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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

The Origins of Liberal Fascism

By Matthew Yglesias
Jan 6 2008, 2:36 PM ET Comment

RoboCop.jpg

From the Wikipedia page for RoboCop:

The character of RoboCop itself was inspired by Judge Dredd[4] as well as the Marvel Comics superhero Iron Man (one of these comic books can be seen during the convenience store robbery). Iron Man was conceived by Stan Lee as the alter ego of Tony Stark, a billionaire industrialist working as a military contractor. During the original run of the comic, Iron Man was mostly occupied battling communism. In this light, RoboCop is seen as a subversive take on this classic Marvel character. Although both Neumeier and Verhoeven have declared themselves staunchly on the political left, Neumeier recalls on the audio commentary to Starship Troopers that many of his leftist friends wrongly perceived RoboCop as a fascist movie. However, on the 20th Anniversary DVD, producer Jon Davison referred to the film's message as "fascism for liberals" - a politically liberal film done in the most violent way possible.


It's strange that Davison, as a liberal, is unaware that "fascism for liberals" is redundant. After all, liberalism just is fascism. How could a movie be fascism for fascists? The whole thing's puzzling.

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