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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Reality-Based Advertising?

By Matthew Yglesias
Oct 16 2006, 12:29 PM ET Comment

I recall having found the initial installments of the Dove "real beauty" ad campaign to be mostly annoying, but this video of what goes into producing a billboard image (or, by implication, a magazine cover, etc.) is pretty sweet. This via Ezra who has some additional apposite thoughts.

Part of what's interesting about this stuff is that photo manipulation and the like has the same basic structure as your standard optical illusions -- knowledge and cognition has a very limited impact on perception. No matter how well you "understand" how the Rubin Vase works, you still fall prey to the illusion that the image is "changing" from faces to a vase. Similarly, even if you know the "right answer" to the T-Illusion game, the right solution still looks wrong. Just the same, no matter how well-aware I am that commercial images are heavily manipulated, they still appear authentic to me unless the manipulation is actually sloppily executed. The mere knowledge that manipulation is omnipresent in these contexts has very little impact on how I see them, and whenever I see something like that Dove video I find myself re-surprised by the scale of the manipulation even though I remember having seen these things before and know perfectly well how the world works.

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