ghetto is manifestation of individual will and amorphous culture values because that is what we would prefer to think. It's not so much that we don't want to dwell on the past, so much as we want to choose our past.

France, J'ai Peur de Vous



This morning I sent off the following e-mail:
Bonjour la famille d'xxxxx. Comment allez-vous? Je suis Ta-Nehisi Coates. Je crois que je resterai à chez vous pour quatre jours. Je voudrais vous remercier pour votre hospitalité. Mon français n'est pas bien. Mais, j'adore le langue et j'espère l'apprendre. Donc, quelque chose ne le sujet de moi. Je m'appelle Ta-Nehisi. Je suis américain.  J'habite à New York avec ma femme Kenyatta et mon fils Samori. (J'envoye un photo de ma famille aussi.) J'ai 37 ans et je suis en écrivain. J'aime leer, regarder le film et courir (faire du jogging.) 

Et je pense que c'est toute. Merci beaucoup pour toute le chose. Excusez mon français s'il vous plait. Merci beaucoup.
I'm leaving for Europe on Thursday for nine days--three in Paris and six in Montreux. The first three will be me attempting to apply what I've learned over the last two years. I'll spend the last six in intensive six-hour French classes. The note is to the family I'll be staying with. 

I am feeling the need to, again, express to you how precisely afraid I am. My passport arrived last Friday and I was -- all at once -- excited and horrified. Let us talk about the horror. For some time now I have been engaged to the theory of français. I've enjoyed playing around with the tenses, using the language with my tutor and butchering the grammar in my notes. I've generally played around with the idea of actually going to Europe. Even after I made travel and study arrangements, it all still seemed like theory.

Somehow I'd held on to the idea that my passport would be lost in the mail, or my application would be rejected on account of my Dad's seditious past. No dice.

There is an image stuck in my head: I board a plane. The plane takes off. A hole in the sky appears. The plane flies through the hole and disappears into some unknown other side that people call "Europe." 

What happens over there? Can I jog in the streets? Will people ask if I know Kobe Bryant? If I forget my place and say "tu" instead of "vous" will they cane me? And if I say "vous" instead of "tu" will they think I am being sarcastic? Who goes to another country and stays with people they don't know?

I don't know. I don't know anything. This is truly frightening -- and exhilarating -- part of language study. It's total submission. All around you will be people who know much more than you about everything. And the only way to learn is to accept this. You can't know what's coming next. You can't think about false goals like fluency. You just have to accept your own horribleness, your own ignorance and believe--almost on faith--that someday you will be less horrible and less ignorant. 

I've come to the point where I can accept that I am afraid and keep going. This is not courage, so much as understanding there's no other way. People who read this blog now send me notes in French. At speeches Haitian students approach me, and they speak French. My kid is starting to believe that learning a language is cool. I'm hemmed in by all of this, by ma grande bouche

And now there's no other way. Ces choses doit être fait.

What Chris Hayes Means to the Debate

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As we congratulate Chris Hayes on his move to primetime, I think it's worth looking at the considerable impact of his show. Courtesy of Alyssa Rosenberg, I think this chart from Media Matters is a really important illustration of Up With Chris Hayes contribution to "The Debate." The comparison here has problems. The other four shows here are rooted in "The Big Get," and are framed around an interview with a senator or a governor, people who generally tend to be white and male. But Chris features politicians in the way that they feature anyone else. If he gets a senator or governor, great. If he doesn't, oh well. From his perspective there's no real reason to believe that John McCain is going to give you the most informed perspective on housing policy.

The implications go beyond merely an amorphous "diversity." I am almost never surprised by anything a politician says on a Sunday talk show -- politicians generally parrot the party line. But I am very often surprised by what I hear on Up With Chris Hayes. That is because the show is more interested in policy itself, than the choreography of politics. You are not going to turn on Chris Hayes and hear "Is Climate Change Real? Ted Cruz and Andrew Cuomo Debate. You Decide." You are going to hear a scientist who actually knows what he's talking about.

I guess it's worth noting that Chris makes no pretense of objectivity. His is clearly a left-wing bias. This means nothing to me. The other Sunday shows are biased towards power. For years it was said that the Left needed a Fox News. I have never believed that. But I do think Fox News could use a Chris Hayes.

Western Thought for Class Cutters and Schoolmen Reformed

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The Leviathan (Chapter IV: Of Speech)

This was probably my favorite chapter so far, given my chosen craft. I continue to be amazed at Hobbes's literalism. He rails against metaphor and insists that words, and the training together of words, have precise meaning. Hobbes is pursuing truth. Words are his tools. Should his words be erroneous, he might find himself as the scientist fumbling with scales out of calibration. (TNC and The Horde are jacking for beats.) 

For Hobbes, "truth consisteth in the right ordering of names in our affirmations."  I don't want to keep beating the atheist drum, but this strikes me as an expansive vision of man's power. Perhaps the idea that total truth can be captured by words correctly applied was common at the time. I don't know. What's interesting to me also is that art, in no way, figures into Hobbes conception of truth. Poetry--or what today considers poetry--seems also out of the truth business. Here Hobbes list some of the abuses of language, including metaphor among them:

First, when men register their thoughts wrong by the inconstancy of the signification of their words; by which they register for their conceptions that which they never conceived, and so deceive themselves. Secondly, when they use words metaphorically; that is, in other sense than that they are ordained for, and thereby deceive others. Thirdly, when by words they declare that to be their will which is not. Fourthly, when they use them to grieve one another: for seeing nature hath armed living creatures, some with teeth, some with horns, and some with hands, to grieve an enemy, it is but an abuse of speech to grieve him with the tongue, unless it be one whom we are obliged to govern; and then it is not to grieve, but to correct and amend.

I was reminded that Hobbes himself uses metaphor, but he almost always does it with a literalness and precision. I might think "a rounded quadrangle" has meaning--signifying the impossibility of a relationship, for instance. But Hobbes rejects paradox as a literary, or perhaps, philosophical device. Consider this remarkable image:

By this it appears how necessary it is for any man that aspires to true knowledge to examine the definitions of former authors; and either to correct them, where they are negligently set down, or to make them himself. For the errors of definitions multiply themselves, according as the reckoning proceeds, and lead men into absurdities, which at last they see, but cannot avoid, without reckoning anew from the beginning; in which lies the foundation of their errors. From whence it happens that they which trust to books do as they that cast up many little sums into a greater, without considering whether those little sums were rightly cast up or not; and at last finding the error visible, and not mistrusting their first grounds, know not which way to clear themselves, spend time in fluttering over their books; as birds that entering by the chimney, and finding themselves enclosed in a chamber, flutter at the false light of a glass window, for want of wit to consider which way they came in. 

So that in the right definition of names lies the first use of speech; which is the acquisition of science: and in wrong, or no definitions, lies the first abuse; from which proceed all false and senseless tenets; which make those men that take their instruction from the authority of books, and not from their own meditation, to be as much below the condition of ignorant men as men endued with true science are above it. For between true science and erroneous doctrines, ignorance is in the middle. Natural sense and imagination are not subject to absurdity. Nature itself cannot err: and as men abound in copiousness of language; so they become more wise, or more mad, than ordinary. Nor is it possible without letters for any man to become either excellently wise or (unless his memory be hurt by disease, or ill constitution of organs) excellently foolish. For words are wise men's counters; they do but reckon by them: but they are the money of fools, that value them by the authority of an Aristotle, a Cicero, or a Thomas, or any other doctor whatsoever, if but a man.
I let this go on to feature more of Hobbes writing, which is really so sharp here. But note the concrete nature of the image. It is not abstract, and even if you've never seen the thing, you can imagine what Hobbes is saying to you.

As always, I am amused by his disrespect for the "Schoolmen"--they who traffic in "many words making nothing understood." What is the line from Aristotle to Cicero? I now know why Hobbes hates Aristotle, but I know nothing of Cicero. What was happening at that moment? I feel like I haven't gotten a clear picture from comments as to how much of a break Hobbes was from the past. He certainly feels like he's a break. He writes like an insurgent intellectual, not like someone guarding a hallowed tradition.

The Mellow Sounds and Romantic Mood of the French Subjunctive

To help with understanding the subjunctive, my French instructor has started giving me these "Subjonctif ou Indicatif" quizzes. The subjunctive is the terror of French students. You can go through any of my French posts and find people generally lamenting their ability to master the subjunctive. Part of the problem is that the subjunctive mood very much seems like a "mood." In other words, as much as it carries literal information, it seems like the subjunctive also emotes. Likely other moods also emote information (hence the point in calling them moods)

As someone who began his career in poetry, and is constantly telling his kids that language must carry both emotional and literal information, I love the subjunctive. It's like this dark, mysterious, achingly beautiful stranger. Which is different from saying I've mastered or I totally understand it. Mastery isn't the point. This is language study and study--in and of itself--is rewarding.

Part of the problem is that we think of foreign language as something to be conquered, or completed. We grade people in foreign language classes. The 'net is filled with sites that make claims like "Speak Fluent In French In Three Months!!!!" Everyone--including me--wants to know how long it will take to be fluent. But yesterday my French instructor told me there is no fluency, even she isn't "fluent." This is a person who speaks beautiful, beautiful French. Her point isn't that there is no literal "fluency" but that this isn't the best way to think about language study.

So these "Subjonctif ou Indicatif" quizzes are really about "study." They are about learning how the language feels. This isn't to say there aren't rules--there are. But the rules aren't enough. You have to try to understand the intent of the speaker, and then pick a form that best matches that. This is really just the essence of writing. It's not just matching words to thoughts, but finding words and ordering them in such a way so that they carry the full range, the full body and all the color of thoughts. "Subjonctif ou Indicatif" is basically what I try to do every day. I am amazed, and depressed, that it took me this long to get into foreign language.

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