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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Harry Potter and the Inevitable Blog Post

By Matthew Yglesias
Jul 24 2007, 4:27 PM ET Comment

So I popped open my copy of Harry Potter and the Deathly Hallows at about 5PM on Saturday and finished it before going to bed at a perfectly reasonable hour. Ever since then, it's seemed like I should do a blog post on the blog, but I think I turn out not to have a lot of interesting things to say on the subject. I'll second Ross' recommendations of these spoiler-containing posts by Russell Arben Fox and Eve Tushnet.

What's more, like everyone else I enjoyed Megan McArdle's piece on the poorly sketched economics of the Harry Potter universe. My general feeling is that the Potter books fall along a pretty symmetrical quality curve, starting off okay, then getting better as the series' ambition grows, but then getting worse again as the series becomes more ambitious than J.K. Rowling can really pull off. The storyline of Hallows winds up calling for a level of big-picture world-building -- not just the economics of the wizarding world, but the politics and the international relations, too -- that's far off from Rowling's core strength of offering rich micro-level detail.

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