m_topn picture

A U G U S T   1 9 9 5

m_rub_po picture

THE COMPOSITOR

by Greg Delanty


Perhaps it's the smell of printing ink
sets me off out of memory's jumbled font
or maybe it's the printer's printing lingo,
telling how various phrases came about.

How, for instance, mind your p's & q's
has as much to do with pints & quarts
and the printer's renown for drink
as it has to do with descenders.

But I don't say anything about
how I discovered where widows & orphans
and out of sorts came from the day my father
unnoticed and unexpectedly set 30

on the bottom of his compositor's page
and left me mystified about the origins
of that end, how to measure a line gauge
and how since he was first to go whom I knew,

he slowly and without a word
turned from himself into everyone
as we turn into that last zero
before finally passing on to the stoneman.


Greg Delanty teaches English literature at St. Michael's College, in Vermont. His next collection of poems, American Wake, will be published this year.


Copyright © 1995 by The Atlantic Monthly Company. All rights reserved.
The Atlantic Monthly; August 1995; The Compositor; Volume 276, No. 2; page 70.

m_nv_cv picture m_nv_un picture m_nv_am picture m_nv_pr picture m_nv_as picture m_nv_se picture