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O C T O B E R 1 9 9 9
ONCE, I bought a new pair of gloves, and when my mother asked how much they cost, being a young man on my own by then, I told her. Thereafter, when I would arrive at my parents' for a visit, she would greet me with "Here's Beatty in his ten-dollar gloves! It's a wonder he speaks to us anymore." The point is where she set the bar of luxury and pretension -- worlds short of a Rolex. So if I had been told a year ago that spending $350 a night to stay at a swank hotel would ever seem like a good deal, I would have said that such a thing was inconceivable. However, during a recent trip my wife and I made to Los Angeles, the inconceivable happened. How it did is a tale of two hotels.
I skip over the sliding-glass doors, the kind you see advertised ("Sliders!") in real-estate ads pitched to demolition-derby enthusiasts; the floor-to-ceiling plastoid drapes hiding the sliders; the dank patio ("Sliders to patio") and the Superfund site surrounding it, which wore a necklace of cigarette butts (filters, lipstick) across what appeared to be an AstroTurf surface. Magnanimously, I say nothing against the two-watt fluorescent light in the bathroom except that it made me want never to look at myself in the mirror again. But the three phone calls from someone asking for "Joe" bear mentioning. And the knock at our door at 2:30 A.M. was not the frank knock of a waiter come to stock Charleston Chews in the snack machine but a furtive sort of knock -- and for us it was the last straw. Although our reservations were for three days, we left at first light. And repaired immediately to the Hotel Bel-Air, in a woodsy canyon just off Sunset Boulevard. The price was only marginally higher, but worth it -- the place has a rustic magnificence. A portrait of Grace Kelly, who stayed there when in Los Angeles, hangs in the main hallway, and grace is the note of the Bel-Air, of the great white swans in its garden lagoon, of the red-tiled roofs of the guest cottages, of the tasteful rooms -- ours was in lemon and white -- that you won't want to leave. Yes, a lunch consisting of a chicken sandwich and a fruit plate for $40 got our attention. And the $15 charge for a jar of peanuts in the honor bar did discourage late-night snacking. But with Hotel Hip -- considered a luxury hotel just like the Bel-Air -- in mind, we paid almost gladly.
-- JACK BEATTY
COSSET yourself in inch-deep terry cloth all you want, but in the swankest hotel you're still a tourist in that town. With an apartment swap you get in -- and it costs you virtually nothing. Try to find a better deal than that. In my first exchange last year I swapped my Manhattan apartment for a two-bedroom Amsterdam flat. My host, Marcel Oden, by coincidence also a journalist, met me and my friend with flowers and took us with a crowd of his pals to West Pacific, a trendy restaurant in a former gas factory (and not in most guidebooks). At the little grocery shops to which Marcel directed me, by my third visit the shopkeepers greeted me as a regular, abandoning English for a torrent of friendly if bewildering Dutch. From the list of acquaintances Marcel left -- the novelist who could get us into parties, Marcel's parents, in the north, who could show us the waterworks -- I called Fred Allers, in Utrecht, who gave us a private tour of his medieval canal house, which dates from 1300. We sipped witte wijn by the water on a werven, a brick terrace along the quaint Nieuwegracht. He also taught us to say "lol" ("great fun"), cautioning us not to pronounce it "lul" (a vulgar male anatomical reference). Maybe you could learn this stuff from your hotel concierge. Marcel was a considerate guest at my house, as most home exchangers are. Karl Costabel, who for the past ten years has run HomeLink International, one of the two largest and oldest exchange programs (the other is Intervac), says he only occasionally hears of problems, and most of them are trivial. The members (for an annual fee of $93) are primarily affluent professionals -- professors, corporate officers, and the like -- and two thirds are repeat members, from about fifty countries and every American state. To avoid worry, Costabel recommends locking up precious things or taking them to a friend's house. You can also ask for references. He himself once exchanged his four-bedroom house in Hawaii for a French count's Paris apartment and the use of his Rolls-Royce and Maserati. Maybe he and I are luckier than most. I don't know. But this year the professor who agreed to exchange his Barcelona apartment for mine decided not to come to New York after all. "Don't worry," he wrote me, "you can still have our apartment. We'll be in our country house anyway." |
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From the archives:
"On the Big Road," by Matthew Doherty (October, 1999)
"Lewis and Clark and Us," by Cullen Murphy (March, 1998)
"No Phone, No Pool, No Pets," by Ian Frazier (March, 1996) Related link:
American Automobile Association (AAA) |
-- FRANCINE RUSSO
If the purpose of a trip is not just to see something new but actually to feel somewhere else, this kind of travel fulfills it perfectly. Sometimes we're forced to eat in Pizza Huts and sleep in unairconditioned cinder-block motels, but more often, as we slip in and out of the everyday life and distinct pleasures of rural towns so markedly different from the urban center where we live, we discover sights and tastes and charms we would never have anticipated: fireworks over the fields of Great Bend, Kansas; a concert on the village green of Oberlin, Ohio; the huge yellow hills of the Walla Walla Valley; the best fried chicken in Arkansas (and therefore probably the best in the world); the shady courthouse towns of mid-Georgia; blue-ribbon pie in Middlebury, Indiana; and tasteful old hotels, sometimes surprisingly grand, in towns like Arcata, California, and Marathon, Texas, and Harrodsburg, Kentucky. No one would think of making a special trip for any of these experiences, but in the end they're the things that make a trip worthwhile.
-- BENJAMIN AND CHRISTINA SCHWARZ
The online version of this article appears in three parts. Click here to go
to parts one and three.
Illustrations by Diane Bigda. Copyright © 1999 by The Atlantic Monthly Company. All rights reserved. |
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