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Matthew Yglesias

Matthew Yglesias - Matthew Yglesias is a fellow at the Center for American Progress Action Fund.
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Matthew Yglesias is a fellow at the Center for American Progress. His first book, with the working title Heads in the Sand: Iraq and the Strange Death of Liberal Internationalism, scheduled to be published next spring by John Wiley and co., deals with the Democratic Party's struggle to find a post-9/11 foreign policy, focusing primarily on the rise and (hopefully) fall of the liberal hawk movement.

Previously, he was a staff writer at The American Prospect and an Associate Editor at TPM Media, where he contributed to the group blogs Tapped and TPMCafe. His main blog, now at The Atlantic, has existed in various forms since the dark ages of the blogosphere in January 2002.

His writing has appeared in The Guardian, Slate, The New Republic, and The Washington Monthly, and he is a regular on BloggingHeads.tv and makes the occasional radio or television appearance.

Desperately out of touch with the American mainstream, Yglesias was born and raised in Manhattan and studied philosophy at Harvard where he was editor in chief of The Harvard Independent, a campus alternative weekly.

His latest writings can be found on the Matthew Yglesias blog.

Brice Family Values

By Matthew Yglesias
Oct 15 2006, 11:49 PM ET Comment

I haven't mentioned this yet, but all the scenes featuring Namond getting pressure from his parents to stop goofing off and start buckling down to get serious about his career as a drug dealer have been absolutely priceless. I wonder, though, if anyone actually finds those conversations believable? I suppose I have no idea what incarcerated drug gang soldiers say to their teenaged sons, but a priori I don't really buy it. At the same time, I don't really care. Precisely what makes the so brilliant is the direct symmetry between what Wee-Bay and De'Londa tell their son and the way parents of The Wire target demographic's socioeconomic class act.

Those kind of symmetries and resonances, both external and internal (as in the migration of the phrase "it's all in the game" to Carcetti) to the show are at the core of its appeal and what makes grandiose claims about it plausible.

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