The escape from bondage of the slave Eliza, infant in tow, is one of the most remarked upon portions of Harriet Beecher Stowe's Uncle Tom's Cabin. I have never read Uncle Tom's Cabin. My first encounter with Eliza came this Friday, while I was on a plane to Nashville.
As it happens Eliza is a historical person, and enslaved woman who escaped, child in tow, from slavery in Kentucky. Her story is brilliantly depicted by Fergus Bordewich in his book Bound For Canaan: The Epic Story of The Underground Railroad, which I have excerpted below. I was in the middle seat as I read about Eliza and it was only with some work that I kept from breaking down on a neighbor's shoulder. All of this to say you should strap yourself in for this one.
On a bitter night in the winter of 1838, a heavy-set black woman picked her way furtively down Tuckahoe Ridge toward the frozen river. She followed the familiar track from the plantation where she was enslaved, careful to keep herself out of sight when she reached the snow-covered flood-plain, moving close to the ground. In her arms, she carried an infant whom she had wrapped in a shawl against the cold air.
She was leaving her other children and a husband behind, hoping that if she was not caught, and if she did not die, she might be able to return for them someday. She had fled abruptly for the same reason as so many other fugitives: a day or two earlier a slave trader had appeared at her master's estate to negotiate her price or that of her child. She knew that she might die crossing the river, but if she did nothing she would die a different kind of death, to be sold away south, and away from her family forever.
In some accounts, the woman begged help from an elderly Scotsman or Englishman who lived near the shore, and who sheltered her until she heard the baying of dogs on her trail. As she ran from his house she grabbed hold of a plank and raced to the river's edge. When the ice was solid, teams of horses could cross it. But there had been a thaw and the ice was rotten, full of air holes and cracks, and the water was running over it, and it was ready to break up.
No one had ventured onto it for the past two days, but she had no choice. Her first step broke though. For a moment she stood paralyzed in freezing water. Then she plunged forward, carrying her baby in one had and the plank in the other. The ice seemed firmer as she ran toward the Ohio shore, but then without warning she broke through again, this time up to her armpits. She pushed the baby of her onto the ice, then levered herself up with the aid of the plank.
Laying the plank across the broken ice, she crept along it until she fell through once more. Again she managed to throw the infant ahead of her before she sank. Crawling back onto the ice, she continued her progress in this fashion until the ice disintegrated beneath her again. This time she sank in only to her knees, and she knew that she was close to the Ohio shore. When she finally touched solid land she collapsed, physically spent.
She was safe for the moment, she thought. But she was not alone. A white man had come up out of the darkness and loomed over her. Had she known who he was she would have recognized him as her worst nightmare. He was a Ripley man named Chancey Shaw, a sometime slave catcher who often prowled the northern bank of the river on the lookout for fugitives. He had watched attentively as the woman made her way across the ice, and he was preparing to seize her when, he later admitted to a local abolitionist, he heard her baby whimper and something unexpectedly moved inside him. Surprising himself, he heard himself tell her, "Woman, you have won your freedom."
Instead of arresting her, he led her, soaked and freezing to the edge of the village. There he pointed to a long flight of steps that ascended a bare hill, at the top of which the rectangle of a farmhouse and a light were visible. He told her to make for the light saying, "No nigger has ever been got back from that house.
The house was famed abolitionist John Rankin, a native Southerner who'd moved to Ohio as the South increasingly became a place where open opposition to slavery became a capitol offense. In Ripley, Ohio, Rankin preached abolition, ran a prolific Underground Railroad station, and waged gunfights with slave-catchers.
This story really wrecked me. And Bordewich has many just like them in his book. The epoch of slavery is, to my mind, the definitive epic poem, the quintessential romance of American history. It may well be the most powerful story of the Enlightenment wars.
I urge you to check out Bordewich's book. it's excellent.
Biology textbooks tell us that lichens are alliances between two organisms—a fungus and an alga. They are wrong.
In 1995, if you had told Toby Spribille that he’d eventually overthrow a scientific idea that’s been the stuff of textbooks for 150 years, he would have laughed at you. Back then, his life seemed constrained to a very different path. He was raised in a Montana trailer park, and home-schooled by what he now describes as a “fundamentalist cult.” At a young age, he fell in love with science, but had no way of feeding that love. He longed to break away from his roots and get a proper education.
At 19, he got a job at a local forestry service. Within a few years, he had earned enough to leave home. His meager savings and non-existent grades meant that no American university would take him, so Spribille looked to Europe.
Taking over Stephen Colbert’s Late Show to blast Fox News, the former ‘Daily Show’ host was unapologetically partisan while also seeking to build bridges.
There are so many things that make this election season one without precedent. Why, then, has a faction of late-night punditworld responded with a reversion? Earlier this week, Stephen Colbert resurrected his satirical “Stephen Colbert” character, and then, last night, he invited the retired Jon Stewart to take over his Late Night desk for a classic 10-minute Daily Show rant. The biggest shock: The routines have felt vital and fresh, not mere nostalgia bait or retreads.
The reason for the throwback to golden-years Comedy Central fake news probably lies in politics itself. Stewart’s and Colbert’s original heydays were during the George W. Bush era; their entire personas are based not on indiscriminately satirizing the entire world’s absurdities but rather the particular absurdities of America’s right wing. Under Obama, that meant a certain amount of punching down. Donald Trump’s Republican National Convention, though, offered an even more unvarnished display of popular conservative thinking, attitudes, opinions, and bluster to hold America’s attention than, well, the last RNC. Colbert’s retitled program this week conveyed his glee at the prospect: “The 2016 Trumpublican Donational Conventrump Starring Donald Trump as the Republican Party* *May Contain Traces of Republican.” (His comparatively deflated DNC title: “The 2016 Democratic National Convincing, A Technically Historic Event: Death. Taxes. Hillary.”)
It’s known as a modern-day hub of progressivism, but its past is one of exclusion.
PORTLAND, Ore.— Victor Pierce has worked on the assembly line of a Daimler Trucks North America plant here since 1994. But he says that in recent years he’s experienced things that seem straight out of another time. White co-workers have challenged him to fights, mounted “hangman’s nooses” around the factory, referred to him as “boy” on a daily basis, sabotaged his work station by hiding his tools, carved swastikas in the bathroom, and written the word “nigger” on walls in the factory, according to allegations filed in a complaint to the Multnomah County Circuit Court in February of 2015.
Pierce is one of six African Americans working in the Portland plant whom the lawyer Mark Morrell is representing in a series of lawsuits against Daimler Trucks North America. The cases have been combined and a trial is scheduled for January of 2017.
One day in February 2009, a 13-year-old boy named Sasha Egger started thinking that people were coming to hurt his family. His mother, Helen, watched with mounting panic that evening as her previously healthy son forgot the rules to Uno, his favorite card game, while playing it. She began making frantic phone calls the next morning. By then, Sasha was shuffling aimlessly around the yard, shredding paper and stuffing it in his pockets. “He looked like an old person with dementia,” Helen later told me.
That afternoon, Sasha was admitted to the hospital, where he saw a series of specialists. One thought Sasha might have bipolar disorder and put him on antipsychotics, but the drugs didn’t help. Helen, a child psychiatrist at Duke University, knew that psychiatric conditions develop gradually. Sasha’s symptoms had appeared almost overnight, and some of them—including dilated pupils and slurred speech—suggested not mental illness but neurological dysfunction. When she and her husband, Daniel, raised these issues, though, one doctor seemed to think they were in denial.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
Fulfilling what might be the Russian autocrat’s dearest wish, Trump has openly questioned whether the U.S. should keep its commitments to NATO.
The Republican nominee for president, Donald J. Trump, has chosen this week to unmask himself as a de facto agent of Russian President Vladimir Putin, a KGB-trained dictator who seeks to rebuild the Soviet empire by undermining the free nations of Europe, marginalizing NATO, and ending America’s reign as the world’s sole superpower.
I am not suggesting that Donald Trump is employed by Putin—though his campaign manager, Paul Manafort, was for many years on the payroll of the Putin-backed former president of Ukraine, Viktor Yanukovych. I am arguing that Trump’s understanding of America’s role in the world aligns with Russia’s geostrategic interests; that his critique of American democracy is in accord with the Kremlin’s critique of American democracy; and that he shares numerous ideological and dispositional proclivities with Putin—for one thing, an obsession with the sort of “strength” often associated with dictators. Trump is making it clear that, as president, he would allow Russia to advance its hegemonic interests across Europe and the Middle East. His election would immediately trigger a wave of global instability—much worse than anything we are seeing today—because America’s allies understand that Trump would likely dismantle the post-World War II U.S.-created international order. Many of these countries, feeling abandoned, would likely pursue nuclear weapons programs on their own, leading to a nightmare of proliferation.
In his speech to the Republican National Convention, the presidential nominee revealed a deeply flawed political strategy.
Donald Trump’s supporters yearn for the country as it was and fear the country as it is. Tonight’s powerfully dystopian Trump nomination acceptance address will touch them at their deepest emotional core. It will ignite a passionate spasm of assent from those many, many Americans—mostly but not exclusively white, mostly but not exclusively less affluent and educated—who experience today as worse than yesterday, and anticipate a tomorrow worse than today.
Don’t think it won’t work. It will work. The speech will be viewed and viewed again, on cable news and social media. The travails and troubles of this dysfunctional convention will recede, even if their implications and consequences linger. Trump’s poll numbers will probably rise. Small-dollar donations will surely flow. Many wavering Republicans will come home—even if the home to which they now return has changed in ways that render it almost indistinguishable from the dwelling it used to be.
A recent scholarly paper on “microaggressions” uses them to chart the ascendance of a new moral code in American life.
Last fall at Oberlin College, a talk held as part of Latino Heritage Month was scheduled on the same evening that intramural soccer games were held. As a result, soccer players communicated by email about their respective plans. “Hey, that talk looks pretty great,” a white student wrote to a Hispanic student, “but on the off chance you aren’t going or would rather play futbol instead the club team wants to go!!”
Unbeknownst to the white student, the Hispanic student was offended by the email. And her response signals the rise of a new moral culture America.
When conflicts occur, sociologists Bradley Campbell and Jason Manning observe in an insightful new scholarly paper, aggrieved parties can respond in any number of ways. In honor cultures like the Old West or the street gangs of West Side Story, they might engage in a duel or physical fight. In dignity cultures, like the ones that prevailed in Western countries during the 19th and 20th Centuries, “insults might provoke offense, but they no longer have the same importance as a way of establishing or destroying a reputation for bravery,” they write. “When intolerable conflicts do arise, dignity cultures prescribe direct but non-violent actions.”
This week, the co-author of Donald Trump’s autobiography said in The New Yorker that if he were writing The Art of the Deal today, it would be a very different book with a very different title: The Sociopath.
To title a person’s life story with that label is a serious accusation, and one worth considering. The stakes are high. Tony Schwartz, the writer of the best-selling book, said that he “genuinely believe[s] that if Trump wins and gets the nuclear codes, there is an excellent possibility it will lead to the end of civilization.” In that light, Schwartz said he feels “deep remorse” at having “put lipstick on a pig.”
That seemed to me to be something of a contradiction to the charge of sociopathy, as pigs have been found to show signs of empathy. If you call a pig by name, it will come and play with you, reciprocating affection like a dog. So which is it, pig or sociopath?
In a week full of political propaganda, here's messaging done delightfully.
In a segment for James Corden’s “Carpool Karaoke”series that aired last night, Michelle Obama told the late-night host that this was one of the only times she’s been near the steering wheel of an automobile since arriving at the White House: “I’ve been in a car maybe months ago with my daughter who learned to drive, and we rocked out with her. But that was the only time in seven and a half years that I’ve been in the passenger seat, listening to music, rocking out like this.”
It’s one little anecdote that does so much: remind of how long we’ve all lived with this first family, of the isolating conditions they exist in, and also of their relatability as parents, as teenagers, and as people who love belting Beyoncé on their commute. The exchange also provides a near metaphor for what Michelle Obama has done with this instantly viral Late Late Show segment. She’s technically in the passenger seat, but really, she’s driving the car.