In a speech about family values, the only woman in the GOP field doesn't bring up the personal values of a certain scandal-ridden rival
Michele Bachmann spoke about the importance of family values in Washington on Monday. The candidate currently occupying what was once her space in the Republican presidential primary has been accused of conduct you could call inconsistent with family values -- allegedly sexually harassing multiple women, one of whom was scheduled to come forward Monday afternoon.
An obvious opening, you might think -- even the most mild reference would be seized upon as a new development in the scandal enveloping Herman Cain. But Bachmann didn't get anywhere near the subject, and even seemed to back away from an earlier vague allusion to it.
"While this election season has been full of surprises, I can assure there will be no policy surprises with me," she said -- seeming to exclude personal surprises with the addition of the word "policy."
Eclipsed by other candidates and beset by campaign chaos, Bachmann now needs all the attention she can get. She's slipped to fourth in Iowa and sixth nationally according to recent polls. But she continues to carry on as if nothing has changed and didn't mention any of the other candidates by name in her Monday speech at the Family Research Council.
She noted that "some Republican candidates seem confused about what it means to be 100 percent pro-life," an apparent reference to Cain. She said, "It isn't heartless, it isn't cruel to cut these programs," which might have been directed at Rick Perry. She lamented that "too many Republicans" are merely "frugal socialists" compared to the "out-of-control socialist" in the White House. Romney, perhaps? All of them?
When a reporter asked who she meant by that last one, she smiled and said, "You see, that's part of the puzzle that you figure out." Politicians hate when reporters read between the lines of what they're saying, except when they demand it.
It's strange to see Bachmann being so skittish about attacking other candidates. In the run-up to the Ames straw poll in August, she effectively buried Tim Pawlenty with her brutal, direct salvos against him. She was a key part of the multi-candidate pile-on that torpedoed Perry's roll-out, memorably speaking of "innocent little 12-year-old girls ... forced to have a government injection," and proceeding to link the Gardasil vaccine to a charge of "crony capitalism."
This isn't about a media hungry for conflict between the candidates, the more brutal the better. It's about Bachmann's need to distinguish herself from her rivals in more than vague terms if she wants voters to consider her anew.
Bachmann's speech didn't go there, or really anywhere. Reading from a prepared text, she rushed through a series of points about history and the Constitution, touching on such hot-button topics as the space program and the U.N. charter. It was if she knew that the scattered, oblique attack lines would be picked up and isolated, and the rest was basically window dressing.
In a radio interview airing Monday, Bachmann reportedly was more explicit in her criticism, singling out Cain for being "inconsistent" on policy. But as the only woman in the field of candidates, and one who has made her status as wife an mother central to her appeal, she would seem to be uniquely situated to raise questions about Cain's alleged personal conduct. Plenty of Republicans -- women in particular -- have qualms about Cain's trustworthiness in the wake of the harassment revelations. Part of the reason Cain has so successfully framed the scandal as a battle between him and the media is that none of his rivals has sought to recast it as a question of character.
That includes Bachmann, apparently. Asked after the speech if she thought candidates' personal values ought also to be considered, she said, "Uh, that would be up to the voters, I guess, to decide. Sure."
How a strange face in a random 19th-century newspaper ad became a portal to a forgotten moment in ASCII art history
One of the joys of modern technology is how easy it is to immerse yourself in the past. Every day, more libraries and archives are pushing pieces of their collections online in easily browsable interfaces.
For some, meditation has become more curse than cure. Willoughby Britton wants to know why.
Set back on quiet College Hill in Providence, Rhode Island, sits a dignified, four story, 19th-century house that belongs to Dr. Willoughby Britton. Inside, it is warm, spacious, and organized. The shelves are stocked with organic foods. A solid wood dining room table seats up to 12. Plants are ubiquitous. Comfortable pillows are never far from reach. The basement—with its own bed, living space, and private bathroom—often hosts a rotating cast of yogis and meditation teachers. Britton’s own living space and office are on the second floor. The real sanctuary, however, is on the third floor, where people come from all over to rent rooms, work with Britton, and rest. But they're not there to restore themselves with meditation—they're recovering from it.
For centuries, philosophers and theologians have almost unanimously held that civilization as we know it depends on a widespread belief in free will—and that losing this belief could be calamitous. Our codes of ethics, for example, assume that we can freely choose between right and wrong. In the Christian tradition, this is known as “moral liberty”—the capacity to discern and pursue the good, instead of merely being compelled by appetites and desires. The great Enlightenment philosopher Immanuel Kant reaffirmed this link between freedom and goodness. If we are not free to choose, he argued, then it would make no sense to say we ought to choose the path of righteousness.
Today, the assumption of free will runs through every aspect of American politics, from welfare provision to criminal law. It permeates the popular culture and underpins the American dream—the belief that anyone can make something of themselves no matter what their start in life. As Barack Obama wrote in The Audacity of Hope, American “values are rooted in a basic optimism about life and a faith in free will.”
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
Many animated series in the U.S. are hand-drawn in South Korea, but the country’s recent transition to digital tools could spur a transformation in American television.
Animated sitcoms have long offered sharp insight into American culture. The Simpsons is so astute that, 16 years ago, the show predicted Donald Trump’s run for president. A running joke on Bob’s Burgers revolves around the “Burger of the Day,” with past entries including the “Sweet Home Avocado Burger” and “Mission A-Corn-Plished Burger.” The Boondocks follows a black family as they adjust to life in a mostly white suburb. Family Guy—a subversive spin on a family with 2.5 children and a dog living in Rhode Island—has lampooned everything from the legalization of marijuana to summer camp.
Although these primetime series appear as American as apple pie, and are conceptualized and written in the U.S., the bulk of their animation is done in South Korea. Animation requires 12 frames for every second of airtime. Korean studios take the voice recordings and the storyboards, and their artists draw out each frame—on paper. They start with characters’ key poses, then do the “in-betweening,” or the painstaking process of crafting incremental micro-movements so the motion looks smooth. Korean animators can draw 240 pages for a single 20-second scene, and around 7,000 drawings per half-hour episode.
Three Atlantic staffers discuss “The Door,” the fifth episode of the sixth season.
Every week for the sixth season of Game of Thrones, Christopher Orr, Spencer Kornhaber, and Lenika Cruz will be discussing new episodes of the HBO drama. Because no screeners are being made available to critics in advance this year, we'll be posting our thoughts in installments.
Why aren’t the critics comparing Donald Trump to a fascist acknowledging that the office he seeks is too powerful?
Wake up, establishment centrists: Donald Trump is coming!
After the Vietnam War and Watergate and the spying scandals uncovered by the Church Committee and the Nixon Administration cronies who nearly firebombed the Brookings Institution, Americans were briefly inclined to rein in executive power—a rebuke to Richard Nixon’s claim that “if the president does it, that means it’s not illegal.” Powerful committees were created to oversee misconduct-prone spy agencies. The War Powers Resolution revived a legislative check on warmaking. “In 34 years,” Vice President Dick Cheney would lament to ABC News in a January 2002 interview, “I have repeatedly seen an erosion of the powers and the ability of the president of the United States to do his job. I feel an obligation... to pass on our offices in better shape than we found them to our successors."
The refugee crisis in the Dominican Republic and Haiti shows the human consequences of extreme anti-immigration policies—and how voters get used to them.
An unprecedented refugee crisis, economic inequality, and fears of terrorism are helping stoke the rise of extreme anti-immigrant politicians across Europe and the United States. Hungary’s Viktor Orban, France’s Marine Le Pen, Austria’s Norbert Hofer, and yes, Donald Trump, are riding a much-remarkedsurge in popular support, with Hofer just losing his presidential bid by a razor-thin margin. All have embraced extreme nativist rhetoric, but meanwhile a different nationalist experiment is already running its course, and uprooting thousands on the basis of their ancestry, under a leader who is by most accounts a moderate technocrat. And the Dominican Republic’s President Danilo Medina just claimed a landslide reelection victory.
FindFace's technology may one day allow anyone to identify you with their phone.
Imagine you’re sitting in a coffee shop. Out of the corner of your eye, you see a stranger pointing his phone in your direction. The next day, you get an email from someone claiming to have seen you at the coffee shop. He’s asking you on a date. You have no idea how he got your contact information, let alone how he identified you.
The power to identify total strangers on the street is the advertising pitch for a new wave of startups hoping to capitalize on rapidly advancing facial recognition technology. But in Russia, it’s already a reality.
FindFace, an app launched by a Russian startup two months ago, lets its users identify strangers from pictures of their faces. It does so by matching the photos against profile pictures from VK—also known as VKontakte—a Russian social networking website similar to Facebook. Its founders have touted the app as great for building friendships or starting relationships with strangers. But the privacy risks are enormous.