I've been digging Shelby Foote's Civil War trilogy via Audiobook. In my present realm of study, there's just entirely too much to read. (Next up a book about fashion among slaves. No, seriously.) It sucks that it's so hard to find more obscure books in the audio version, and it sucks more that many of the voice actors are so bad.
That aside, Foote's book is pretty awesome. It's been whispered that he was filled with Southern bias, but I wonder if that has more to do with how he showed up in the film than with what he's actually written.McPherson's book is obviously awesome, but I think the first 200-300 pages--where he demolishes the notion that slavery wasn't the cause of the War--are its strength. (This, of course, like saying "speed" was Barry Sanders' strength.)
Foote isn't much interested in the causes of the War, as much as the personalities. The temptation is to charge him with ducking the issue. But I think in his focus on the people, you learn a lot about the causes. Here's a quote Foote digs up from the diary of a Confederate Louisiana woman (Julia Le Grand) after New Orleans falls to the Union:
This is a most cowardly struggle. these people can do nothing without gunboats. These passive instruments do their fighting for them. Beauregard in Tennessee can get no battle from them where they are protected by these huge block steamers. It is a best a dastardly way to fight. We should have had gunboats if the government had been efficient, wise or earnest. (Emphasis mine.)
The upshot seems to be that means employed by the North win are cowardice, while those same means in the hands of the South are efficiency and wisdom. This reasoning can be extended to hilarious ends--until armies are dismissed as cowards for using canons (These people can do nothing without artillery) charging with horses (These people can do nothing without hiding behind calvary) to firing an Enfield (These people can do nothing without their Springfields. Real men give the bayonet.)
It really is the same logic you see out on the street, ("You only kicked my ass, because I let you swing first.) or in sports ("The Saints only won, because of that lucky onside kick.") The logic proceeds from a deeply held notion, that at the core, somewhere in the bones, the speaker is essentially of better stock. You see this all through Southern propaganda in the Civil War--sometimes they literally speak of a "Southern race." The idea is that there is something about the Southerner, something intrinsic, that makes him a better fighter. Here's Sam Houston addressing that notion, while trying to stop Texas from seceding:
Some of you laugh to scorn the idea of bloodshed as the result of secession, but let me tell you what is coming....Your fathers and husbands, your sons and brothers, will be herded at the point of the bayonet....You may after the sacrifice of countless millions of treasure and hundreds of thousands of lives, as a bare possibility, win Southern independence...but I doubt it. I tell you that, while I believe with you in the doctrine of state rights, the North is determined to preserve this Union. They are not a fiery, impulsive people as you are, for they live in colder climates. But when they begin to move in a given direction...they move with the steady momentum and perseverance of a mighty avalanche; and what I fear is, they will overwhelm the South.
This, of course, is the 19th century, and theories about race are wild. Modern racism styles black people as physical superior, and mentally inferior. But in the 19th century, white supremacy styled whites (and in the South, Southern whites specifically) as physically and mentally superior. No one claimed to fear meeting a black man in a dark alley--the logic held that he would run and cower before the white man, his superior in all things.
Knowing that, I think, gives us some perspective on the Lost Cause. Think of it: The South didn't have the North's great industrial power or cultural sway. But what they had was a military tradition. Southerners were fighters. They could say to the North, "You may have poetry and machines, but we both know I can kick your ass." I don't want to overstate this, but I suspect going into the war, no small part of Southern secessionist ideology was built on the ability to kick ass, and that ability being decisive.
But it wasn't. Moreover, it was the secessionist who took the ass-kicking, at the hands of a bunch of effete Northerners and cowardly runaway slaves. It was as if the AV club and the weed-heads got together and beat down the football team--in front of the cheerleaders. Or it's Tyson after Douglass. Indeed since the Confederates galloped out of Richmond, some portion of this country has always been Tyson dazed on the mat, groping for the mouth-piece.
There's a way of looking at the ugliness after Reconstruction--the rise of the Lost Cause, the Klan, the lynchings--as a tragic search for Southern white male identity. First the old slave patrols go. Then the Confederate Army is subdued and humiliated. Then blacks began to dominate "manly" athletic pursuits. Then Martin Luther King exposes the immorality of the Southern system. Reeling from each successive volley, the Southern racist--and really any white racist--is left with a question: If the Southern white man is proven inferior physically, mentally, and even morally, than what is he?
It is from this question that you get protests of "losing everything," or "illegals taking over everything," or "jihad in the White House." It's about identity, and the Confederate South not as geography but as an idea. I'd argue that--from the Confederate battle flag, to all-white country clubs, to the Muslim\terrorist Obama-- the search for identity continues to this day. The Civil War commenced an assault on an notion that was, by the War's onset, some 200 years in the making. My sense is that the unholy idea may require some 200 years of unmaking.
Let's talk in 2065. One way or another, I'll be around.
If the president and his aides will tell easily disproven falsehoods about crowd sizes and speeches, what else will they be willing to dissemble about?
One of the many things that is remarkable about the Trump administration is its devotion, even in its first days, to a particular variety of pointless falsehood.
Mendacity among politicians and the spokespeople hired to spin for them runs across eras and aisles, though it is true that some are more honest than others, and Donald Trump was a historically dishonest presidential candidate. But the Trump administration has displayed a commitment to needlessly lying that is confounding to even the most cynical observers of American politics.
Popular demonstrations can bring change and topple governments. They can also spark retaliation from those in power.
The signs were so clever.
“We shall overcomb.”
“Viva la vulva.”
“I MAKE THE BEST SIGNS I REALLY DO EVERYONE SAYS SO THEY’RE TERRIFIC.”
Someone even made a papier-mâché vagina dentata.
The people were so cheerful and happy to be with one another, forgetting the cold and enjoying what often seemed less like a protest and more like a block party. There were families there, with grandmas in wheelchairs and babies in strollers. They were ecstatic and in disbelief at the number of people. TheWashington Post reported that the organizers put the attendance at up to half a million. They had hoped for less than half that.
It was surreal how similar this all felt, and my Russian friends on social media confirmed it: “Totally Bolotnaya,” one of them wrote. Bolotnaya is the square in the center of Moscow, right across the river from the Kremlin, where on December 10, 2011 around 50,000 people came out to protest fraudulent parliamentary elections. They had expected 3,000 and were stunned by their success. It was cold and gray that day, too, and the feeling of being in that joyous crowd was unforgettable, which is why I remembered it so vividly today. It is the giddiness of watching people vent their political frustrations with a sense of humor and good cheer, and the euphoria of observing people discover that they are not alone, that there are thousands and thousands of people just like them.
The new president’s first actions in office suggest his style from the trail isn’t going away soon.
Inaugurations are America’s modern equivalents of Roman triumphs. Flanked by military and police vehicles, clad in the pomp of tradition, presidents of the United States take their solemn oaths and parade between the classical facades and colonnades lining Pennsylvania Avenue. Crowds of thousands—sometimes millions—of citizens look on. It is meant to be a celebration of the nation in all her stately, martial honor, and of the vir triumphalis who has claimed the status of its moral leader and commander-in-chief. But inauguration is also a transition, not only between presidents, but from the combat of the campaign to the peacetime of governance.
For President Donald Trump, however, that transition has not yet taken place. On Inauguration Day, Trump did not take off the laurel wreath and transform into a governor, but rather extended his fiery campaign. The earliest hours of his presidency suggest that, dogged by unprecedented public disapproval, confronting questions of legitimacy, relying on a base fueled by partisan conflict, and facing extensive grassroots opposition, Trump’s campaign will be indefinite.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
In his first official White House briefing, Sean Spicer blasted journalists for “deliberately false reporting,” and made categorical claims about crowd-size at odds with the available evidence.
In his first appearance in the White House briefing room since President Trump’s inauguration, Press Secretary Sean Spicer delivered an indignant statement Saturday night condemning the media’s coverage of the inauguration crowd size, and accusing the press of “deliberately false reporting.”
Standing next to a video screen that showed the crowd from President Trump’s vantage point, Spicer insisted that media outlets had “intentionally framed” their photographs to minimize its size. After attacking journalists for sharing unofficial crowd-size estimates—“no one had numbers,” he said—he proceeded to offer a categorical claim of his own. “This was the largest audience ever to witness an inauguration, period, both in person and around the globe,” he said, visibly outraged. “These attempts to lessen the enthusiasm of the inauguration are shameful and wrong.”
Driven by opportunism, pragmatism, or fear, many begin to forget that they used to think certain things were unacceptable.
In The Captive Mind, Czeslaw Milosz tells a story about a man who ventures out in the immediate aftermath of the fall of a regime. Papers full of state secrets lie in the streets, their knowledge less important for the moment than that of where to find something to eat. A little boy plays in a bombed-out street, whistling a song about the leader. “The song remains, but the leader of yesterday is already part of an extinct past.”
When authoritarians fall from power, even if they are secretly mourned, they must be publicly forgotten. Yet they remain as traces within the bodies of their people. The muscle memory to salute, to sing their songs, to fear their wrath, can be hard to shake. My years of studying Mussolini and his two-decade long regime have taught me not to underestimate the individual and collective work of disentanglement that comes with the ruler’s fall from power.
In its first episode of the new administration, the NBC sketch show skewered Vladimir Putin, Kellyanne Conway, and the “lower-case KKK.”
Donald Trump didn’t make an appearance on the first Saturday Night Live of his presidency, at least not in the guise of his TV alter ego, Alec Baldwin’s pouting, preening impersonation. But Trump’s presence dominated the show, from the cold open featuring Beck Bennett as a joyful Vladimir Putin to a video skit in which Kate McKinnon’s Kellyanne Conway sang a musical tribute to her newfound fame. This much was clear: The NBC sketch show has no intention of easing up on the new commander-in-chief, and at times seemed to actively position itself as a force of resistance.
SNL’s determination to keep being a thorn in the side of the 45th president, who’s complained on Twitter that its portrayal of him is a “complete hit job,” was crystallized in the opening monologue of the January 21st episode, delivered by the comedian and first-time host Aziz Ansari. For almost nine minutes, Ansari pondered the new president (“He’s probably at home right now watching a brown guy make fun of him”), Islamophobia in the media, and the alt-right, which he dubbed the “lower-case KKK.”
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
Images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
In Washington, DC, today, hundreds of thousands of protesters filled the streets in a demonstration called the Women’s March on DC, while even more marched in cities across the United States and around the world, one day after the inauguration of President Donald J. Trump. Larger-than-expected crowds of women and their allies raised their voices against the new administration, and in support of women's rights, health issues, equality, diversity and inclusion. Below are images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
The Women’s March on Washington was a protest that also, in its own way, marked a peaceful transition of power.
WASHINGTON, D.C.— In the middle of the National Mall, on the same spot that had, the day before, hosted the revelers who had come out for the inauguration of Donald Trump, a crowd of people protesting the new presidency spontaneously formed themselves into a circle. They grasped hands. They invited others in. “Join our circle!” one woman shouted, merrily, to a small group of passersby. They obliged. The expanse—a small spot of emptiness in a space otherwise teeming with people—got steadily larger, until it spanned nearly 100 feet across. If you happened to be flying directly above the Mall during the early afternoon of January 21, as the Women’s March on Washington was in full swing, you would have seen a throng of people—about half a million of them, according to the most recent estimates—punctuated, in the middle, by an ad-hoc little bullseye.