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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

In Defense of Urban Land Company

By Matthew Yglesias
May 23 2008, 12:41 PM ET Comment

The other day I was complaining about Urban Land Company's habit of responding to their inability to sell units in their new condo "The Floridian" by increasing the volume of email they send out rather than lowering prices. Some research in my own inbox reveals, however, that that's not quite accurate -- an October 25, 2007 missive stated:

Studios from $244K
1 BRs from $345K
2 BRs from $444K
Penthouse from $450K


For the past several rounds of emails, the prices have in fact changed from what they were asking seven months ago. Now it's:

Studio from $244K
1 BRs from $301K
2 BRs from $442K
Penthouse from $625K


The giant increase in the Penthouse asking price perhaps reflects an effort to use framing effects to make the other units look like a good deal.

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