The recent Bridal Fashion Week in New York, which previewed wedding gowns for the Spring 2016 season, featured all the things you'd expect: lace, crystals, tulle. (So much tulle!) It also featured, however, something you wouldn't, necessarily, expect: skin. (So much skin!) Skin not just of traditionally exposed bridal body parts—arms and shoulders and calves—but also of stomachs and sides and backs.
There was the Marchesa gown that leaves its wearer's back bare save for a line of covered buttons. There was Theia's pants-based ensemble, the focal point of which is a bra worn under an iridescent blouse. There was the spate of dresses that, taking their cue from ready-to-wear trends, featured cutouts—at the waist (Reem Acra), in the back (Monique Lhuillier), between the breasts (Angel Sanchez). There were the many two-piece affairs, with fits both boxy and snug, showing flirty flashes of midriff. There were the nearly invisible nettings—draped, wantonly, over shoulders and backs and necklines—that offered, in everything but the most up-close of views, the illusion of bareness. There were the many dresses that took their plunging necklines to their logical conclusions: their wearers' waists.