Reggie Brown, the comedian yanked off the stage at the Republican Leadership Conference, gives me his take. (P.S. Republicans love him.)
The big news out of the RLC meeting in New Orleans last weekend didn't involve a candidate, but a president--or rather, a presidential impersonator named Reggie Brown whose comedy set poking fun at the Republican candidates and the president scandalized the organizers, who yanked Brown from the stage mid-set and later put out a statement slamming him for "racially insensitive jokes." It turns out Reggie Brown and I have a friend in common, and yesterday that friend put us in touch. We talked about how the RLC event looked from his vantage point--much different--and what the fallout has been. (Hint: Not too bad--he's got a bunch of new Republican bookings, including Fox News this weekend.) Here's a lightly edited transcript, along with video of his aborted RLC act and another one from his website that I like.
Was a Republican political conference different from the stuff you usually do?
I normally do corporate comedy, so I'll travel around and do everything from medical associations to lawyer groups, things of that nature. This was the first major political event I've ever been invited to, so I was real excited to get up and perform my material. I thought it was cool that a lot of the people in my act--the candidates--were going to be there. Because my latest material is based on the 2012 candidates, and for them to all be there, I thought it would be a great opportunity to make 'em laugh and poke a little fun at them. I thought that showed a lot for the Republican sense of humor.
Did the organizers give you any guidance about what type of humor they were looking for?
No, no guidance was given prior to the show. They booked me to come down based on my website and the links my manager forwarded them of my recent work. I was booked to do my routine.
What was your intention going in? Seemed like you tried to kind of hit every target, Democrat and Republican.
Oh yeah. Our show is designed to be fair and balanced. If we hit the Republicans we hit the Democrats, and then the Tea Party. We want to make it accessible to everyone, and let everyone have a good time.
So walk me through what happened out there on stage? What was your point of view?
So I came out and was going through my material. I was loving it, the audience was loving it--great energy. We're feeding off each other. And I started to get into my set about their candidates for 2012, and the Mitt Romney joke drew a lot of 'oohs' and 'aaahs,' but also a lot of applause and laughter. I delivered a couple more on Pawlenty and Gingrich, and then as I started into my Michele Bachmann joke and her PowerPoint slide came up on the screen, the music came up. I thought it was a technical error, because we do occasionally experience a glitch with the PowerPoint. Then the mike cut out, and the gentleman came on stage and told me my time was up.
Did they indicate that they were unhappy with your performance? What did he say?
No, not at all. He just came out and said, 'Sorry, your time's up.' I thanked the audience, went backstage, and a few of the organizers were saying, great job, very well done, we're all excited for you. I left the stage feeling like I'd done a great job. It was awesome, it was great.
Did you get to talk to any of the folks in the crowd afterward?
We went directly back to the hotel, my manager and me, and I got mobbed by the attendees. They were all saying, "Oh my god! Are you the Obama? Is that the Obama guy?" Because at this point I was in a t-shirt, shorts and flip-flops. They were like, "You were amazing! You were the best part of this conference. Why'd they pull you off?" People were upset that they didn't let me finish. They were just very complimentary. It was amazing. I had an 85-year-old woman tell me it was the funniest performance she'd every seen in her life and that she'd almost wet her pants. It was very well received and I really am sorry to my fans that I wasn't able to finish.
So at what point did you become aware that the organizers considered you a political problem?
When we got back to my hotel room, all these articles started popping up. The first few were saying "Obama impersonator mocks president at GOP function." Then a few started saying there was a controversy over racist jokes and things like that. So it was crazy to see the spin they started to put on it after I left--feeling I'd delivered a great performance, being told I did well. And then the eruption online.
They put out a statement condemning your afterward, right?
Yes, I met the guy before the show, too, and his wife, and he was all excited. He was like "This is great, I'm looking forward to seeing the show." Like most of the clients he was all happy, smiley, taking pictures together beforehand. Then afterward he started releasing these statements that weren't so positive, or accurate.
Anything in that act you regret?
No, I don't regret one joke. That's what I do. We spend a lot of time tailoring my material. I don't mean to offend anyone through my comedy. It is intellegent humor that's pretty much up to the minute on the political scene.
You don't consider that joke about Barney Frank's "soft backside" a little offensive?
No, that was just in reference to him sitting on his big behind while Freddie and Fannie collapsed. It wasn't really in reference to anything else.
Did you have any qualms about taking the gig? Are political crowds tougher than ordinary crowds?
It depends. A lot of it has to do with the energy, but this was a great audience. You have to be able to poke fun at yourself. It's amazing how things blew up. We've gotten like 500 emails, and news reports from as far away as Europe and South Africa. We already have a lot more bookings that have come in since then, and actually more on the Republican side than the Democratic side. I'll be on Mike Huckabee's Fox show on Saturday, in fact.
Just to clear this up, I'd seen some of your earlier clips and interview on YouTube and you didn't strike me as someone who has any animosity toward President Obama.
Not at all, I love our president. He has changed my life in ways I wouldn't have imagined. I have the best job in the world, I'm able to use my striking physical resemblance to him and my talents to develop this character that the world has been very receptive to. He's given me the opportunity to--and this may sound cheezy--but to live out my dreams. And it's been awesome. I love it.
You mentioned they yanked you before your Michele Bachmann joke. Want to finish your act for me? What was the joke?
[Speaking in the voice of Obama] What can I say about Michele Bachmann that she hasn't already said about herself? Now, last week she called me a one-term president. Uhh, now look. I may be a one-term president, but that's better than your former leader, George W. Bush, who was a one-syllable president.
In a rare move, rank-and-file GOP lawmakers have joined with Democrats to force a vote on legislation reviving the Export-Import Bank.
It has taken nearly five years and the resignation of a speaker, but moderate Republicans in the House have taken their most aggressive step to undermine the influence of hard-right conservatives in the party.
A group of more than 50 GOP lawmakers joined nearly the entire Democratic caucus to force a vote on legislation reauthorizing the Export-Import Bank, the 80-year-old federal lending agency that shuttered when Republican leaders refused to renew its charter. The bipartisan coalition on Friday introduced the bill through a discharge petition, a rarely-used procedural mechanism that allows lawmakers to bypass both committees and the leadership to call up legislation signed by a majority of the House. It’s a maneuver that was last executed 13 years ago and only five times in the last eight decades, lawmakers said.
Even in big cities like Tokyo, small children take the subway and run errands by themselves. The reason has a lot to do with group dynamics.
It’s a common sight on Japanese mass transit: Children troop through train cars, singly or in small groups, looking for seats.
They wear knee socks, polished patent-leather shoes, and plaid jumpers, with wide-brimmed hats fastened under the chin and train passes pinned to their backpacks. The kids are as young as 6 or 7, on their way to and from school, and there is nary a guardian in sight.
A popular television show called Hajimete no Otsukai, or My First Errand, features children as young as two or three being sent out to do a task for their family. As they tentatively make their way to the greengrocer or bakery, their progress is secretly filmed by a camera crew. The show has been running for more than 25 years.
“Wanting and not wanting the same thing at the same time is a baseline condition of human consciousness.”
Gary Noesner is a former FBI hostage negotiator. For part of the 51-day standoff outside the Branch Davidian religious compound in Waco, Texas, in 1993, he was the strategic coordinator for negotiations with the compound’s leader, David Koresh. This siege ended in infamous tragedy: The FBI launched a tear-gas attack on the compound, which burned to the ground, killing 76 people inside. But before Noesner was rotated out of his position as the siege’s head negotiator, he and his team secured the release of 35 people.
Jamie Holmes, a Future Tense Fellow at New America, spoke to Noesner for his new book Nonsense: The Power of Not Knowing. “My experience suggests,” Noesner told Holmes, “that in the overwhelming majority of these cases, people are confused and ambivalent. Part of them wants to die, part of them wants to live. Part of them wants to surrender, part of them doesn’t want to surrender.” And good negotiators, Noesner says, are “people who can dwell fairly effectively in the areas of gray, in the uncertainties and ambiguities of life.”
Some of Charles Schulz’s fans blame the cartoon dog for ruining Peanuts. Here’s why they’re wrong.
It really was a dark and stormy night. On February 12, 2000, Charles Schulz—who had single-handedly drawn some 18,000 Peanuts comic strips, who refused to use assistants to ink or letter his comics, who vowed that after he quit, no new Peanuts strips would be made—died, taking to the grave, it seemed, any further adventures of the gang.
Hours later, his last Sunday strip came out with a farewell: “Charlie Brown, Snoopy, Linus, Lucy … How can I ever forget them.” By then, Peanuts was carried by more than 2,600 newspapers in 75 countries and read by some 300 million people. It had been going for five decades. Robert Thompson, a scholar of popular culture, called it “arguably the longest story told by a single artist in human history.”
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
Meanwhile, the mood at the conference has been decidedly less complimentary, with several geneticists criticizing the methods presented in the talk, the validity of the results, and the coverage in the press.
No defensible moral framework regards foreigners as less deserving of rights than people born in the right place at the right time.
To paraphrase Rousseau, man is born free, yet everywhere he is caged. Barbed-wire, concrete walls, and gun-toting guards confine people to the nation-state of their birth. But why? The argument for open borders is both economic and moral. All people should be free to move about the earth, uncaged by the arbitrary lines known as borders.
Not every place in the world is equally well-suited to mass economic activity. Nature’s bounty is divided unevenly. Variations in wealth and income created by these differences are magnified by governments that suppress entrepreneurship and promote religious intolerance, gender discrimination, or other bigotry. Closed borders compound these injustices, cementing inequality into place and sentencing their victims to a life of penury.
In the 1990s, Friends, The X-Files, and Seinfeld all acknowledged the web—some more awkwardly than others.
If the sitcom Doogie Howser, M.D. hadn’t been canceled in 1993, the show’s creators apparently planned to have their precocious protagonist quit medicine to become a writer.
And probably a blogger, right? I mean, Doogie started keeping a digital diary in 1979—totally an early adopter.
This is the sort of thinking that comes from hunting for the earliest TV-show reference to the Internet, a search that leads deep into the grungiest, cheesiest corners of 1990s television.
Even as dial-up Internet connections went mainstream, television representations of the web lagged. Computers appeared on television mostly as props, boxy monitors sitting dark on desks. The arrival of Internet represented a huge cultural shift, but it was barely a plot point in the 1990s—with some exceptions.
A six-month investigation found a decade of sexual harassment complaints against famous astronomer Geoff Marcy to be credible.
Geoff Marcy is a superstar astronomer, by any measure. He is a major figure in the exoplanet revolution, which has transformed our view of the universe so profoundly, that some have compared it to the revolution kicked off by Copernicus. Many of the first thousand planets observed circling other stars were detected by teams Marcy led. When history books about early 21st century science are written, Marcy's name will be in them. Indeed, many wondered whether his name might be called earlier this week, when the Nobel prizes were announced.
Instead, Marcy found his way into the news for a different reason. Yesterday, BuzzFeed published details from an investigation conducted by the University of California, Berkeley into repeated complaints that Marcy sexually harassed students:
American politicians are now eager to disown a failed criminal-justice system that’s left the U.S. with the largest incarcerated population in the world. But they've failed to reckon with history. Fifty years after Daniel Patrick Moynihan’s report “The Negro Family” tragically helped create this system, it's time to reclaim his original intent.
By his own lights, Daniel Patrick Moynihan, ambassador, senator, sociologist, and itinerant American intellectual, was the product of a broken home and a pathological family. He was born in 1927 in Tulsa, Oklahoma, but raised mostly in New York City. When Moynihan was 10 years old, his father, John, left the family, plunging it into poverty. Moynihan’s mother, Margaret, remarried, had another child, divorced, moved to Indiana to stay with relatives, then returned to New York, where she worked as a nurse. Moynihan’s childhood—a tangle of poverty, remarriage, relocation, and single motherhood—contrasted starkly with the idyllic American family life he would later extol.