Ta-Nehisi Coates

Ta-Nehisi Coates is a senior editor at The Atlantic, where he writes about culture, politics, and social issues. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore -- not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-'90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

Filtered by articles published last week (Clear filter)

The Social Construction of Race

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Here are two more posts worth checking out. One is from Razib Khan, on the biological basis of race. The other is a follow-up from Andrew which engages (with much sincerity and seriousness) with the commenters here. 

From Razib:

Ta-Nehisi has used an imagine of Walter White, the first African American head of the NAACP, to illustrate the pliability of the black identity. It certainly shows that there are no fixed definitions of race which are particularly useful. But that is a misconception of biological science, which is rife with exceptions and boundary conditions, and characterized by an instrumental perspective. The data above suggests that self-identified African Americans are characterized by some African ancestry, but over 90% are more than 50% African in ancestry. Walter White, who had five black great great great grandparents and 27 white ones, was almost certainly less than 20% African in ancestry. There are such people even today, but they are not typical, and do not disprove the reality that African Americans are predominantly of African ancestry.
I should be clear about something -- the invocation of Walter White or Mordecai Wyatt Johnson or Barack Obama isn't to say that most (or even many) black people share their particular ancestry. The point is that what you check on your census form in America is a product of social context. Social context is why someone who looks like me can be black (and proud, even!) in America and "colored" somewhere else. Social context is why our concept of race doesn't translate to, say, Brazil. This is a very present issue. Etta James didn't call herself "biracial." Perhaps if she were living today, she would.

Calling race a "social construct" does not mean that the biological ancestry -- and specifically West African ancestry -- of African Americans is mythical. It also doesn't mean that my ancestry has no actual implications. (See the map of sickle-cell density above.) And in the future, it may mean even more. Ancestry -- where my great-great-great-great grandparents are from -- is a fact. What you call people with that particular ancestry is not. It changes depending on where you are in the world, when you are there, and who has power. 

In this time and in this place, I am the same as man who immigrates from Kenya. We are both "black." Even if our ancestry is different. I believe the article Razib links to bears this out:

As expected, PCA on our entire sample revealed the greatest genetic differentiation between the US Caucasians and the Africans, with the African Americans intermediate between them, reflecting their recent admixture between ancestors from Europe and Africa. Our estimate of European individual admixture (IA) in the African Americans was also roughly consistent with prior studies [3], with an average of 21.9%. We found considerable variation among individuals in terms of European IA, and a number of individuals with particularly high European IA values (eight individuals of 136, or 6% with values greater than 45%). 

Prior studies focusing on mtDNA and Y chromosomes have found a greater African and lesser European representation of mtDNA haplotypes compared with Y chromosome haplotypes in African Americans, suggesting a greater contribution of African matrilineal descent compared with patrilineal descent [6,7]. For example, Kayser and colleagues [6] estimated that 27.5% to 33.6% of Y chromosomes in African Americans are of European origin, compared with 9.0% to 15.4% of mtDNA haplotypes.
Here is Andrew on a similar question of race and ancestry:

"Race" as a term is very nebulous. But human subgroups with similar ancestries can have group differences in DNA -- and intelligence is highly unlikely to have no genetic basis at all (although most now believe its impact is greatly qualified by cultural and developmental differences).
We are, indeed, agreed. So that leaves us with this:

But what I really want TNC to address is the data. Yes, "race" is a social construct when we define it as "white", "black," "Asian" or, even more ludicrously, "Hispanic." But why then does the overwhelming data show IQ as varying in statistically significant amounts between these completely arbitrary racially constructed populations? Is the testing rigged? If the categories are arbitrary, then the IQs should be randomly distributed. But they aren't, even controlling for education, income, etc. 
I do not know. Andrew is more inclined to believe that there is some group-wide genetic explanation for the IQ difference. I am more inclined to believe that the difference lies in how those groups have been treated. One thing that I am not convinced by is controlling for income and education. 

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What We Mean When We Say 'Race Is a Social Construct'

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Walter White. Chairman of the NAACP. Black dude. (The Walter White Project)

Andrew Sullivan and Freddie Deboer have two pieces up worth checking out. I disagree with Andrew's (though I detect some movement in his position.) Freddie's piece is entitled "Precisely How Not to Argue About Race and IQ." He writes:

The problem with people who argue for inherent racial inferiority is not that they lie about the results of IQ tests, but that they are credulous about those tests and others like them when they shouldn't be; that they misunderstand the implications of what those tests would indicate even if they were credible; and that they fail to find the moral, analytic, and political response to questions of race and intelligence.

I think this is a good point, but I want to expand it. Most of the honest writing I've seen on "race and intelligence" focuses on critiquing the idea of "intelligence." So there's lot of good literature on whether it can be measured, its relevance in modern society, whether intelligence changes across generations, whether it changes with environment, and what we mean when we say IQ. As Freddie mentions here, I had a mathematician stop past to tell me I needed to stop studying French, and immediately start studying statistics -- otherwise I can't possibly understand this debate.

It's a fair critique. My response is that he should stop studying math and start studying history.

I am not being flip or coy. If you tell me that you plan to study "race and intelligence" then it is only fair that I ask you, "What do you mean by race?" It's true I don't always do math so well, but I understand the need to define the terms of your study. If you're a math guy, perhaps your instinct is to point out the problems in the interpretation of the data. My instinct is to point out that your entire experiment proceeds from a basic flaw -- no coherent, fixed definition of race actually exists.

The history bears this out. In 1856, Ralph Waldo Emerson delineated the significance of race:

It is race, is it not, that puts the hundred millions of India under the dominion of a remote island in the north of Europe. Race avails much, if that be true, which is alleged, that all Celts are Catholics, and all Saxons are Protestants; that Celts love unity of power, and Saxons the representative principle. Race is a controlling influence in the Jew, who, for two millenniums, under every climate, has preserved the same character and employments. Race in the negro is of appalling importance. The French in Canada, cut off from all intercourse with the parent people, have held their national traits. I chanced to read Tacitus "on the Manners of the Germans," not long since, in Missouri, and the heart of Illinois, and I found abundant points of resemblance between the Germans of the Hercynian forest, and our Hoosiers, Suckers, and Badgers of the American woods.

Indeed, Emerson in 1835, saw race as central to American greatness:

The inhabitants of the United States, especially of the Northern portion, are descended from the people of England and have inherited the trais of their national character...It is common with the Franks to break their faith and laugh at it The race of Franks is faithless.

Emerson was not alone, as historian James McPherson points out, Southerners not only thought of themselves as a race separate from blacks, but as a race apart from Northern whites:

The South's leading writer on political economy, James B. D. De Bow, subscribed to this Norman-Cavalier thesis and helped to popularize it in De Bow's Review. As the lower-South states seceded one after another during the winter of 1860-61, this influential journal carried several long articles justifying secession on the grounds of irreconcilable ethnic differences between Southern and Northern whites. "The Cavaliers, Jacobites, and Huguenots, who settled the South, naturally hate, contemn, and despise the Puritans who settled the North," proclaimed one of these articles. "The former are a master-race; the latter a slave race, the descendants of Saxon serfs." The South was now achieving its "independent destiny" by repudiating the failed experiment of civic nationalism that had foolishly tried in 1789 to "erect one nation out of two irreconcilable peoples."

Similarly, in 1899 William Z. Ripley wrote The Races of Europe, which sought to delineate racial difference through head-type:

The shape of the human head by which we mean the general proportions of length, breadth, and height, irrespective of the " bumps " of the phrenologist is one of the best available tests of race known. Its value is, at the same time, but imperfectly appreciated beyond the inner circle of professional anthropology. Yet it is so simple a phenomenon, both in principle and in practical application, that it may readily be of use to the traveller and the not too superficial observer of men.

To be sure, widespread and constant peculiarities of head form are less noticeable in America, because of the extreme variability of our population, compounded as it is of all the races of Europe; they seem also to be less fundamental among the American aborigines. But in the Old World the observant traveller may with a little attention often detect the racial affinity of a people by this means.

Two years later, Edward A. Ross sought to apprehend "The Causes of Race Superiority." He saw the differences between the Arab "race" and the Jewish "race" as a central illustration:

It is certain that races differ in their attitude toward past and future. M. Lapie has drawn a contrast between the Arab and the Jew. The Arab remembers; he is mindful of past favors and past injuries. He harbors his vengeance and cherishes his gratitude. He accepts everything on the authority of tradition, loves the ways of his ancestors, forms strong local attachments, and migrates little. The Jew, on the other hand, turns his face toward the future. He is thrifty and always ready for a good stroke of business, will, indeed, join with his worst enemy if it pays. He is calculating, enterprising, migrant and ambitious

You can see more of this here.

Our notion of what constitutes "white" and what constitutes "black" is a product of social context. It is utterly impossible to look at the delineation of a "Southern race" and not see the Civil War, the creation of an "Irish race" and not think of Cromwell's ethnic cleansing, the creation of a "Jewish race" and not see anti-Semitism. There is no fixed sense of "whiteness" or "blackness," not even today. It is quite common for whites to point out that Barack Obama isn't really "black" but "half-white." One wonders if they would say this if Barack Obama were a notorious drug-lord.

When the liberal says "race is a social construct," he is not being a soft-headed dolt; he is speaking an historical truth. We do not go around testing the "Irish race" for intelligence or the "Southern race" for "hot-headedness." These reasons are social. It is no more legitimate to ask "Is the black race dumber than then white race?" than it is to ask "Is the Jewish race thriftier than the Arab race?"

The strongest argument for "race" is that people who trace their ancestry back to Europe, and people who trace most of their ancestry back to sub-Saharan Africa, and people who trace most of their ancestry back to Asia, and people who trace their ancestry back to the early Americas, lived isolated from each other for long periods and have evolved different physical traits (curly hair, lighter skin, etc.)

But this theoretical definition (already fuzzy) wilts under human agency, in a real world where Kevin Garnett, Harold Ford, and Halle Berry all check "black" on the census. (Same deal for "Hispanic.") The reasons for that take us right back to fact of race as a social construct. And an American-centered social construct. Are the Ainu of Japan a race? Should we delineate darker South Asians from lighter South Asians on the basis of race? Did the Japanese who invaded China consider the Chinese the same "race?"

Andrew writes that liberals should stop saying "truly stupid things like race has no biological element." I agree. Race clearly has a biological element -- because we have awarded it one. Race is no more dependent on skin color today than it was on "Frankishness" in Emerson's day. Over history of race has taken geography, language, and vague impressions as its basis.

"Race," writes the great historian Nell Irvin Painter, "is an idea, not a fact." Indeed. Race does not need biology. Race only requires some good guys with big guns looking for a reason.

The Man Who Liked to Sleep With Women

Here's a video of The New Yorker's Richard Brody giving his take on François Truffaut's L'homme Qui Aimait Les Femmes (The Man Who Loved Women). I watched this film recently and it went right over my head.

I felt like it wasn't so much watching a film about a man who "loved" women, so much as it was about a man who had devoted his life to having sex with women. Which is fine. I can certainly identify with the feeling. But then what? It was like watching a film about a guy who really liked pancakes—apart from the whole "Women are human beings, not possessions" jazz. (Who knew?)  

It could be me. I didn't get 400 Blows either. I'm learning French, but I remain a Philistine.
I did really enjoy Agnes Jaoui and Jean-Pierre Bacri's Les Gouts Des Autres (The Taste of Others). It's a small, quiet, beautifully acted film. Bacri, who wrote the script and plays the lead, is exceptional. It is one of the few films I've seen recently in which the lead and his romantic interest (Anne Alvaro, who is also awesome) are the same age. 

Les arts sont bizarre. Souvent, je ne peux pas savoir que c'est bon, et pourquoi. Mais, je sais que ça j'aime bien. Mais, je sais quoi j'aime bien.  (Those sentences are written to be corrected. No google translate. Francophones, have at it.)

The Grandiloquent Gatsby

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Here on the homefront, Chris Orr takes on Baz Luhrmann's The Great Gatsby:

His colors are as bright as those in a detergent commercial; his musical choices as intrusive as the exit cues on an awards show. The camera ducks and swerves like O.J. Simpson on his way to a car rental, and the cast all share a slightly vibratory, methamphetamine sheen. Topping off such excesses of cinematic technique, this Gatsby is rendered in 3D, an innovation only moderately less absurd than presenting Moby Dick in Sensurround, or Cannery Row in Smell-O-Vision. In short, although Luhrmann's film mostly adheres to the letter of Fitzgerald's novel, it would be difficult to envision a work less in keeping with its wistful spirit...

Apart from the misappropriation of Fitzgerald's classic text, what is most frustrating about The Great Gatsby is that it offers yet further proof that Luhrmann has a skill-set tailor-made for comedy that he insists on squandering in ill-fated attempts at tragedy. Since his delightful 1992 debut, Strictly Ballroom--recently released on Blu-ray--Luhrmann has taken five straight stabs at the latter tradition, missing the mark every time: Romeo + Juliet, Moulin Rouge!, an underwhelming Broadway production of La boheme, the epic folly Australia, and now Gatsby.

If only Luhrmann could be persuaded to put down his high-school syllabi and start leafing through some old song books instead. (Imagine what he could have done, to cite just one example, with the amateurishly under-directed Mamma Mia!.) But his tragic fixation seems incurable, no matter how many heartbroken narrators he cycles through. Just a few days ago, the director announced his hope to reunite with DiCaprio for an adaptation of, yes, Hamlet. And so the question is posed once again. I can only hope that this time the answer is "not to be."

They are who we thought they were. Everyone (including Chris) says that DiCaprio was quite good. The basic problem here is the same as it ever was. Maybe because of its title, and Fitzgerald's outsized persona, people think that The Great Gatsby has to be a big budget extravaganza. But the book actually reads like a French film or an American indie. It's not so much that Gatsby can't be filmed. It's that it can't be filmed by this Hollywood. 

It's Motherboy 40: Arrested Development Was Always Meant for the GIF Age

The cult of Arrested Development is pretty strong in my house, and rivaled only by the cult of Seinfeld (I'm a charter member, but not the boy) the cult of Star Trek: Voyager, (me and the boy are charter members, but not my wife) and the cult of Bob's Burgers (I can't do it.) Arrested Development is the one that unites us all.

Will Leitch writes about the perfect show for the ultra-connected age, founded before such connections had fully flowered:

The world into which the first three seasons of Arrested Development were released is dramatically different from the one we live in now. "I was doing a show that was all about re­watchability before there was technology that really provided that opportunity--before DVRs, etc.," Hurwitz said in an interview with Vulture last year. "In retrospect, it was more than audacious; it was foolish. " 

This is a key point, sort of the insane, futile genius of Arrested Development--a show that demanded the kind of giddy Internet dissections we do regularly now, but before there was any real forum in which to conduct them. The show was full of crazily subtle in-jokes you had to watch every episode over and over to catch, from the out-of-season seasonal clothing the Bluths made their housekeeper wear to Cloudmir Vodka, a brand that shows up in the background of at least a half-dozen scenes. We'd catch those immediately now, and every different Bluth family member's chicken impression would be gif'd within seconds of airing. It was a show made to be looped and recapped and deep-dived into, anticipating the current cultural moment without ever being able to benefit from it. A show for 2013 made in 2005. 

Then, of course, we knew not of GIFs. What we did know was that what Arrested Development was doing was so revolutionary and different it felt like public access, and it was on freaking Fox. (I remember Joe Buck and Troy Aikman plugging Arrested Development during the NFC Championship Game, for crying out loud.) And obsessing over Arrested Develop­ment made us feel better, smarter, cooler than all those dopes busy watching Two and a Half Men. In this way, Arrested Development didn't just foretell the viewing culture of 2013; it might have created it. The television world is so fractured and niche now that the shows we watch have become an important signifier of who we are--who we want to be seen as, anyway. I'm a Louie person but not a Community person. I'm a Breaking Bad person but not a Homeland one. And if I saw on your Facebook wall that you were an Arrested Development fan, well, I could bet you and I were gonna get along just fine.

I actually missed Arrested Development the first time out. I was introduced to it on Hulu, and I've probably rewatched the show's episodes more than any other I can think of. There is something very literary about the show—there are so many deep references and cross-references that you can't really catch until you've watched the entire run five different times.

It's certainly in my top five comedies. Can't wait for it to come back.

Random tangential thought: I stopped watching Community because it felt too self-referentially nerdy. (The D&D episode actually turned me off.) I'm starting to think maybe I was unfair. I should try again.

Morning Coffee: Childish Gambino's 'It May Be Glamour Life'

Finally heard Childish Gambino's Royalty. I think this is the only track on the album without Childish. Once Ghost spits, all you can do is get out the way. "We got skaters that'll ox your face off / Rob you like Madoff." Just beautiful. (The Kilo Kish joint is pretty cool too.)

The Dark Art of Racecraft

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Mordecai Wyatt Johnson, the first black president of Howard University

Dave Weigel is one of my favorite reporters, but I think this piece on Jason Richwine, intelligence research, and "race" deserves a closer look:

Academics aren't so concerned with the politics. But they know all too well the risks that come with research connecting IQ and race. At the start of his dissertation, Richwine thanked his three advisers -- George Borjas, Christopher Jenks, and Richard Zeckhauser -- for being so helpful and so bold. Borjas "helped me navigate the minefield of early graduate school," he wrote. "Richard Zeckhauser, never someone to shy away from controversial ideas, immediately embraced my work. ..."
Anyone who works in Washington and wants to explore the dark arts of race and IQ research is in the right place. The city's a bit like a college campus, where investigating "taboo" topics is rewarded, especially on the right. A liberal squeals "racism," and they hear the political-correctness cops (most often, the Southern Poverty Law Center) reporting a thought crime.

It is almost as though the "dark arts of race and IQ" were an untapped field of potential knowledge, not one of the most discredited fields of study in modern history. We should first be clear that there is nothing mysterious or forbidden about purporting to study race and intelligence. Indeed, despite an inability to define "race" or "intelligence," such studies are one of the dominant intellectual strains in Western history. We forget this because its convient to believe that history begins with the Watts riots. But it's important to remember the particular tradition that Charles Murray and Jason Richwine are working in. A brief reminder seems in order. 

Here is antebellum "race realist" Josiah Clark Nott writing in 1854 to justify slavery:

That Negroes imported into, or born in, the United States become more intelligent and better developed in their physique generally than their native compatriots of Africa, every one admits; but such intelligence is easily explained by their ceaseless contact with the whites, from whom they derive much instruction; and such physical improvement may also be readily accounted for by the increased comforts with which they are supplied. In Africa, owing to their natural improvidence, the Negroes are, more frequently than not, a half-starved, and therefore half-developed race; but when they are regularly and adequately fed, they become healthier, better developed, and more humanized. Wild horses, cattle, asses, and other brutes, are greatly improved in like manner by domestication : but neither climate nor food can transmute an ass into a horse, or a buffalo into an ox. 

Here is an excerpt from Madison Grant's 1916 study The Passing of a Great Race:

These new immigrants were no longer exclusively members of the Nordic race as were the earlier ones who came of their own impulse to improve their social conditions. The transportation lines advertised America as a land flowing with milk and honey and the European governments took the opportunity to unload upon careless, wealthy and hospitable America the sweepings of their jails and asylums. The result was that the new immigration, while it still included many strong elements from the north of Europe, contained a large and increasing number of the weak, the broken and the mentally crippled of all races drawn from the lowest stratum of the Mediterranean basin and the Balkans, together with hordes of the wretched, submerged populations of the Polish Ghettos. 

Our jails, insane asylums and almshouses are filled with this human flotsam and the whole tone of American life, social, moral and political has been lowered and vulgarized by them. With a pathetic and fatuous belief in the efficacy of American institutions and environment to reverse or obliterate immemorial hereditary tendencies, these newcomers were welcomed and given a share in our land and prosperity.... 

The result of unlimited immigration is showing plainly in the rapid decline in the birth rate of native Americans because the poorer classes of Colonial stock, where they still exist, will not bring children into the world to compete in the labor market with the Slovak, the Italian, the Syrian and the Jew. The native American is too proud to mix socially with them and is gradually withdrawing from the scene, abandoning to these aliens the land which he conquered and developed. 

The man of the old stock is being crowded out of many country districts by these foreigners just as he is to-day being literally driven off the streets of New York City by the swarms of Polish Jews. These immigrants adopt the language of the native American, they wear his clothes, they steal his name and they are beginning to take his women, but they seldom adopt his religion or understand his ideals and while he is being elbowed out of his own home the American looks calmly abroad and urges on others the suicidal ethics which are exterminating his own race.

Another from Lothrop Stoddard's 1922 work The Revolt Against Civilization and the Menace of the Underman:

In Massachusetts the birth-rate of foreign-born women is two and one-half times as high as the birth-rate among the native-bom; in New Hampshire two times; in Rhode Island one and one-half times, the most prolific of the alien stocks being Poles, Polish and Russian Jews, South Italians, and French-Canadians. What this may mean after a few generations is indicated by a calculation made by the biologist Davenport, who stated that, at present rates of reproduction, 1,000 Harvard graduates of to-day would have only fifty descendants two centuries hence, whereas 1,000 Rumanians today in Boston, at their present rate of breeding, would have 100,000 descendants in the same space of time. 

To return to the more general aspect of the problem, it is clear that both in Europe and America the quality of the population is deteriorating, the more intelligent and talented strains being relatively or absolutely on the decline. Now this can mean nothing lees than a deadly menace both to civilization and the race.

More from Lothrop Stoddard's 1921 book The Rising Tide of Color Against White World-Supremacy:

In the United States it has been the same story. Our country, originally settled almost exclusively by Nordics, was toward the close of the nineteenth century invaded by hordes of immigrant Alpines and Mediterraneans, not to mention Asiatic elements like Levantines and Jews. As a result, the Nordic native American has been crowded out with amazing rapidity by these swarming, prolific aliens, and after two short generations he has in many of our urban areas become almost extinct.

The racial displacements induced by a changed economic or social environment are, indeed, almost incalculable. Contrary to the popular belief, nothing is more unstable than the ethnic make-up of a people. Above all, there is no more absurd fallacy than the shibboleth of the "melting-pot." As a matter of fact, the melting-pot may mix but does not melt. Each race-type, formed ages ago, and "set" by millenniums of isolation and inbreeding, is a stubbornly persistent entity. Each type possesses a special set of characters: not merely the physical characters visible to the naked eye, but moral, intellectual, and spiritual characters as well. All these characters are transmitted substantially unchanged from generation to generation. 

To be sure, where members of the same race-stock intermarry (as English and Swedish Nordics, or French and British Mediterraneans), there seems to be genuine amalgamation. In most other cases, however, the result is not a blend but a mechanical mixture. Where the parent stocks are very diverse, as in matings between whites, negroes, and Amerindians, the offspring is a mongrel -- a walking chaos, so consumed by his jarring heredities that he is quite worthless. We have already viewed the mongrel and his works in Latin America.

Here is Karl Pearson in 1925 looking at Jewish immigration into Britain:

What is definitely clear, however, is that our alien Jewish boys do not form from the standpoint of intelligence a group markedly superior to the natives. But that is the sole condition under which we are prepared to admit that immigration should be allowed. Taken on the average, and regarding both sexes, this alien Jewish population is somewhat inferior physically and mentally to the native population. It is not so markedly inferior as some of those who wish to stop all immigration are inclined to assert. But we have to face the facts; we know and admit that some of the children of these alien Jews from the academic standpoint have done brilliantly, whether they have the staying powers of the native race is another question*. No breeder of cattle, however, would purchase an entire herd because he anticipated finding one or two fine specimens included in it; still less would he do it, if his byres and pastures were already full.

Far from being relegated to some musty corner of intellectual life, the Stoddard tradition, the tradition in which Jason Richwine stands, proved to be an influential force in world history. The Stoddard tradition gave us forced sterilization, "euthanasia" programs, miscegenation bans, and, ultimately, the Holocaust.

One might oppose the Stoddard tradition strictly on its tendency to birth suffering, misery, and catastrophe. But one can oppose it for simpler reasons -- its practitioners have a nasty habit of being wrong. Harvard still stands. The Jews of Poland seem to understand American ideas quite well. And it was not the darker races who threatened civilization, but the cannibal Nordics rampaging under the Nazi flag. History has been deeply unkind to Jason Richwine's spiritual ancestors. It's comforting to think that the academics who show no interest in the "dark arts" do so out of fear of the leftist cabal. More likely, they do so to avoid being associated with a specious field of study whose primary contributions to the world include justifying slavery and inspiring genocide. 

Which is not to say these authors should not be read. Pearson is especially instructive. In 1925, he claimed the Jews immigrating to Britain threatened to become a "parasitic race." Under similar thinking, Jews were subsequently subjected to college quotas throughout America. Today, the descendants of Pearson tell us that Jews are the intellectual cream of the genetic crop.

This is what Barbara and Karen Fields mean when they talk about "racecraft." Power must justify itself. When it is proven wrong, it simply recalibrates. Conditions and actions are explained away as the inalterable work of genetics. Yesterday's yellow peril becomes today's model minority. In the 1930s Jews dominated basketball because of their "Oriental background" and "flashy trickiness." Today blacks dominate it through their animal strength and agility.

You see this shifting in Weigel's own article, where we are told that Richwine is looking into "race." But Hispanics are considered an ethnic group, not a race. That is because we have trouble explaining why Matt Yglesias, Sophia Vegara, Carmelo Anthony, Rosario Dawson, and Charlie Rangel can be said to comprise a separate "race." One should also have trouble explaining why Walter White, Whoopi Goldberg, Djimon Hounsou, Jay Smooth, Mordecai Wyatt Johnson, and I are all the same "race." 

These people do share something in common -- their geographic ancestry makes them potential targets of white racism. If there is any fact we are warned away from, this is it. Richwine's theories originate from a long tradition of white racism, the tradition of Grant, Stoddard, and Pearson.  But to say this is to indict an insupportable portion of our own history and traditions. It is to remind us that the differences between us were constructed by men who sought power, and are maintained just the same.

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