Reggie Brown, the comedian yanked off the stage at the Republican Leadership Conference, gives me his take. (P.S. Republicans love him.)
The big news out of the RLC meeting in New Orleans last weekend didn't involve a candidate, but a president--or rather, a presidential impersonator named Reggie Brown whose comedy set poking fun at the Republican candidates and the president scandalized the organizers, who yanked Brown from the stage mid-set and later put out a statement slamming him for "racially insensitive jokes." It turns out Reggie Brown and I have a friend in common, and yesterday that friend put us in touch. We talked about how the RLC event looked from his vantage point--much different--and what the fallout has been. (Hint: Not too bad--he's got a bunch of new Republican bookings, including Fox News this weekend.) Here's a lightly edited transcript, along with video of his aborted RLC act and another one from his website that I like.
Was a Republican political conference different from the stuff you usually do?
I normally do corporate comedy, so I'll travel around and do everything from medical associations to lawyer groups, things of that nature. This was the first major political event I've ever been invited to, so I was real excited to get up and perform my material. I thought it was cool that a lot of the people in my act--the candidates--were going to be there. Because my latest material is based on the 2012 candidates, and for them to all be there, I thought it would be a great opportunity to make 'em laugh and poke a little fun at them. I thought that showed a lot for the Republican sense of humor.
Did the organizers give you any guidance about what type of humor they were looking for?
No, no guidance was given prior to the show. They booked me to come down based on my website and the links my manager forwarded them of my recent work. I was booked to do my routine.
What was your intention going in? Seemed like you tried to kind of hit every target, Democrat and Republican.
Oh yeah. Our show is designed to be fair and balanced. If we hit the Republicans we hit the Democrats, and then the Tea Party. We want to make it accessible to everyone, and let everyone have a good time.
So walk me through what happened out there on stage? What was your point of view?
So I came out and was going through my material. I was loving it, the audience was loving it--great energy. We're feeding off each other. And I started to get into my set about their candidates for 2012, and the Mitt Romney joke drew a lot of 'oohs' and 'aaahs,' but also a lot of applause and laughter. I delivered a couple more on Pawlenty and Gingrich, and then as I started into my Michele Bachmann joke and her PowerPoint slide came up on the screen, the music came up. I thought it was a technical error, because we do occasionally experience a glitch with the PowerPoint. Then the mike cut out, and the gentleman came on stage and told me my time was up.
Did they indicate that they were unhappy with your performance? What did he say?
No, not at all. He just came out and said, 'Sorry, your time's up.' I thanked the audience, went backstage, and a few of the organizers were saying, great job, very well done, we're all excited for you. I left the stage feeling like I'd done a great job. It was awesome, it was great.
Did you get to talk to any of the folks in the crowd afterward?
We went directly back to the hotel, my manager and me, and I got mobbed by the attendees. They were all saying, "Oh my god! Are you the Obama? Is that the Obama guy?" Because at this point I was in a t-shirt, shorts and flip-flops. They were like, "You were amazing! You were the best part of this conference. Why'd they pull you off?" People were upset that they didn't let me finish. They were just very complimentary. It was amazing. I had an 85-year-old woman tell me it was the funniest performance she'd every seen in her life and that she'd almost wet her pants. It was very well received and I really am sorry to my fans that I wasn't able to finish.
So at what point did you become aware that the organizers considered you a political problem?
When we got back to my hotel room, all these articles started popping up. The first few were saying "Obama impersonator mocks president at GOP function." Then a few started saying there was a controversy over racist jokes and things like that. So it was crazy to see the spin they started to put on it after I left--feeling I'd delivered a great performance, being told I did well. And then the eruption online.
They put out a statement condemning your afterward, right?
Yes, I met the guy before the show, too, and his wife, and he was all excited. He was like "This is great, I'm looking forward to seeing the show." Like most of the clients he was all happy, smiley, taking pictures together beforehand. Then afterward he started releasing these statements that weren't so positive, or accurate.
Anything in that act you regret?
No, I don't regret one joke. That's what I do. We spend a lot of time tailoring my material. I don't mean to offend anyone through my comedy. It is intellegent humor that's pretty much up to the minute on the political scene.
You don't consider that joke about Barney Frank's "soft backside" a little offensive?
No, that was just in reference to him sitting on his big behind while Freddie and Fannie collapsed. It wasn't really in reference to anything else.
Did you have any qualms about taking the gig? Are political crowds tougher than ordinary crowds?
It depends. A lot of it has to do with the energy, but this was a great audience. You have to be able to poke fun at yourself. It's amazing how things blew up. We've gotten like 500 emails, and news reports from as far away as Europe and South Africa. We already have a lot more bookings that have come in since then, and actually more on the Republican side than the Democratic side. I'll be on Mike Huckabee's Fox show on Saturday, in fact.
Just to clear this up, I'd seen some of your earlier clips and interview on YouTube and you didn't strike me as someone who has any animosity toward President Obama.
Not at all, I love our president. He has changed my life in ways I wouldn't have imagined. I have the best job in the world, I'm able to use my striking physical resemblance to him and my talents to develop this character that the world has been very receptive to. He's given me the opportunity to--and this may sound cheezy--but to live out my dreams. And it's been awesome. I love it.
You mentioned they yanked you before your Michele Bachmann joke. Want to finish your act for me? What was the joke?
[Speaking in the voice of Obama] What can I say about Michele Bachmann that she hasn't already said about herself? Now, last week she called me a one-term president. Uhh, now look. I may be a one-term president, but that's better than your former leader, George W. Bush, who was a one-syllable president.
Though it wasn’t pretty, Minaj was really teaching a lesson in civility.
Nicki Minaj didn’t, in the end, say much to Miley Cyrus at all. If you only read the comments that lit up the Internet at last night’s MTV Video Music Awards, you might think she was kidding, or got cut off, when she “called out” the former Disney star who was hosting: “And now, back to this bitch that had a lot to say about me the other day in the press. Miley, what’s good?”
To summarize: When Minaj’s “Anaconda” won the award for Best Hip-Hop Video, she took to the stage in a slow shuffle, shook her booty with presenter Rebel Wilson, and then gave an acceptance speech in which she switched vocal personas as amusingly as she does in her best raps—street-preacher-like when telling women “don’t you be out here depending on these little snotty-nosed boys”; sweetness and light when thanking her fans and pastor. Then a wave of nausea seemed to come over her, and she turned her gaze toward Cyrus. To me, the look on her face, not the words that she said, was the news of the night:
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
After calling his intellectual opponents treasonous, and allegedly exaggerating his credentials, a controversial law professor resigns from the United States Military Academy.
On Monday, West Point law professor William C. Bradford resigned after The Guardianreported that he had allegedly inflated his academic credentials. Bradford made headlines last week, when the editors of the National Security Law Journaldenounced a controversial article by him in their own summer issue:
As the incoming Editorial Board, we want to address concerns regarding Mr. Bradford’s contention that some scholars in legal academia could be considered as constituting a fifth column in the war against terror; his interpretation is that those scholars could be targeted as unlawful combatants. The substance of Mr. Bradford’s article cannot fairly be considered apart from the egregious breach of professional decorum that it exhibits. We cannot “unpublish” it, of course, but we can and do acknowledge that the article was not presentable for publication when we published it, and that we therefore repudiate it with sincere apologies to our readers.
Accusations of terrorism are a window into how the Turkish government tries to intimidate reporters, but also how a media bad boy is maturing.
Under Recep Tayyip Erdogan’s presidency, Turkish journalists have increasingly been badgered, intimidated, threatened, and punished. Now, however, the Turkish government is going after two foreign journalists.
It’s not difficult to see why the Turkish government might not want journalists in the area. Kurdish fighters, some backed by the U.S., have been battling ISIS in Iraq for months. While Turkey opposes ISIS, it’s also terrified of emboldened Kurds pushing for an autonomous state in the region. For decades, Ankara has fought a protracted war against Kurdish guerrilla groups in southeastern Turkey. After long trying to avoid being drawn into the conflict against ISIS, Turkey, a U.S. ally, has begun to take action, but it’s fighting against both ISIS and the Kurds, a strange case where, for the Turkish government, the enemy of my enemy might still be my enemy.
Many educators are introducing meditation into the classroom as a means of improving kids’ attention and emotional regulation.
A five-minute walk from the rickety, raised track that carries the 5 train through the Bronx, the English teacher Argos Gonzalez balanced a rounded metal bowl on an outstretched palm. His class—a mix of black and Hispanic students in their late teens, most of whom live in one of the poorest districts in New York City—by now were used to the sight of this unusual object: a Tibetan meditation bell.
“Today we’re going to talk about mindfulness of emotion,” Gonzalez said with a hint of a Venezuelan accent. “You guys remember what mindfulness is?” Met with quiet stares, Gonzalez gestured to one of the posters pasted at the back of the classroom, where the students a few weeks earlier had brainstormed terms describing the meaning of “mindfulness.” There were some tentative mumblings: “being focused,” “being aware of our surroundings.”
The neurologist leaves behind a body of work that reveals a lifetime of asking difficult questions with empathy.
Oliver Sacks always seemed propelled by joyful curiosity. The neurologist’s writing is infused with this quality—equal parts buoyancy and diligence, the exuberant asking of difficult questions.
More specifically, Sacks had a fascination with ways of seeing and hearing and thinking. Which is another way of exploring experiences of living. He focused on modes of perception that are delightful not only because they are subjective, but precisely because they are very often faulty.
To say Sacks had a gift for this method of exploration is an understatement. He was a master at connecting curiosity to observation, and observation to emotion. Sacks died on Sunday after receiving a terminal cancer diagnosis earlier this year. He was 82.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
Can the sleek F-35 match the rugged dependability of the aging A-10? The Pentagon plans to find out.
If you’re the Pentagon, how do you choose between an aging, but dependable, fighter jet and a brand new aircraft that you’re not quite sure is up to the job? You have them fight it out, naturally.
That’s essentially what the Air Force said it would do when it announced that starting in 2018, it would pit the A-10 “Warthog” against the F-35 Joint Strike Fighter in a series of tests to see if the new F-35s can adequately replace the A-10s, which the military wants to retire. A 40-year-old platform, the A-10 has been described by Martin Dempsey, the joint chiefs chairman, as “the ugliest, most beautiful aircraft on the planet.” It may be old, but as a certain Irish actor would say, it has a very particular set of skills: The A-10 excels at providing what’s known as “close-air support,” flying low and slow to provide ideal cover protection for U.S. troops fighting in ground combat. That capability is prized not only by the military, but also by a pair of key Republican lawmakers who oversee its budget, Senators John McCain and Kelly Ayotte.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The tennis player is arguably the era’s greatest athlete, but she has fewer endorsements than other less-successful players.
The U.S. Open begins today (August 31), and Serena Williams has a chance to make tennis history. A win would put her at 22 career Grand Slam titles, tying Steffi Graf for second most, behind only Margaret Court. Her astonishing ability prompts arguments that she’s the sport’s greatest female player of all time, and currently the most dominant U.S. athlete in any sex or sport. Katrina Adams, the president of the U.S. Tennis Association, recently posited that Williams is the greatest athlete ever—period.