Why do conservatives hold out such hopes for Bobby Jindal? Because he's a smart, smart guy.
Why do conservatives hold out such hopes for Bobby Jindal? Because he's a smart, smart guy.
After more than a year of rumors and speculation, Bruce Jenner publicly came out as transgender with four simple words: “I am a woman.”
“My brain is much more female than male,” he explained to Diane Sawyer, who conducted a primetime interview with Jenner on ABC Friday night. (Jenner indicated he prefers to be addressed with male pronouns at this time.) During the two-hour program, Jenner discussed his personal struggle with gender dysphoria and personal identity, how it shaped his past and current relationships and marriages, and how he finally told his family about his true gender identity.
The show went to impressive lengths to explain unfamiliar concepts of gender and sexuality to its audience, although it didn't always go smoothly. Sawyer’s questions occasionally came off as awkward and tone-deaf, mirroring a broader lack of understanding by many Americans about the difficulties that trans people face. But Sawyer’s empathy also shone when explaining concepts like gender identity and transitioning to her audience—a rare experience on primetime American television. It was a powerful signal of how much progress the LGBT movement has made over the past twenty years, even though the T in that acronym still lags behind the other three letters in both social acceptance and legal protections, and in how much progress remains to be made.
In her new book No One Understands You and What To Do About It, Heidi Grant Halvorson tells readers a story about her friend, Tim. When Tim started a new job as a manager, one of his top priorities was communicating to his team that he valued each member’s input. So at team meetings, as each member spoke up about whatever project they were working on, Tim made sure he put on his “active-listening face” to signal that he cared about what each person was saying.
But after meeting with him a few times, Tim’s team got a very different message from the one he intended to send. “After a few weeks of meetings,” Halvorson explains, “one team member finally summoned up the courage to ask him the question that had been on everyone’s mind.” That question was: “Tim, are you angry with us right now?” When Tim explained that he wasn’t at all angry—that he was just putting on his “active-listening face”—his colleague gently explained that his active-listening face looked a lot like his angry face.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
Leon Trotsky is not often invoked as a management guru, but a line frequently attributed to him would surely resonate with many business leaders today. “You may not be interested in war,” the Bolshevik revolutionary is said to have warned, “but war is interested in you.” War, or at least geopolitics, is figuring more and more prominently in the thinking and fortunes of large businesses.
Of course, multinational companies such as Shell and GE have long cultivated an expertise in geopolitics. But the intensity of concern over global instability is much higher now than in any recent period. In 2013, the private-equity colossus KKR named the retired general and CIA director David Petraeus as the chairman of its global institute, which informs the firm’s investment decisions. Earlier this year, Sir John Sawers, the former head of MI6, Britain’s CIA, became the chairman of Macro Advisory Partners, a firm that advises businesses and governments on geopolitics. Both appointments are high-profile examples of a much wider trend: an increasing number of corporations are hiring political scientists, starting their board meetings with geopolitical briefings, and seeking the advice of former diplomats, spymasters, and military leaders.“The last three years have definitely been a wake-up call for business on geopolitics,” Dominic Barton, the managing director of McKinsey, told me. “I’ve not seen anything like it. Since the Second World War, I don’t think you’ve seen such volatility.” Most businesses haven’t pulled back meaningfully from globalized operation, Barton said. “But they are thinking, Gosh, what’s next?”
This month, many of the nation's best and brightest high school seniors will receive thick envelopes in the mail announcing their admission to the college of their dreams. According to a 2011 survey, about 60 percent of them will go to their first-choice schools. For many of them, going away to college will be like crossing the Rubicon. They will leave their families -- their homes -- and probably not return for many years, if at all.
That was journalist Rod Dreher's path. Dreher grew up in the small southern community of Starhill, Louisiana, 35 miles northwest of Baton Rouge. His family goes back five generations there. His father was a part-time farmer and sanitarian; his mother drove a school bus. His younger sister Ruthie loved hunting and fishing, even as a little girl.
The growing slate of 2016 presidential candidates had barely had a chance to announce their campaigns before a new contender entered the fray, only to prove immediately divisive. The guilty party? Hillary Clinton’s new logo, a blue and red “H” with a bold arrow as the crossbar.
Since anything to do with Hillary raises red (and blue) flags, critics assumed that the logo must be packed with symbolism. So, left-wingers were displeased that the arrow is red and points to the right, while right-wingers were annoyed that, when reversed, the arrow points left. Not since the Soviets ideologically censored art for geographical orientation—things facing West were forbidden—has the mere direction of anything been so disparaged. But that doesn’t mean Hillary’s logo should be given a free pass. The folks at FedEx, Tag Heuer, Amazon, and at least a dozen other corporations are justifiably upset because they have arrows in their logos, too—and how many arrows can the market bear? (Incidentally, the Nazi Stormtroopers' (SA) logo contained an “S” that turned into an arrow, but don't judge all arrows on a few rotten applications.)
On Inauguration Day 2013, a few minutes after 12 p.m., Raffi Hovannisian stood before a massive crowd at Liberty Square in the heart of Yerevan, Armenia. Thousands of Armenians had gathered in the capital to cheer on their leader: “Raffi! President! Raffi! President!” The man before them was tall and dynamic, his fist thrown into the air like a high-school football star. He drew himself to the microphone and thundered over the crowd: “Armenia! Armenia!” The people whistled and cheered. Many of them did not notice that they were being surrounded by riot police with red berets, reinforced by special units of the armed forces.
At exactly the same time, a few kilometers up a hill, Serzh Sargsyan was taking the oath of office for the presidency of the Republic of Armenia. The entire government was in attendance—all the church leaders, too. The official results had been clear about the incumbent’s victory, with 59 percent of the vote. The man on stage was short, with silver hair and the disciplined expression of a military commander. He spoke solemnly about the challenges still facing the country: unemployment, poverty, emigration.
One of the most shocking parts of watching Kurt Cobain: Montage of Heck is finding out that the god of grunge was once a really cute kid. Director Brett Morgen peppers his documentary with Super 8 clips in which the future Nirvana singer can be seen as an infant, toddler, and grade-schooler, blowing out birthday candles, carrying around a stuffed panda, and sending kisses to the camera. Towheaded and cheery-eyed, wearing tiny suit jackets and cardigans, lil Cobain could have been in a Normal Rockwell painting. That he was the iconic all-America boy helps explain his later rebellion, making him an avatar for how traditional domestic life begat counterculture, and …
... oh, wait. I’m mythologizing, aren’t I? Assuming causes and effects that can’t ever be known, turning a human being into an abstraction: Montage of Heck, in some theaters now and airing on HBO on May 4, was created specifically to ward against this sort of thing. In 2007, Courtney Love gave Morgen access to a trove of previously unexamined recordings, notes, and artwork relating to her late husband, with one bit of instruction that would take the director eight years to carry out. “It was time to examine this person and humanize him and decanonize these values that he allegedly stood for—the lack of ambition and these ridiculous myths that had been built up around him,” Love told The New York Times.
J.J. Abrams, the director tasked with bringing Star Wars back to the top of the crowded franchise heap, has always been happy to borrow. When he set out to make a new Star Trek and drag that moribund cinematic franchise back into blockbuster territory, he cheerfully swapped in some very familiar visual language to help it over the hill. Early on in the film, James Kirk (Chris Pine), nursing a desire to transcend his farmboy life, rides a motorcycle to see the U.S.S. Enterprise being built at a shipyard, and gazes up at it longingly. Star Wars fans would connect the scene to one at the beginning of the first 1977 film, when Luke Skywalker wistfully watches the dual suns of his home planet set; Star Trek's producers even called the scene "our Tatooine moment." Abrams has never exactly been a visionary artist, but he's a master of elevating the familiar—a fact made clear in the previews of his new Star Wars film, The Force Awakens.
From "swag" to "on fleek," tweens explain the changing English language.
How a small neighborhood next to LAX airport slowly disappeared