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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

But I Want Babies Now! [Fake Laughter]

By Matthew Yglesias
Mar 5 2007, 8:41 PM ET Comment

A couple of days ago, I saw a broadcast sitcom -- a Friends re-run -- for the first time in years. It was a slightly bizarre experience. In particular, the show is punctuated with . . . pre-recorded laughter. Then, today, at Catherine's request I watched How I Met Your Mother. And, I have to say, until I heard it I never really considered the possibility that contemporary sitcoms are still relying on this device. It's bizarre. Lighthearted half-hour cable shows -- Entourage, The Sarah Silverman Program, Curb Your Enthusiasm, etc. -- seem to get by quite well without it.

Which is to say nothing of the "humor." Obviously, I didn't grasp the subtle nuances of the show. But (by design) you don't need to actually know who any of the characters are or anything about them to get the "jokes." Indeed, the jokes could have been from a Friends episode that aired in 1995 -- apparently the only comedic premise available to sitcom writers is that women like relationships whereas men are afraid of commitment. No, wait, they also have jokes based on homophobia.

UPDATE: In many ways, though, the awfulness of The Black Donnellys renders all other TV-related complaining irrelevant.

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