In 1856, Robert Brown's wife and four children were sold, because the wife would not submit to the "lustful designs" of Brown's master. This condemnation of Brown's family into the deep Southern oblivion sent him to great mourning and desperate measures. These measures are narrated here, by the great William Still, spymaster for America's greatest resistance movement, the Underground Railroad:
In very desperate straits many new inventions were sought after by deep-thinking and resolute slaves, determined to be free at any cost. But it must here be admitted, that, in looking carefully over the more perilous methods resorted to, Robert Brown, alias Thomas Jones, stands second to none, with regard to deeds of bold daring. This hero escaped from Martinsburg, Va., in 1856.
He was a man of medium size, mulatto, about thirty-eight years of age, could read and write, and was naturally sharp-witted. He had formerly been owned by Col. John F. Franie, whom Robert charged with various offences of a serious domestic character.
Furthermore, he also alleged, that his "mistress was cruel to all the slaves," declaring that "they (the slaves), could not live with her," that "she had to hire servants," etc.
In order to effect his escape, Robert was obliged to swim the Potomac river on horseback, on Christmas night, while the cold, wind, storm, and darkness were indescribably dismal.
This daring bondman, rather than submit to his oppressor any longer, perilled his life as above stated. Where he crossed the river was about a half a mile wide. Where could be found in history a more noble and daring struggle for Freedom?
The wife of his bosom and his four children, only five days before he fled, were sold to a trader in Richmond, Va., for no other offence than simply "because she had resisted" the lustful designs of her master, being "true to her own companion." After this poor slave mother and her children were cast into prison for sale, the husband and some of his friends tried hard to find a purchaser in the neighborhood; but the malicious and brutal master refused to sell her--wishing to gratify his malice to the utmost, and to punish his victims all that lay in his power, he sent them to the place above named.
In this trying hour, the severed and bleeding heart of the husband resolved to escape at all hazards, taking with him a daguerreotype likeness of his wife which he happened to have on hand, and a lock of hair from her head, and from each of the children, as mementoes of his unbounded (though sundered) affection for them.
After crossing the river, his wet clothing freezing to him, he rode all night, a distance of about forty miles. In the morning he left his faithful horse tied to a fence, quite broken down. He then commenced his dreary journey on foot--cold and hungry--in a strange place, where it was quite unsafe to make known his condition and wants.
Thus for a day or two, without food or shelter, he traveled until his feet were literally worn out, and in this condition he arrived at Harrisburg, where he found friends. Passing over many of the interesting incidents on the road, suffice it to say, he arrived safely in this city, on New Year's night, 1857, about two hours before day break (the telegraph having announced his coming from Harrisburg), having been a week on the way.
The night he arrived was very cold; besides, the Underground train, that morning, was about three hours behind time; in waiting for it, entirely out in the cold, a member of the Vigilance Committee thought he was frosted. But when he came to listen to the story of the Fugitive's sufferings, his mind changed. Scarcely had Robert entered the house of one of the Committee, where he was kindly received, when he took from his pocket his wife's likeness, speaking very touchingly while gazing upon it and showing it.
Subsequently, in speaking of his family, he showed the locks of hair referred to, which he had carefully rolled up in paper separately. Unrolling them, he said, "this is my wife's;" "this is from my oldest daughter, eleven years old;" "and this is from my next oldest;" "and this from the next," "and this from my infant, only eight weeks old."
These mementoes he cherished with the utmost care as the last remains of his affectionate family. At the sight of these locks of hair so tenderly preserved, the member of the Committee could fully appreciate the resolution of the fugitive in plunging into the Potomac, on the back of a dumb beast, in order to flee from a place and people who had made such barbarous havoc in his household. His wife, as represented by the likeness, was of fair complexion, prepossessing, and good looking--perhaps not over thirty-three years of age.
Having spent some time reading the files of Underground Railroad escapees, somethings become clear about those of who made it North. They are generally--though not exclusively--young and male. (Still's own mother, for instance, was a runaway.) Very few of them run because of slavery, itself. In the main, it is not simply the thievery of their labor, the lack of civil rights, or even the floggings that compel them. It is their status as property, the utter inability to construct a secure family due to the threat of rape or sale. t is the making of "barbarous havoc" upon the household. The Underground Railroad springs not simply from the immorality of labor-theft, but from the immorality familiocide.
This is one reason why comparison between "wage slavery" and the Southern slave society always fall down. The antebellum slave society took as its premise not just zero wages, but the perpetual destruction of the black family.
Still's words here are very important--These mementoes he cherished with the utmost care as the last remains of his affectionate family. This is a man whose family has been sold into the deep South. They have been made dead to him. I have noticed a touch of borderline insanity in the profiles of these runaways. I understand why. In the 1850s, if you destroy someone's family, what else is left?
If the president and his aides will tell easily disproven falsehoods about crowd sizes and speeches, what else will they be willing to dissemble about?
One of the many things that is remarkable about the Trump administration is its devotion, even in its first days, to a particular variety of pointless falsehood.
Mendacity among politicians and the spokespeople hired to spin for them runs across eras and aisles, though it is true that some are more honest than others, and Donald Trump was a historically dishonest presidential candidate. But the Trump administration has displayed a commitment to needlessly lying that is confounding to even the most cynical observers of American politics.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
In his first official White House briefing, Sean Spicer blasted journalists for “deliberately false reporting,” and made categorical claims about crowd-size at odds with the available evidence.
In his first appearance in the White House briefing room since President Trump’s inauguration, Press Secretary Sean Spicer delivered an indignant statement Saturday night condemning the media’s coverage of the inauguration crowd size, and accusing the press of “deliberately false reporting.”
Standing next to a video screen that showed the crowd from President Trump’s vantage point, Spicer insisted that media outlets had “intentionally framed” their photographs to minimize its size. After attacking journalists for sharing unofficial crowd-size estimates—“no one had numbers,” he said—he proceeded to offer a categorical claim of his own. “This was the largest audience ever to witness an inauguration, period, both in person and around the globe,” he said, visibly outraged. “These attempts to lessen the enthusiasm of the inauguration are shameful and wrong.”
The new president’s first actions in office suggest his style from the trail isn’t going away soon.
Inaugurations are America’s modern equivalents of Roman triumphs. Flanked by military and police vehicles, clad in the pomp of tradition, presidents of the United States take their solemn oaths and parade between the classical facades and colonnades lining Pennsylvania Avenue. Crowds of thousands—sometimes millions—of citizens look on. It is meant to be a celebration of the nation in all her stately, martial honor, and of the vir triumphalis who has claimed the status of its moral leader and commander-in-chief. But inauguration is also a transition, not only between presidents, but from the combat of the campaign to the peacetime of governance.
For President Donald Trump, however, that transition has not yet taken place. On Inauguration Day, Trump did not take off the laurel wreath and transform into a governor, but rather extended his fiery campaign. The earliest hours of his presidency suggest that, dogged by unprecedented public disapproval, confronting questions of legitimacy, relying on a base fueled by partisan conflict, and facing extensive grassroots opposition, Trump’s campaign will be indefinite.
Popular demonstrations can bring change and topple governments. They can also spark retaliation from those in power.
The signs were so clever.
“We shall overcomb.”
“Viva la vulva.”
“I MAKE THE BEST SIGNS I REALLY DO EVERYONE SAYS SO THEY’RE TERRIFIC.”
Someone even made a papier-mâché vagina dentata.
The people were so cheerful and happy to be with one another, forgetting the cold and enjoying what often seemed less like a protest and more like a block party. There were families there, with grandmas in wheelchairs and babies in strollers. They were ecstatic and in disbelief at the number of people. TheWashington Post reported that the organizers put the attendance at up to half a million. They had hoped for less than half that.
It was surreal how similar this all felt, and my Russian friends on social media confirmed it: “Totally Bolotnaya,” one of them wrote. Bolotnaya is the square in the center of Moscow, right across the river from the Kremlin, where on December 10, 2011 around 50,000 people came out to protest fraudulent parliamentary elections. They had expected 3,000 and were stunned by their success. It was cold and gray that day, too, and the feeling of being in that joyous crowd was unforgettable, which is why I remembered it so vividly today. It is the giddiness of watching people vent their political frustrations with a sense of humor and good cheer, and the euphoria of observing people discover that they are not alone, that there are thousands and thousands of people just like them.
Images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
In Washington, DC, today, hundreds of thousands of protesters filled the streets in a demonstration called the Women’s March on DC, while even more marched in cities across the United States and around the world, one day after the inauguration of President Donald J. Trump. Larger-than-expected crowds of women and their allies raised their voices against the new administration, and in support of women's rights, health issues, equality, diversity and inclusion. Below are images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
Driven by opportunism, pragmatism, or fear, many begin to forget that they used to think certain things were unacceptable.
In The Captive Mind, Czeslaw Milosz tells a story about a man who ventures out in the immediate aftermath of the fall of a regime. Papers full of state secrets lie in the streets, their knowledge less important for the moment than that of where to find something to eat. A little boy plays in a bombed-out street, whistling a song about the leader. “The song remains, but the leader of yesterday is already part of an extinct past.”
When authoritarians fall from power, even if they are secretly mourned, they must be publicly forgotten. Yet they remain as traces within the bodies of their people. The muscle memory to salute, to sing their songs, to fear their wrath, can be hard to shake. My years of studying Mussolini and his two-decade long regime have taught me not to underestimate the individual and collective work of disentanglement that comes with the ruler’s fall from power.
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
Most presidents view inaugural addresses as a rare opportunity to appeal beyond “the base.” This was base-only.
For my sins, I have read every U.S. presidential inaugural address ever given, and played a small part in writing one of them—Jimmy Carter’s, delivered 40 years ago today.
The first one I remember hearing, John F. Kennedy’s in 1961, I saw on a fuzzy black-and-white TV from my 7th-grade American history classroom in California. The arctic conditions that day in Washington practically radiated through the TV screen. I remember seeing the revered 87-year-old poet Robert Frost hunch against the wind and squint in the low-sun glare as he tried to read the special inaugural ode he had composed. Then Richard Nixon, just defeated by Kennedy in a hair’s-breadth race, reached across to block the glare with his top hat. Frost waved him off and began reciting from memory one of his best-known poems, “The Gift Outright.” [Update: Other images suggest it could have been VP Lyndon Johnson who was offering Frost the hat. I didn’t really notice at the time; whoever it was, the lasting image was of Frost’s struggling with his script and then beginning to recite.]
In its first episode of the new administration, the NBC sketch show skewered Vladimir Putin, Kellyanne Conway, and the “lower-case KKK.”
Donald Trump didn’t make an appearance on the first Saturday Night Live of his presidency, at least not in the guise of his TV alter ego, Alec Baldwin’s pouting, preening impersonation. But Trump’s presence dominated the show, from the cold open featuring Beck Bennett as a joyful Vladimir Putin to a video skit in which Kate McKinnon’s Kellyanne Conway sang a musical tribute to her newfound fame. This much was clear: The NBC sketch show has no intention of easing up on the new commander-in-chief, and at times seemed to actively position itself as a force of resistance.
SNL’s determination to keep being a thorn in the side of the 45th president, who’s complained on Twitter that its portrayal of him is a “complete hit job,” was crystallized in the opening monologue of the January 21st episode, delivered by the comedian and first-time host Aziz Ansari. For almost nine minutes, Ansari pondered the new president (“He’s probably at home right now watching a brown guy make fun of him”), Islamophobia in the media, and the alt-right, which he dubbed the “lower-case KKK.”