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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

For Love of Famous People

By Matthew Yglesias
Feb 16 2008, 11:47 AM ET Comment

Hollywood is a funny business. There's lots of money sloshing about, the big stars see huge paydays, and some movies make a tremendous amount of cash. But it always seems like an extraordinarily bad business to invest in -- tons of uncertainty without the level of reward that normally comes with accepting that level of risk. And yet, there's invariably some new wave of capital pouring in even though every previous wave has eventually walked away bitter and disappointed. The latest wave has come from hedge funds and The Los Angeles Times reports that their experience has been no better than anyone else's.

At the end of the day what none of these hard-headed businessmen -- from the heads of Japanese conglomerates to the high-flying hedge funders to whomever else -- is that the attraction of the business isn't the business, but the fact that people like movies and know that owning a piece of a production or a studio will give them a chance to hang out with movie stars. Everyone, after all, likes hanging out with movie stars. And I suppose there's no reason very rich people shouldn't plow their savings into an enterprise like that, but oftentimes the people making these decisions aren't just playing with their own money, they're also managing assets for someone else.

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