The surprise Netflix series is a strange but compelling mystery about a woman who returns after being missing for seven years.
The OA, which had a Beyoncé-like surprise release on Netflix on Friday, is a puzzle to be solved: a strange mashup of genres and story threads and dimensions that unfurls slowly. In the first episode, a woman in her twenties (Brit Marling) is spotted jumping off a bridge; she survives, but footage of her makes the news, and is seen by her parents, who rush to the hospital to claim her. They identify her as Prairie, who went missing seven years ago, and who used to be blind, but can somehow now see—a miracle she can’t or won’t explain.
To say too much about the plot is to spoil the intrigue of the show, which is more complex and layered than the premise might suggest. Prairie is a strange woman, childlike in affect but often unexpectedly insightful. She begins to attract a group of misfit friends and followers, to whom she tells her history, and the circumstances in which she disappeared. Cutting between scenes of her stories and scenes showing what happened to her, The OA expands in unexpected, sometimes baffling directions, defying many of the conventions of dramatic storytelling while keeping tight control on the narrative. If some of the more outlandish twists occasionally give episodes a vertiginous feeling, the central mystery of the show is intriguing enough that it carries viewers through.