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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Pela

By Matthew Yglesias
Feb 16 2007, 9:56 AM ET Comment

First off, congratulations to the DCist crew on another successful "Unbuckled" live music experience. That said, Catherine remarks "some of my respectable roommates loathed Pela, but i liked their sound and thought they put on an excellent show." I liked their sound, too, when it was from a band called every other band to emerge from Brooklyn this century. And I mean it. I did like their sound. Normally, it's a little bit difficult to get into a live show by a band you've never heard before, simply because it's kind of more fun to rock out to familiar tunes. Pela wasn't like that at all, all their songs kind of felt like I'd heard them before. And, indeed, I sort of had. They've accomplished a genuinely impressive feat in terms of accomplishing genericness.

At the end of the day, though, the best song in their set was a cover of the Pixies' "The Holiday Song" and that should tell you something. Their efforts to locate the Platonic Ideal of the indie rock song were worthy, but ultimately they're better off stealing than imitating.

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