On Friday, I wrote an item ("The 3-Word Phrase That Signals Obama's Intentions on Taxes") about how a number of Democrats on the Hill were relieved to hear President Obama say, in his recent budget speech, that it was necessary to raise taxes on "millionaires and billionaires"--relieved because many of them worried he had drifted too far to the right, and might no longer be committed to tax increases on the wealthy as a way to trim the national debt. Hearing Obama invoke "millionaires and billionaires" was understood by these Democrats to be a signal (or a dog-whistle, if you prefer) that he wasn't backing down: polls show that the public is most receptive to raising taxes when the issue is framed this way, so Obama was signaling that he means business. That doesn't guarantee he'll follow through; he used the phrase plenty last year, and still signed a two-year extension of the Bush tax cuts for the richest Americans (which he'd opposed) and everyone else (which he'd supported). But it's a clear sign of where he stands today. And the phrase, along with all the apprehension surrounding it, provides an interesting glimpse at the tensions between Democrats over raising taxes.
Judging from the comments and emails that piled up over the weekend, most people didn't read the item that way. In fact, I can draw two conclusions: First, a lot of people spent Easter weekend in a spirit other than that of Christian fellowship and goodwill toward men. Second, a lot of them seem to think that they're the ones being persecuted, that by seeking to increase taxes on the wealthy Obama is engaging in--gasp!--"class warfare." I've always loved that phrase because it's such potent hyperbole, the product of expensive focus grouping and crafty political wordsmithery as surely as is the phrase "millionaires and billionaires," except "class warfare" has that extra dimension of apocalyptic consequence and the undertone of victimization that work so well together even though they shouldn't, like sweet-and-sour soup.
But I gather few others share my connoisseur's appreciation. Most of my correspondents appear to take the phrase literally and believe they are being unfairly and maliciously attacked. I'd guess that by and large they're not millionaires or billionaires themselves. Instead, most display the same anguished indignation that got University of Chicago professor Todd Henderson into such trouble after he worked himself into a lather about how unfair it was that he--a mere university professor scraping by on an income of several hundred thousand dollars a year--might be expected to chip in a bit more. Here's a representative example from my in box:
As a journalist, why don't you ask the obvious question about what makes a married couple earning $250,000 per year a millionaire or a billionaire?
Is it that political demagoguery from a Democrat is more palatable than from a Republican?
Obama is being cynical and dishonest and the mainstream political press is his willing accomplice.
This sort of thinking always makes me want to haul out my fainting couch. Because crying "demagoguery" and "class warfare," and really meaning it, is just silly.
Politics is and always has been a competition between different classes and interest groups for finite government resources. Everybody harnesses their best argument for growing or defending their slice of the pie, whether it's "millionaires and billionaires" or "welfare queens." And it's worth noting that millionaires and billionaires have fared particularly well relative to other groups. According to the IRS, the average federal income tax rate for the richest Americans dropped from 26 percent in 1992 to 17 percent in 2007, the most recent data available. So if you're inclined to think in terms of "warfare," which I'm not, it's clear who's been winning the war.
To address the question above, married couples who make $250,000 a year or more--the line at which Obama would raise taxes--are not millionaires or billionaires. (I'm no math whiz, but I'd have thought this obvious.) By any reasonable definition, though, they're still rich: income-wise, they rank in the top 2.5 percent of American households. Maybe it's residual Easter spirit, but I suppose that, if pressed, I could muster a smidgen more sympathy for the Todd Hendersons of the world than for the yacht owners and mansion-dwellers. But they're still far better off than most people, so it's hard to feel bad for them.
Here's the other thing: While the type of people writing in reflexively view any prospective increase in their tax rates as "class warfare," they don't apply that label to other attempts to reapportion resources--even radical ones, like Paul Ryan's budget, which is now the official position of House Republicans. If Obama's desire to nudge up tax rates on the wealthy is class warfare against the rich, then surely Paul Ryan's plan to shift the burden of growing healthcare costs from government to citizens by privatizing Medicare and block-granting Medicaid is class warfare against the poor and middle class. Strange that none of my correspondents pointed this out!
But as I said, I think the whole thing is silly. Let's stop hyperventilating about "class warfare" and call it by its proper name: politics.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
Even in big cities like Tokyo, small children take the subway and run errands by themselves. The reason has a lot to do with group dynamics.
It’s a common sight on Japanese mass transit: Children troop through train cars, singly or in small groups, looking for seats.
They wear knee socks, polished patent-leather shoes, and plaid jumpers, with wide-brimmed hats fastened under the chin and train passes pinned to their backpacks. The kids are as young as 6 or 7, on their way to and from school, and there is nary a guardian in sight.
A popular television show called Hajimete no Otsukai, or My First Errand, features children as young as two or three being sent out to do a task for their family. As they tentatively make their way to the greengrocer or bakery, their progress is secretly filmed by a camera crew. The show has been running for more than 25 years.
“Consumers are jaded about advertising in a way they weren’t several decades ago.”
MasterCard unveiled its new logo earlier this summer, and as far as rebrandings go, the tweaks were subtle: The company kept its overlapping red and yellow balls intact, and moved its name, which was previously front and center, to beneath the balls, while making the text lowercase. With increasing frequency, MasterCard said, it would do away with using its name in the logo entirely. The focus would be more on the symbol than the words.
MasterCard’s move reflects a wider shift among some of the most widely recognized global brands to de-emphasize the text in their logos, or remove it altogether. Nike was among the first brands to do this, in 1995, when its swoosh began to appear with the words “Just Do It,” and then without any words at all. Apple, McDonald’s, and other brands followed a similar trajectory, gravitating toward entirely textless symbols after a period of transition with logos that had taglines like “Think Different” or “I’m lovin’ it.”
Most campaign ads, like most billboards or commercials, are unimaginative and formulaic. Our candidate is great! Their candidate is terrible! Choose us!
With the huge majority of political ads, you would look back on them long after the campaign only for time-warp curio purposes—Look at the clothes they wore in the 80s! Look how corny “I like Ike!” was as a slogan! Look how young [Mitch McConnell / Bill Clinton / Al Gore] once was!—or to find archeological samples of the political mood of a given era.
The few national-campaign ads that are remembered earn their place either because they were so effective in shifting the tone of the campaign, as with George H. W. Bush’s race-baiting “Willie Horton” ad against Michael Dukakis in 1988; or because they so clearly presented the candidate in the desired light, as with Ronald Reagan’s famous “Morning in America” ad in 1984. Perhaps the most effective campaign advertisement ever, especially considering that it was aired only one time, was Lyndon Johnson’s devastating “Daisy Girl” ad, from his campaign against Barry Goldwater in 1964. The power of the Daisy Girl ad was of course its dramatizing the warning that Goldwater might recklessly bring on a nuclear war.
The Texas senator’s about-face risks undermining his political brand and alienating the supporters who hailed his defiant stand in Cleveland.
Ted Cruz set aside his many differences with Donald Trump on Friday to endorse for president a man whom he once called a “serial philanderer,” a “pathological liar,” “utterly amoral,” and a “sniveling coward”; who insulted his wife’s looks; who insinuated Cruz’s father was involved in the assassination of John F. Kennedy; who said he wouldn’t even accept his endorsement; and who for months mocked him mercilessly with a schoolyard taunt, “Lyin’ Ted.”
The Texas senator announced his support for the Republican nominee late Friday afternoon in a Facebook post, writing that the possibility of a Hillary Clinton presidency was “wholly unacceptable” and that he was keeping his year-old commitment to back the party’s choice. Cruz listed six policy-focused reasons why he was backing Trump, beginning with the importance of appointing conservatives to the Supreme Court and citing Trump’s recently expanded list of potential nominees. Other reasons included Obamacare—which Trump has vowed to repeal—immigration, national security, and Trump’s newfound support for Cruz’s push against an Obama administration move to relinquish U.S. oversight of an internet master directory of web addresses.
How Washington men working in national security dress—for better or for worse
In 2017, shortly after the next president is inaugurated, thousands of newly appointed federal officials will struggle with the same existential question: What do I wear to my first day of work? I understand their anxiety, having languished over wardrobe during eight years of federal service and pondered the fashion choices of my male colleagues during the interminable meetings that are the hallmark of government work. It’s hard to point to a solid “real world” professional competency that I learned during those years of meetings and memo writing, but one skill I developed is an uncanny ability to tell you where any man in the national security community works based on his apparel. But first, to understand the fashion choices these professionals make, you must understand the culture—and keep in mind that not every employee falls into these stereotyped camps. (I’m also leaving a thorough assessment of female fashion to other writers more qualified.)
In Greenwich, Darien, and New Canaan, Connecticut, bankers are earning astonishing amounts. Does that have anything to do with the poverty in Bridgeport, just a few exits away?
BRIDGEPORT, Conn.—Few places in the country illustrate the divide between the haves and the have-nots more than the county of Fairfield, Connecticut. Drive around the city of Bridgeport and, amid the tracts of middle-class homes, you’ll see burned-out houses, empty factories, and abandoned buildings that line the main street. Nearby, in the wealthier part of the county, there are towns of mansions with leafy grounds, swimming pools, and big iron gates.
Bridgeport, an old manufacturing town all but abandoned by industry, and Greenwich, a headquarters to hedge funds and billionaires, may be in the same county, and a few exits apart from each other on I-95, but their residents live in different worlds. The average income of the top 1 percent of people in the Bridgeport-Stamford-Norwalk metropolitan area, which consists of all of Fairfield County plus a few towns in neighboring New Haven County, is $6 million dollars—73 times the average of the bottom 99 percent—according to a report released by the Economic Policy Institute (EPI) in June. This makes the area one of the most unequal in the country; nationally, the top 1 percent makes 25 times more than the average of the bottom 99 percent.
Who will win the debates? Trump’s approach was an important part of his strength in the primaries. But will it work when he faces Clinton onstage?
The most famous story about modern presidential campaigning now has a quaint old-world tone. It’s about the showdown between Richard Nixon and John F. Kennedy in the first debate of their 1960 campaign, which was also the very first nationally televised general-election debate in the United States.
The story is that Kennedy looked great, which is true, and Nixon looked terrible, which is also true—and that this visual difference had an unexpected electoral effect. As Theodore H. White described it in his hugely influential book The Making of the President 1960, which has set the model for campaign coverage ever since, “sample surveys” after the debate found that people who had only heard Kennedy and Nixon talking, over the radio, thought that the debate had been a tie. But those who saw the two men on television were much more likely to think that Kennedy—handsome, tanned, non-sweaty, poised—had won.
Early photographs of the architecture and culture of Peking in the 1870s
In May of 1870, Thomas Child was hired by the Imperial Maritime Customs Service to be a gas engineer in Peking (Beijing). The 29-year-old Englishman left behind his wife and three children to become one of roughly 100 foreigners living in the late Qing dynasty's capital, taking his camera along with him. Over the course of the next 20 years, he took some 200 photographs, capturing the earliest comprehensive catalog of the customs, architecture, and people during China's last dynasty. On Thursday, an exhibition of his images will open at the Sidney Mishkin Gallery in New York, curated by Stacey Lambrow. In addition, descendants of the subjects of one of his most famous images, Bride and Bridegroom (1870s), will be in attendance.
No defensible moral framework regards foreigners as less deserving of rights than people born in the right place at the right time.
To paraphrase Rousseau, man is born free, yet everywhere he is caged. Barbed-wire, concrete walls, and gun-toting guards confine people to the nation-state of their birth. But why? The argument for open borders is both economic and moral. All people should be free to move about the earth, uncaged by the arbitrary lines known as borders.
Not every place in the world is equally well-suited to mass economic activity. Nature’s bounty is divided unevenly. Variations in wealth and income created by these differences are magnified by governments that suppress entrepreneurship and promote religious intolerance, gender discrimination, or other bigotry. Closed borders compound these injustices, cementing inequality into place and sentencing their victims to a life of penury.