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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

So Nice, I Watched it Twice

By Matthew Yglesias
Jun 28 2007, 9:15 AM ET Comment

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A slightly random observation, but I watched the first episode of Firefly last night and liked it much, much better than I did the first time I'd seen it. The key is that the storytelling is brilliantly subtle about revealing what's going on. As the second scene begins, you're already in the thick of things and nobody's stepped back to explain "Earth That War," why the outer planets are so poor, that the Alliance won the war, what a Brownshirt is, or anything. The storytelling just proceeds. When you first watch, though, you're so taken in by trying to "figure it out" that it's a little hard to appreciate how delicately the whole contraption's been constructed.

It's something one must keep in mind when dealing with any sophisticated TV show. I've seen the first three seasons of The Wire all at least three times, and my relative rating of them shifts over time (in particular, season two is superficially seductive but starts to look clumsy compared to the other two, while season three has a lot of hidden resonances) in a way that makes me believe the current month's worth of Sopranos-talk will all need to be revised once people finally have the chance to watch the entire run on DVD.

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