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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Faint Praise for Mad Men

By Matthew Yglesias
Aug 25 2007, 1:30 PM ET Comment

madnmen2.jpg

I can't really say that anything Sacha Zimmerman says in her diatribe against Mad Men is precisely wrong, but the tenor seems way off base to me. The show exhibits the flaw of not having any interesting stories. And this really is a serious flaw. Indeed, it's fatal. People will never look back on Mad Men as one of the peaks of human aesthetic achievement. That said, the show is acted decently enough and the storylines aren't stupid to the point of enragement, they're just dull. And it is, as Zimmerman says, gorgeously designed with a meticulous eye for detail.

At the end of the day, it's not as if there's some huge roster of better period dramas from the current issue of quality television. HBO and the BBC took a stab with Rome and now AMC's giving it a shot with Mad Men and both combine some real virtues with some significant flaws. Someday someone will do it better, and they'll probably look back on these shows as important precedents. In the meantime, it's not as if the Summer of 2007 is providing a bounty of alternative televised entertainment -- it seems like an eminently reasonable thing to keep on one's DVR.

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