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Ta-Nehisi Coates

Ta-Nehisi Coates

Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

Mad Men's Pimp Move

The internet has gone a bit crazy this week over Mad Men's Joan Holloway sleeping with a client in exchange for a partnership in the ad firm. 

Over at Vulture, Margaret Lyons defends the move:

A lot of the discussion around this episode focuses on would Joan really do this, and hey, she's in a desperate situation because she has to care for her child as a single parent. Yes, it's true that Joan is a single parent, and it's true that that's a difficult situation. Except Joan hasn't brought that up. She hasn't talked about her fears about raising Kevin alone and hasn't seemed all that stressed about money (or alimony?), to the point that she declines Roger's attempts to pay off-the-books child support. 

She didn't sleep with scuzzy car guy just because she was desperate for the stability. She slept with him because she's in a liminal phase. Liminalty is the scary in-between times in our lives, the weird time when we're not who we used to be but we're not quite who we're going to be. Joan's in a classic -- classic! -- liminal phase right now. 

She's not the office vixen anymore, but she hasn't really transitioned to doting mother. And to top it all off, she's in the middle of a particularly traumatic divorce. Joan doesn't know who she is anymore; her entire identity is jeopardized.

I waited all week to post on this hoping to come up with some rational, defensible argument for why this disturbed me. The best I came up with was what I initially felt--that this was one of the few times where I could "feel" the writers in the room with me. I felt like I was watching plot points, more than characters interacting.

I think it would help if I had some sense of why Pete is so good at his job, if they took some time to show us selling in the way that they show writing. I don't really "root" for characters. I don't much care about Joan and Don spending a tender moment together, except as it furthers the ends of story-telling. I don't care if Pete triumphs over all opposition, but I'd like to see more of why. As it stood, I didn't believe that the the other partners would allow Pete to be the sole go-between, that Roger would say nothing to her about it. I simply didn't buy it.

We live in era of cynical art. It's become a badge of honor for critics to say of writers "the characters in this piece are loathsome." Mad Men has always stood out for me in its ability to ride that line between cruel irony and romantic optimism. It's a really tough place to live. Everyone is in fear of making earnest art, and they should be. But often I think we just go the opposite direction, and slip into a reactionary pose. 

Last week's episode felt reactionary to me, almost didactic. It was, as one writer put it
"the most Mad Men episode of any episode of Mad Men, or like what you would think the show would be like if you'd only ever heard people talk about it." 

The Kill List

I'm still in the Mines of Moria (long-form, long-form, long-form) so I'm a little late on the news. But I did make it through the Times piece on Obama's Kill List. I thought this part about Al-Awlaki's killing was especially revealing:

In the wake of Mr. Awlaki's death, some administration officials, including the attorney general, argued that the Justice Department's legal memo should be made public. In 2009, after all, Mr. Obama had released Bush administration legal opinions on interrogation over the vociferous objections of six former C.I.A. directors. 

 This time, contemplating his own secrets, he chose to keep the Awlaki opinion secret. "Once it's your pop stand, you look at things a little differently," said Mr. Rizzo, the C.I.A.'s former general counsel. 

 Mr. Hayden, the former C.I.A. director and now an adviser to Mr. Obama's Republican challenger, Mr. Romney, commended the president's aggressive counterterrorism record, which he said had a "Nixon to China" quality. 

But, he said, "secrecy has its costs" and Mr. Obama should open the strike strategy up to public scrutiny. "This program rests on the personal legitimacy of the president, and that's not sustainable," Mr. Hayden said. "I have lived the life of someone taking action on the basis of secret O.L.C. memos, and it ain't a good life. Democracies do not make war on the basis of legal memos locked in a D.O.J. safe."

I think that last quote is particularly salient. (Whether Romney would do any better is irrelevant to the statement's validity.) I talked to Cornel West for another piece I'm working on, and one thing he said sticks with me:

You have Martin Luther King's statue in your office, but you are sending these unmanned drones out, and bombs are dropping on innocent people. That's not a small thing. That's not a small thing. We know from historic examples that if you engage in a certain kind of foreign policy it eats at your soul on the domestic front.

And there is no real sense of an "end." Has there ever been a point since America's inception when someone, somewhere, wasn't plotting our downfall? I have great difficulty perceiving a time when this won't be true. And so drone strategy comes to self-replicate. We bomb your village. You declare war on us for the bombing. We deem you a terrorist and bomb again. Rinse. Repeat.

The Obama administration considers any military-age male in the vicinity of a bombing to  be a combatant. That is an amazing standard that shares an ugly synergy with the sort of broad-swath logic that we see employed in Stop and Frisk,  with NYPD national spy network, with the killer of Trayvon Martin.

Policy is informed by the morality of a country. I think the repercussions of this unending era of death by silver bird will be profound.

When the Apology Makes It Worse

Heading off to do his 30-day bid, Dharun Ravi "apologizes"

"I accept responsibility for and regret my thoughtless, insensitive, immature, stupid and childish choices that I made on Sept. 19, 2010, and Sept. 21, 2010," Mr. Ravi said. "My behavior and actions, which at no time were motivated by hate, bigotry, prejudice or desire to hurt, humiliate or embarrass anyone, were nonetheless the wrong choices and decisions. I apologize to everyone affected by those choices."
Probably the most grating portion here is the idea that Ravi was not trying to "humiliate or embarrass anyone." The facts of the case really say otherwise. But as I've said before you the justice system isn't really set up to punish people simply for not being honorable. There's obviously a legal argument against admitting any fault. 

But what strikes me about these kinds of apology (George Zimmerman's as well) is this desire to appear contrite, without taking on any of the actual weight of genuine contrition. Qualities like "immaturity," "stupidity," "childishness," and "insensitivity" can be chalked up to ignorance or biology. Whereas "hate" and "bigotry" have been moved into the realm of indelible moral stains carried only by those who sleep under bridges and eat people.

I have long thought of "racism without racists" as merely the product of the color-line. But it's also the result of the American--and perhaps even the human--inability to admit fault. No one wants to be wrong. It is a great failing, not simply of morality and honor, but of imagination. Being wrong is painful. It would be painful for Ravi to tell the world he actually was trying to humiliate a fellow human for his own ends. It would be painful to admit that he actually has tried to spy on people in the past. But people who can't admit to who they are, have little chance of ever becoming anything more.

There's been talk in comments on what some community service, and exposure to different worlds might do for Ravi. I would not count on it. Until you can say "I was wrong" without pausing to defend yourself, there really isn't much hope.

The Lost Battalion

It's yours...

Bart Scott Doesn't Want His Kids Playing Football

The chorus swells a bit:

"I don't want my son to play football," Scott said. "I play football so he won't have to. With what is going on, I don't know if it's really worth it. . . . I don't want to have to deal with him getting a concussion and what it would be like later in life." 

Keeping kids inside a protective bubble has plenty of risks, too -- there are a lot more kids struggling with health problems related to obesity than there are kids struggling with health problems related to football -- but Scott said his 7-year-old son will get his exercise through non-contact sports. 

"He can play baseball," Scott said. "I really don't want him boxing, either, even though he wants to box. I won't let him box. It's not worth it. The most important thing for me is him being around and me being able to spend a long time with him and I'm sure, at the end of the day, all the things I'm able to buy him from playing football, he'd much rather have me."

I keep seeing people say that if you keep your kids from playing football you're keeping them "inside a protective bubble." I don't really understand that. Parenting is, by its very nature, a protective bubble. The question is what the exact nature of that bubble will be. Within reason, I think that's a decision that parents, themselves, must make. I also don't get this idea that obesity is somehow the opposite of playing football. The "football or nothing" attitude has really only steeled me in the idea that it's right to leave. 

On that note. I did a podcast with the PostBourgie crew (now over at HuffPo) in which we tackled this very question. The great Gene Demby hosted, fellow Cowboys fan Dion Nicole joined in, as did ex-TCU running back Joel Bell. For me the best part of the conversation wasn't even the "To watch or not" portion, but when Joel talks about being in the TCU backfield when on LaDainian Tomlinson arrived. Fascinating stuff.

F. Scott Fitzgerald's Small World




Having long railed against The Great Gatsby in 3D, I was obviously really interested in the trailer. It actually looks smashing. I am not a nostalgic, so I kind of love the surrealist, almost sci-fi take on New York in the roaring '20s.

But as impressed as I was by the look of the thing, I'm pretty sure I'll be skipping it. Gatsby, to me, will always be the ultimate study in the oxymoronic—a small book about a really big idea. That contrast—brevity and The Great American Novel, Fitzgerald's small world and the grand idea of American social-climbing—is what I come back to in the book. That, and of course, the characters.

Gatsby is a book that has come to mean something to people (or perhaps simply to Hollywood directors) that sometimes feels disconnected from the book itself. Fitzgerald's great trick was to write about two people who wanted each other, but not write a love story. Of course I root for Daisy to leave Tom every time. But my rooting is wrong, and by the end of the book, Fitzgerald has really shown you why. Daisy is the one that got away—except you have no idea what that means. That "one" isn't some better future. She is a person—a indelibly flawed American. Like you.

Gatsby is something I haven't seen recently in American film—a kind of anti-melodrama, an anti-love story. Perhaps it's my present biases, but I'd have loved to see the French take this one on.

Dorothy Parker in the Twitter Age

Looking through The Paris Review's massive archive of interviews, I found this exchange:

PARKER 

 All those writers who write about their childhood! Gentle God, if I wrote about mine you wouldn't sit in the same room with me. 

 INTERVIEWER 

 What, then, would you say is the source of most of your work? 

 PARKER 

 Need of money, dear.

Parker, of course, enjoys a sacred place in my heart for her hatred of racism and segregation. (She left her entire estate to Martin Luther King, whom she'd never met.) But she was famous for her whit, a fact which the The Review's interview makes clear she came to regard with disdain. You can see how it can reduce a writer and their talents. And yet even through reading this interview, I thought Dorothy Parker would have killed on twitter:

INTERVIEWER 

Do you think economic security an advantage to the writer? 

PARKER 

Yes. Being in a garret doesn't do you any good unless you're some sort of a Keats. The people who lived and wrote well in the twenties were comfortable and easy living. They were able to find stories and novels, and good ones, in conflicts that came out of two million dollars a year, not a garret. As for me, I'd like to have money. And I'd like to be a good writer. These two can come together, and I hope they will, but if that's too adorable, I'd rather have money. I hate almost all rich people, but I think I'd be darling at it. At the moment, however, I like to think of Maurice Baring's remark: "If you would know what the Lord God thinks of money, you have only to look at those to whom he gives it." I realize that's not much help when the wolf comes scratching at the door, but it's a comfort.

Read the whole thing. There's some great stuff in there about the actual craft of writing, and Parker's own assessment of her work.

50 Cent Endorses Marriage Equality; Wonders Why There's No 'White History Month'

The wave of rappers endorsing marriage equality has ranged from actual anti-homophobia to a more libertarian "meh." Now we have 50 Cent also endorsing marriage equality but wary of gays getting getting "special" rights:

"I think everyone should be happy. I think a fool is going to go against same sex marriage at this point. The President...look how long it took him to say he was for same sex marriages. You understand? I'm up for it. If everyone else is for it, then hey, to each his own. I don't have personal feelings towards it because I'm not involved in that lifestyle. I want people to be happy. It makes for everything to be better..."

"So in process, we need organizations for straight men. We do. We need organizations for straight men in the case you've been on the elevator and somebody decides they want to grab your little buns. Times are changing. Those organizations are set up for at one point they were being attacked for those choices. Now its completely different. Obviously [homosexuality] is more socially accepted."

This is what I meant about the difference between being fine with marriage equality, and still being bigoted against gays. As sure as there were arguments against slavery that had nothing to do with an affinity for black people, there are arguments for marriage equality that still allow for bigotry against gays and lesbians.

But this is what progress always looks like. Progress is not the practice of those in the business of sweeping success. Progress overawes--but its work is slow and grim. Progress waits on people to die, and more enlightened people to take their place. Progress works  even as the unenlightened abound, but find their ranks thinned and their positions exposed. 

Specifically, democratic progress is not revolution and can never be the gospel of people who measures success by complete victories achieved in singular life-times. Instead it is reserved for those  who are unrelenting in struggle, patient beyond their mortal coil, and willing to wage wars across generations.

If you will allow me to express this by analogy, I would say it like this: Moving from the "marrying your daughters" phase of the struggle to the "how come there's no white history month?" portion is exactly how progress works. 

Black Voters Evolving On Marriage Equality

Via Dave Weigel, some welcome news out of Maryland:

57% of Maryland voters say they're likely to vote for the new marriage law this fall, compared to only 37% who are opposed. That 20 point margin of passage represents a 12 point shift from an identical PPP survey in early March, which found it ahead by a closer 52/44 margin. 

The movement over the last two months can be explained almost entirely by a major shift in opinion about same-sex marriage among black voters. Previously 56% said they would vote against the new law with only 39% planning to uphold it. Those numbers have now almost completely flipped, with 55% of African Americans planning to vote for the law and only 36% now opposed. 

The big shift in attitudes toward same-sex marriage among black voters in Maryland is reflective of what's happening nationally right now. A new ABC/Washington Post poll finds 59% of African Americans across the country supportive of same-sex marriage. A PPP poll in the critical swing state of Pennsylvania last weekend found a shift of 19 points in favor of same-sex marriage among black voters.

As it currently stands, Maryland will be the first state to uphold marriage equality by referendum. I don't actually believe the right to create family among two consenting adults should be subject to the whims of a majority--black or not. 

With that said, if these numbers hold, will be a major statement. It would not simply mean that same-sex marriage held by a majority vote, but that it did so in one of the blackest states in the country. I don't think that says anything distinctive about African-Americans, except that in the climate, it seems exceptional to point out that black people are, in fact, not aliens permanently in the grip of pathology, but Americans.

I was skeptical that Obama would actually influence black opinions. I'm not sure he has. But I can't rule it out. It's clear that the trend was toward support. Maybe Obama gave it the final push. On a related note, preachers who thought they were going to use this to test, for better or ill, the most popular man in black America, should reconsider. As Weigel reports, that's already in happening:

[Reverend Emmett C]. Burns enjoyed the first spasms of repeal campaign coverage. He went on CNN and promised not to vote for Obama -- he was just so angry about the gay marriage "evolution." Less than a week later, he told National Review that he'd evolved. He'd back Obama anyway. It's not that easy to stake a position against the president and try to hold on to the black vote.

Smart man. No need to get timberland'd up. 

EDIT: Majeff cleans up one of my notions on Maryland being "first," below:

There are two other states where similar things could take place. Washington will likely be voting on whether to uphold that state's legislation granting marriage equality, and voters in Maine look like they'll be enacting marriage equality.

White Resentment, Obama, and Appalachia

Steve Kornacki tries to do the math on Obama's unpopularity throughout Appalachia:

A majority of Kentucky's 120 counties voted against Obama in the state's Democratic presidential primary, opting instead for "uncommitted." Big margins in Louisville and Lexington saved the president from the supreme embarrassment of actually losing the state, not that his overall 57.9 to 42.1 percent victory is anything to write home about...

Chalking this up only to race may be an oversimplification, although there was exit poll data in 2008 that indicated it was an explicit factor for a sizable chunk of voters. Perhaps Obama's race is one of several markers (along with his name, his background, and the never-ending Muslim rumors, his status as the "liberal" candidate in 2008) that low-income white rural voters use to associate him with a national Democratic Party that they believe has been overrun by affluent liberals, feminists, minorities, secularists and gays - people and groups whose interests are being serviced at the expense of their own.

I think that "Chalking this up only to race" is a strawman, and its one that I often see writers invoke when talking about white resentment and Obama. Here's another example from Chris Cillizza and Aaron Blake:

But although no one doubts that race may be a factor, exit polling suggests that the opposition to Obama goes beyond it. And seasoned political observers who have studied the politics of these areas say race may be less of a problem for Obama than the broader cultural disconnect that many of these voters feel with the Democratic Party. 

"Race is definitely a factor for some Texans but not the majority," said former congressman Charles W. Stenholm (D-Tex.). "The most significant factor is the perception/reality that the Obama administration has leaned toward the ultra-left viewpoint on almost all issues."

The presumption here is that race can somehow be bracketed off from the perception that Obama is "ultra-left."  Thus unlike other shameful acts of racism, opposition to Obama race as a possible "factor" but goes "beyond it." Or in Kornacki's formulation Obama, presumably unlike past victims, is facing a complicated opposition which can't be reduced to raw hatred of blacks.

The problem with these formulations is that they are utterly ahistorical. There is no history of racism in this country that chalked "up only to race." You can't really talk about stereotypes of, say, black laziness unless you understand stereotypes of the poor stretching back to 17th century Great Britain (Edmund Morgan again.) You can't really talk about the Southern slave society without grappling with the relationship between the demand for arable land and the demand for labor. You can't understand the racial pogroms at the turn of the century without understanding the increasing mobility of American women. (Philip Dray At The Hands Of Persons Unknown.)

And this works the other way too. If you're trying to understand the nature of American patriotism without thinking about anti-black racism, you will miss a lot. If you're trying to understand the New Deal, without thinking about Southern segregationist senators you will miss a lot. If you're trying to understand the very nature of American democracy itself, and not grappling with black, you will miss almost all of it. 

In sum, there is very little about racism that can be chalked "only up to race." Chalking up slavery, itself, only to race is a deeply distorting oversimplification. The profiling that young black males endure can't chalked up "only to race" either. It's also their youth and their gender. Complicating racism with other factors doesn't make it any better. It just makes it racism. Again. 

I don't mean to come down on Kornacki or Cillizza. But I think this sort of writing about race--and really about American politics--as though history doesn't exist is a problem. Specifically, journalists are fond of saying "racism is only one factor" without realizing that any racism is unacceptable. It is wrong to believe Barack Obama shouldn't be president because he's black. That you have other reasons along with those--even ones that rank higher--doesn't make it excusable. Likely those other reasons are themselves tied to Obama being black.

The Lost Battalion

Just want to apologize to everyone for the scant posting over the past few months. I'm finishing out a draft. (Finally.) This thing has been feasting on my soul.

It's yours.

Dharun Ravi and 30 Days

Emily Bazelon thinks it's the right sentence:

Judge Berman's sentencing decision may well disappoint M.B., as well as the Clementi family. They didn't ask for a particular sentence, saying they trusted the judge to get it right. Did he? I think the answer is yes, if you pay attention to the judge's reasoning. He faulted Ravi's lack of remorse and humility, saying, "I haven't heard you apologize once." The judge also said, "You can't expunge the misconduct and the pain you have caused." 

But Judge Berman rightly found that Ravi is probably not at risk to commit another similar offense. He took into account Ravi's young age--18 at the time of the spying--and his previously clean record. And Judge Berman also was right, I think, to say that while what Ravi did was wrong, he didn't contemplate the harm his misconduct would cause. And Judge Berman correctly pointed out that in the New Jersey cases in which a conviction for a bias crime has led to a long prison sentence, the bias was related to a crime of violence. A victim was beaten with a metal rod, for example. There was no violence at issue here, however unsavory the webcam spying was, and it's an important distinction that's worth preserving. Though I found myself more torn about the light sentence Ravi received today than I expected, I agree with the gay rights activists who have questioned what purpose a harsh prison sentence for Ravi would serve.
I don't think it would have served much. I really don't want to write that. There's a kind of weak nebbish bullying that you see from Ravi in this New Yorker piece that just infuriates. There's a natural urge to want to punish someone like that, or bring them to justice. But I think Ian Parker, following up his New Yorker piece has it right when he looks at the unmet desire to see Ravi express some contrition:

...this unmet desire is a reminder of something that the Ravi case seemed almost designed to illustrate: criminal law is not always the perfect means for reaching political or social goals.
Jail is pretty awful. A ten year bid would have almost certainly subjected to the constant threat of violence. I can't really see what good that would do. The criminal justice system can't really make people "good." It can't exact vengeance upon slime-balls. And it can't make Ravi and his supporters introspective at all. One of the problems of suicide it's that it leaves the living groping for answers. I don't a lengthy jail bid would have supplied any.

Morning Coffee

I didn't sleep that well last night and woke up feeling rather fickle. Guess that's means it's time for to change my opinion on The Greatest Hip-Hop Song In History. Yesterday we went with barbarian angst and proto-feminism. Today we'll go with the distinctive irony of American imperialism and  sucker MCs.

The extended metaphor has a deep tradition in hip-hop. There's of course Common's "I Used To Love Her," as someone pointed out yesterday Nas' "I Gave You Power," and Mobb Deep's "Drink Away The Pain." I'm lukewarm to the first (too earnest) a little more enthralled by the second (hard not to love, "I see niggas bleedin runnin from me in fear\stunningly tears fall down the eyes of these so-called tough guys, for years.") and much more in love with the latter. The awkwardly awesome cameo from Q-Tip comes like a left-hook (the aim of Oswald) from the days before there was something called "backpack rap."

But my favorite invocation of the extended metaphor is easily Company Flow's "Patriotism." You really could go crazy on thickness of these lyrics:

You up against -- Jesus Freaks, formin corporations  with Young Republicans 
Indelible NATO force hidden agenda, puppet governments 
I'm lovin it. Keep the people guessin who I'm runnin with 
Control the population and hide behind sacred covenants

My usual beef with these sorts of rhymes is they actually don't go deep enough, and are little too satisfied with the device, so satisfied in fact, that the actual lyrics are bent to serve the extension of the metaphor. But El-P is never hamstrung by the technique. Many of his best lines feel like they could have fit in any other battle-rap or freestyle. ("Your bitchy little policy dogs don't even phase my basic policy to bomb smarter\My Ronald Reagans crush Carter.) The metaphor saves him--not the other way around. 

Chuck D pioneered the art of merging the battle rap and political critique. In Chuck's construction he battled the FBI the way other rappers battled MCs. It was slick statement--Chuck was so beyond the competition that he'd gone beyond meta-battles to actual ones. El-P took that concept and ran with it, inverting it so as to say that he is as ruthless on the mic, as the American state is on the world-stage:

You just stepped into the spectrum of paranoid word rainbows 
Thinkin you sick with a sihlouette, burn transit cop out his plain clothes 
I'm America. This is where the pain grows like poppies 
In a Field of Dreams I paid for, I'll burn it down if operated sloppily. Copy?

The hottest shit on Soundbombing. 

All snark aside, one of the greatest lyrical performances I've ever heard. My only regret is present it to you in this form takes something away. It should be heard sandwiched between the Beatjunkies scratching this and "1999." I keep wanting to hear Talib say "Just relax, slow down..."


The Lost Battalion

It's yours...

'Guild Wars 2' and the End of Healing

Gamasutra has a good piece on the upcoming Guild Wars and the need to really make some progress in the mechanics of massively multi-player online role-playing games (MMOs):

"We're finally seeing a point where companies realize that they're not going to create the next great MMO by just copying what's come before," said Christopher Lye, global brand director at ArenaNet, who believes the definition of an MMO has come to mean games that follow a similar quest and combat structure to World of Warcraft. 

"'MMO' is a platform and set of technologies, not a game design model - and we've barely scratched the surface of what's possible ... Honestly, I think the problem is that there's been a lack of change in MMO design and that Guild Wars 2 is a reaction to that."

This part is music to my elvish ears:

ArenaNet is also breaking what Lye called the "holy trinity" of MMO combat -- tank, healer and DPS -- and omitting a dedicated healing class all together, giving some healing abilities to each profession. The designers hope this will "free players up from that dependency, so you see a lot more creativity in party make-up and tactics," said Lye.

I haven't played Star Wars: The Old Republic in months. There are probably many reasons for this, some of them having nothing to do with the game. But I have to say that I never adjusted to the notion of someone healing me by shooting at me. It felt like a blatant case of game mechanics overriding narrative. I found the game really immersive--but that need to be healed by someone shooting me always broke the spell.

Hetero Guilt and Narcissistic Groping

I don't think this Beenie Man's apology, which you can see above, is much of one. I'm in sympathy with the point about being young--especially for artists. A lot of us come from a place where being out is hazardous to your health. Then you go out into a world where gays are integrated into everyday life and you feel a little ignorant. Of course Beenie didn't say that. I don't even think he actually apologized. But I do think, taken with T.I.'s statement last week, you are actually seeing something new here--shame. People are becoming ashamed of being labeled homophobic.

When you think about bigotry there's a point where folks will just out and out express the most hateful thoughts--think Ben Tillman advocating lynching from the Senate floor. They usually do this because they have a crowd behind them. Sometimes they deeply believe what they're saying, and other times are simply looking for someone weaker to smack down.

So it's fine to use gay slurs, to urge violence against gays as long as there's a crowd that finds this either acceptable, or not particularly lamentable. The black past is filled with incidents of violence perpetrated by whites--not as racial terrorism--but simply as hedonistic malevolence.

It's Friday night and you've been drinking. You're looking for some amusement. You don't really have much in the way of political thoughts. But there are certain groups which the crowd views as outside of society. When they are victimized, the crowd may not always cheer you on, but you can count on them looking the other way.

More »

Morning Coffee





"Show You How To Do This Song" is the greatest hip-hop song ever. I know that last week proclaimed "Daytona 500" the greatest hip-hop song in all of known hip-hop history. But my status here as a public intellectual allows me to change my mind, and never bother to explain why. (It was in my contract.)

Moreover, key to my role as a prominent black intellectual is the conveyance of intellectual hipness. The accepted means of doing so usually involves crafting a jive hermeneutic melding Kierkegaard and Jay-Z. But I have never read Kierkegaard, and I just learned what word hermeneutic meant last week. I guess I'll just have to be fickle then.

Snark-aside, "Show You How To Do This Son" is--indeed--a great song. Probably my second favorite Jigga joint ("Dead Presidents Pt. 2" holds the top slot.) What you have here is Jay's classic dark sense of humor, channeling the ethos of drug-dealers and stick-up kids. I'm often shocked that as I've moved into the realm of respectability that this sort of hip-hop maintains a hold on me. But at least once a week I wake up and think:

Get a gun, a mask, an escape route
Some duct-tape'll make em take you to the house.

What "gangsta" rap always channeled was that outsider in all of us. And not the noble outsider, the barbarian, the viking, the savage. For me it was that sense that, "I am not a good person, and I like it." Of course I work hard at being moral, but I'm fairly sure that much of what I have is rooted in lizard-brain desire.

More »

The Lost Battalion

It's yours...

T.I. on Marriage Equality

Following Jay-Z's thoughts, the King offers his own:

I don't care. I don't see what the big deal is, why some people are so against it. Why would you be so against it if it doesn't affect you or your lifestyle? I'm not in that world and it doesn't affect me if they did or they didn't... I don't care enough one way or another. If something doesn't affect you, you should not take a strong position against it.
The other day someone mentioned that opposition to marriage equality, while widespread, was thin. In other words, if you asked posed same-sex marriage to someone, initially, they'd oppose it. But it isn't the sort of issue that most people are really going to wage war, unless you truly believe 1.) Gay marriage is an offense to God. 2.) That government should follow that dictate.

There's an initial reaction to something many of us had never considered as possible. But the more of it you see, the more possible it becomes to imagine. 

Finally, prejudice is a kind of cartel that works best when there is no real dissent. Once one person breaks away, others who may have had doubts find it easy to speak up. Moreover, those who never really had objection--but were just kinda going along--also fall away. It's not like everyone in Mississippi thought Emmitt Till got what he had coming.

I think the marriage equality folks concerned about gay marriage in black communities, should really recruit some rappers. They've already done it with black athletes. But I bet they could get some rappers on board too.

Morning Coffee

"Daytona 500" is the greatest hip-hop song ever--not merely my favorite, but "the greatest."

This is true because I have declared it as such. One of the benefits of of my status as a black intellectual is the right to cocoon myself in an elite bastion, and make broad declarations about urban culture, at a safe distance from those best equipped to refute said declarations.

Some black intellectuals would use their power to assure you that black people like being poor. I shall use it to declare that hip-hop begins in 1988 ends in 1998, and no intelligent person could possibly think differently. Also, the West Coast never happened. (OK, I'll give you Ice Cube.) There is no such thing as the South. Outkast were from Philly.

At any rate, I defy you to find a hip-hop song greater than "Daytona 500." What constituites greater? Whatever suits my whim. I'm a black intellectual. I have pronounced it from the offices of The Atlantic, therefore it must be true.

MORE: Snark aside, I need to make clear that TROY is the greatest hip-hop song ever. Again, no intelligent person can dispute.


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