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Pinsky has held on to this sense of where he comes from even as he has been recognized as one of the most distinguished poets of his generation. His numerous honors include the Academy of American Poets' prestigious Landon Prize, for his translation of The Inferno of Dante (1994); the Lenore Marshall Prize, for his collected poems, The Figured Wheel (1996), also nominated for a Pulitzer Prize; and election to the post of poet laureate in 1997 and to the American Academy of Arts and Letters earlier this year. His essay collection Poetry and the World (1988) was nominated for the National Book Critics Circle Award. Robert Lowell, writing in 1975, foresaw Pinsky's dual-faceted eminence: "Robert Pinsky belongs to that rarest category of talent, a poet-critic."
From Atlantic Unbound:
Web Citation: "Democratic Vistas," (February, 1999)
As laureate, Pinsky vigorously and creatively promotes poetry as a living,
breathing, democratic art. His book The Sounds of Poetry (reviewed last
March in these pages) is a guide to hearing and enjoying the vocal elements
that make poems beautiful and memorable. The Favorite Poem Project, which
Pinsky launched in 1997, is establishing a multimedia archive of poems read
aloud by a thousand ordinary Americans, to be delivered to the Library of
Congress next spring and made accessible on the Internet
(www.favoritepoem.org). Indeed, the Internet is a favorite Pinsky medium. In
November of 1995 he became the first poet to read his work aloud for The
Atlantic's Web site, and this month visitors to our online Poetry Pages
(www.theatlantic.com/poetry/) will be able to hear the classic American poems
reprinted in his essay in Pinsky's own resonant baritone.
-- THE EDITORS