DVD Tip: 'Casino Jack and the United States of Money'

Lat48IPA.jpgWhen I wasn't watching the Harry Reid-Sharron Angle clash of the titans last night, and while I certainly did have a beer in hand (a new-to-me, and interesting Sam Adams "seasonal" -- Latitude 48 IPA), I felt vaguely guilty and thought I should be doing something political-season related.

So instead I watched the DVD of Alex Gibney's documentary about Jack Abramoff, Casino Jack and the United States of Money. I had missed it when it was in theaters this spring and am very glad to have caught up with it now. Indeed, my modest proposals for improving this election season would be to replace all upcoming senatorial, congressional, and gubernatorial debates with screenings of this film. Even though I'd been on-scene in DC when the real events it describes were unfolding, it made the scale and squalor of the corruption vivid in way they had never been for me before.

And it seems relevant at this moment, because a number of the same personalities are still around, and nearly all of the same issues. I had not absorb how fully Ambramoff had been part of the early Reagan movement (with Grover Norquist, a kind of co-villain of the movie). In watching the surge of the Gingrichites in 1994, leading to their takeover of control of the House, it's hard not to think of parallels to this year's election.

No one will call this movie's approach subtle. Eg, to symbolize that a politician is getting a payoff from gambling interests, it will show the politician's face coming up on all the spaces of the "Jackpot!" line of a slot machine. The poster, at bottom, has the same touch. But Gibney has so much to work with that the directness seems justified. And the footage of the politico-thriller Abramoff produced in a spell in Hollywood, Red Scorpion, is so campy as to justify the entire documentary. Seriously, the next time you're tempted to see some cable-news political chaw fest, check this out instead.

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Disclosure: the director, Alex Gibney, is a Friend of the Atlantic. His brother, James, is an editor here, and Alex writes for our web site. On the other hand, he has won an actual Oscar for his documentaries, so it's not like complimenting him is some inexplicable inside favor.
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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

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