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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Adams's Accents

By Matthew Yglesias
Mar 25 2008, 5:32 PM ET Comment

Kirk Ellis, one of John Adams's writers is jumping into TNR's exchange on the series, and provides some insight into the provenance of the accents on display in the series:

Steve, you also inquire as to origins of the "hybrid accents" we use in the series. From the beginning, we wanted to emphasize that independence was a battle between British Americans and their brethren in England, not, as so often depicted, a conflict that pitted Crown officers with plumy Oxonian accents against patriots with full-blown American dialects. All our research pointed to the fact that, in written and spoken speech, America was much closer to the mother country than had been acknowledged in past dramatizations.


He says they provided capsule biographies of the different characters to the series' dialogue coach to help them come up with something appropriate, sometimes based on the insight "that one's residence in America frequently depended on one's point of origin in England. Virginia, for instance, was largely settled by residents of East Anglia--in terms of dialect and accent a very distinctive region."

Ellis' participation in this, along with some other similar examples, does raise some questions about the changing nature of the critical enterprise in the internet era. My sense is that, traditionally, creators have tended to shy away from direct intervention into critical debates about their work. But something about the seemingly informal nature of internet commentary seems to have subverted that rule, so you're seeing much more of this kind of intervention. It has, I think, the potential for a distorting impact on our understanding of things since, at the end of the day, it's really not the creator's role to offer authoritative accounts of what a given work "really" was or is.

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