There's a very nice note in the comments section for my post below this one from a gentleman who was kind enough to read my memoir:
I read 'The Beautiful Struggle' a few weeks ago (& enjoyed it very much, & found it very affecting: sincere big thanks). In many ways, our childhoods and adolescences couldn't be more different: I'm a white guy from a comfortably affluent family who grew up a few years after you (crack still a power but very much on the downswing) in a medium sized, uglily-segregated city in the midwest.
I was given all sorts of privileges withheld from you, and grew up in a much less hostile world. I'm a little uncomfortable making comparisons: I'd be an awful jackass to diminish your experiences in any way. With that said: while in objective terms, our middle school years were very different, I really recognized atmosphere you portrayed, and that recognition had a lot to do w/ how effective it was for me, despite different settings. I'm not sure exactly what point I want to make: certainly not that privileged white boys can be self involved, though there is a little of that ... something vague and ill-thought-out about universality and uniqueness in how adolescence is experienced, I guess.
I want to stress that I really appreciate this note. While I wrote thinking mostly about a young black kid who might find himself in the sort of situation I found myself as an adolescent, I also wanted the book to be open and hoped that people who were nothing like me might find something in there. With that said, I want to offer something that may do well to tie up the past week of discussion.
I don't want to speak for any other black person, or any other black writer, but it needs to be understood that my identity isn't founded on the losing end of "white privilege." I understand the use of that term for social scientists and perhaps literature critics. But I generally find it most powerful and most illuminating when linked to an actual specific privilege--not fearing sexual violence, not weighing one's death against the labor of birthing, living in a neighborhood bracketed off by housing covenants, not having to compete for certain jobs etc. In its most general invocation, I'm often repulsed because I think these sorts of questions often break down in the face of actual individuals.
The world of the individual--and often the black individual--is the space where I write. It is true that I can tell you how racism--indirectly and directly--affected my life. But you should also know that I truly believe that I had the best pair of parents in the world, that I had six brothers and sisters (sometimes more) who took care of me. That my mother taught me to read when I was four, that my father put me to work when I was six. That my brother Malik taught me D&D when I was seven, that my brother Big Bill fed me hip-hop from the time I was eight till this very day. That my house was filled with books which I was given the privilege to dive in and out of. That my father published and printed books which gave a sense of Do For Self.
That at Lemmel Middle School, I had teachers who went to war on my behalf. That I was a drummer for Sankofa Dance Company, and learned, not simply how to play, but how to shave a goat-skin and construct a drum-head. That I used to rhyme with Big Bill up on Wabash, and for all my awful flow, no one kicked me out. That the same boys who tortured me in seventh grade, repeatedly saved my ass in eighth grade. That throughout my young life someone more street-wise than me often took me under their wing and looked out.
In short--you need to know that I was privileged. I can run you all kinds of stats on the racial wealth gap and will gladly discuss its origins. But you can't really buy two parents like I had. Money can buy experience and exposure--but it can't make you want those things. It can't make your parents curious about the world. It can't make them moral, compassionate and caring. It can't make them love their children. As I have moved on up, in that old Jeffersonian sense, I have seen families who allegedly were more privileged. But ultimately I find merit in who they are as humans. I am unconvinced that money trumps all of their flaws
White commenters who were financially "better off" than me should assume only that, and no more. They should certainly not assume they were more privileged. I certainly do not. It is the privileges which I experienced, as an individual, that brings me here. If you read something on this blog, or in one of my books, that resonates, holler at me. Don't apologize. Don't feel guilty. The guilt isn't about me anyway. Address me straight up. You didn't do anything to me. And fanatically believing in "Coatesian Exceptionalism," I can't even concede that you had more than me.
I was privileged. I got love for you. But I would not trade with you:)
As the public’s fear and loathing surge, the frontrunner’s durable candidacy has taken a dark turn.
MYRTLE BEACH, South Carolina—All politicians, if they are any good at their craft, know the truth about human nature.
Donald Trump is very good, and he knows it better than most.
Trump stands alone on a long platform, surrounded by a rapturous throng. Below and behind him—sitting on bleachers and standing on the floor—they fill this city’s cavernous, yellow-beige convention center by the thousands. As Trump will shortly point out, there are a lot of other Republican presidential candidates, but none of them get crowds anything like this.
Trump raises an orange-pink hand like a waiter holding a tray. “They are not coming in from Syria,” he says. “We’re sending them back!” The crowd surges, whistles, cheers. “So many bad things are happening—they have sections of Paris where the police are afraid to go,” he continues. “Look at Belgium, the whole place is closed down! We can’t let it happen here, folks.”
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
Mary Beard’s sweeping history is a new read of citizenship in the ancient empire.
A british college student named Megan Beech recently published a poetry collection called When I Grow Up I Want to Be Mary Beard. Beech is not alone in her admiration for Beard, who was for a time the only female classics lecturer at Cambridge University and has since become the most prominent representative of a field once associated with dusty male privilege. In 2013, Beard was appointed to the Order of the British Empire for “services to Classical Scholarship.” A prolific authority on Roman culture, she construes those services broadly. Her academic work ranges from studies of Roman religion and Roman victory practices to reflections on Roman laughter, and she has written lively books about Pompeii and the Colosseum. As the erudite docent on a BBC series three years ago titled Meet the Romans, Beard introduced a bigger audience to a bigger Rome: a citizenry far beyond the handful of Latin-speaking men who populated the Senate, served as emperors, or wrote (often dictating to their slaves) the books that we call “Roman literature.” Whatever the context (she also writes a blog, “A Don’s Life,” for the Times Literary Supplement), Beard does precisely what few popularizers dare to try and plenty of dons can’t pull off: She conveys the thrill of puzzling over texts and events that are bound to be ambiguous, and she complicates received wisdom in the process.
In the name of emotional well-being, college students are increasingly demanding protection from words and ideas they don’t like. Here’s why that’s disastrous for education—and mental health.
Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for The New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in The Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses (see Caitlin Flanagan’s article in this month’s issue). Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.
Why are so many kids with bright prospects killing themselves in Palo Alto?
The air shrieks, and life stops. First, from far away, comes a high whine like angry insects swarming, and then a trampling, like a herd moving through. The kids on their bikes who pass by the Caltrain crossing are eager to get home from school, but they know the drill. Brake. Wait for the train to pass. Five cars, double-decker, tearing past at 50 miles an hour. Too fast to see the faces of the Silicon Valley commuters on board, only a long silver thing with black teeth. A Caltrain coming into a station slows, invites you in. But a Caltrain at a crossing registers more like an ambulance, warning you fiercely out of its way.
The kids wait until the passing train forces a gust you can feel on your skin. The alarms ring and the red lights flash for a few seconds more, just in case. Then the gate lifts up, signaling that it’s safe to cross. All at once life revives: a rush of bikes, skateboards, helmets, backpacks, basketball shorts, boisterous conversation. “Ew, how old is that gum?” “The quiz is next week, dipshit.” On the road, a minivan makes a left a little too fast—nothing ominous, just a mom late for pickup. The air is again still, like it usually is in spring in Palo Alto. A woodpecker does its work nearby. A bee goes in search of jasmine, stinging no one.
An entire industry has been built on the premise that creating gourmet meals at home is simple and effortless. But it isn’t true.
I write about food for a living. Because of this, I spend more time than the average American surrounded by cooking advice and recipes. I’m also a mother, which means more often than not, when I return from work 15 minutes before bedtime, I end up feeding my 1-year-old son squares of peanut-butter toast because there was nothing in the fridge capable of being transformed into a wholesome, homemade toddler meal in a matter of minutes. Every day, when I head to my office after a nourishing breakfast of smashed blueberries or oatmeal I found stuck to the pan, and open a glossy new cookbook, check my RSS feed, or page through a stack of magazines, I’m confronted by an impenetrable wall of unimaginable cooking projects, just sitting there pretending to be totally reasonable meals. Homemade beef barbacoa tacos. Short-rib potpie. “Weekday” French toast. Make-ahead coconut cake. They might as well be skyscraper blueprints, so improbable is the possibility that I will begin making my own nut butters, baking my own sandwich bread, or turning that fall farmer’s market bounty into jars of homemade applesauce.
The 2016 Sony World Photography Awards are now taking entries, and the organizers have been kind enough to share some of their early entries with us.
The 2016 Sony World Photography Awards are now taking entries, and the organizers have been kind enough to share some of their early entries with us, gathered below. Last year’s competition attracted over 173,000 entries from 171 countries. Entries will be accepted until January 5, 2016. All captions below come from the photographers.
A yearlong investigation of Greek houses reveals their endemic, lurid, and sometimes tragic problems—and a sophisticated system for shifting the blame.
One warm spring night in 2011, a young man named Travis Hughes stood on the back deck of the Alpha Tau Omega fraternity house at Marshall University, in West Virginia, and was struck by what seemed to him—under the influence of powerful inebriants, not least among them the clear ether of youth itself—to be an excellent idea: he would shove a bottle rocket up his ass and blast it into the sweet night air. And perhaps it was an excellent idea. What was not an excellent idea, however, was to misjudge the relative tightness of a 20-year-old sphincter and the propulsive reliability of a 20-cent bottle rocket. What followed ignition was not the bright report of a successful blastoff, but the muffled thud of fire in the hole.
America loves its freeways. After the 1956 Federal Highway Bill created the pathway for a41,000 mile interstate highway system, states and cities jockeyed for the funding to build ever-more extensive networks of pavement that could carry Americans quickly between cities. Sometimes, they built these highways right in the middle of cities, displacing communities and razing old buildings and homes.
“This was a program which the twenty-first century will almost certainly judge to have had more influence on the shape and development of American cities, the distribution of population within metropolitan areas and across the nation as a whole, the location of industry and various kinds of employment opportunities,”Daniel Moynihan wrote in 1970 about the federal program that built these thousands of miles of highways.