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J U N E 1 9 9 9
In the darkness of the steel room Lloyd touched his head, trying to feel the colored patches of heat and coolness that the pictures showed in his brain. He imagined he could sense some here and there. He had come a long way -- not many people knew what their brains looked like. But the thought that he might be incompetent frightened him. What if some day one of those big machines they put over his head was put over his chest and a picture was taken of his soul? What would it look like? He saw a dark-winged creature with tearing claws, cloaked in a gray mist.
The knock came to Lloyd in a half dream, and at first he thought he had imagined the sheriff's voice. The whole jail was quiet; all the inmates were covered in the same darkness.
"Lloyd? Lloyd? You awake, son?" The voice didn't sound exactly like the sheriff's, but Lloyd knew that's who it was. He rose and went to the door, too sleepy to be nervous. He peered out the square window. The glare of the hallway made him squint. The sheriff stood in silhouette, but his steely eyes glinted. Looking at him through the crosshatches of wire in the security glass, Lloyd thought that he, too, looked caged.
"I'm awake, Sheriff."
The door opened, and the sheriff said, "Come on." Lloyd could smell whiskey. He followed the sheriff out past the booking area. Everything was still and deserted in the bare fluorescent light. Gonzales dozed in a chair at the front desk with a porno magazine in his lap. The sheriff opened the door to his office, making the same mocking gesture as before, though this time he seemed to be trying to share his joke with Lloyd. He snapped the door's lock and sat down behind his desk. A single shaded lamp glowed in a corner, casting shadows from the piles of paper on the desk and reflecting golden patches from plaques on the walls.
The sheriff pointed at a low-backed leather chair and told Lloyd to have a seat. "Excuse me gettin' you out of bed, son. I figured this was the only time we could talk."
"It's no trouble."
"You can prob'ly tell I been drinkin'," the sheriff said. "I don't do it as a habit, but I apologize for that, too. I been doin' it more lately. I do it when I'm sick at heart. At least that's my excuse to myself, which is a Goddamned poor one, unbefitting a man, if you ask me. But I am. Sick at heart."
He took a long pull from a coffee mug. Lloyd followed it with his eyes, and the sheriff caught him.
"And no," he said, "you can't have any. One of us got to stay sober, and I want you to remember what I'm gonna tell you." He leaned across the desk. "You know what a vacuum is, son? I mean in a pure sense, not the one you clean with."
Lloyd shook his head.
"Well. A vacuum is a place where there ain't anything, not even air. Every light bulb" -- the sheriff nodded at the lamp behind him -- "is a vacuum. Space is mostly vacuum. Vacuum tubes used to be in radios. And so on. A place where there ain't nothin'. Is that signifyin' for you?"
"Good. So we, because we're on this earth with air to breathe, we are in a place that's not a vacuum that's in the middle of a vacuum, which is space. Think of a bubble floating out in the air." The sheriff made a big circle above the desk with his fingertips. "That's what the earth is like, floating in space. Are you followin' me?"
"I think so."
"Well, are you or aren't you?" the sheriff said with sudden violence. Not waiting for an answer, he yanked open his desk drawer and took out a large folding map of the world. He tumbled it down the front of his desk, weighted its top corners with a tape dispenser and a stapler, and came around the desk to stand next to Lloyd. He told Lloyd what it was and said, "I study this all the time. Do you know where we are right now?"
To Lloyd, the shapes on the map looked like those inkblots. By reading, he found the United States and then Texas, and then he gave up. He shrugged his shoulders. "I don't know, Sheriff."
"That's okay," the sheriff said gently. He pointed to a dot in the Panhandle which someone had drawn with a ballpoint pen. Cursive letters next to it said "Dumas." "This is where we are. Two specks within that dot, on the dark side of the earth, floating in space. Over here" -- he pointed to Hong Kong -- "it's lunchtime. Japs eatin' their noodles or whatever. Here" -- he pointed to London -- "people just risin', eatin' their sausages and egg sandwiches."
He stepped back, behind Lloyd, and put his hands on the chair. The heat of his body and the smell of his breath washed over Lloyd.
"But look, son," the sheriff said, "how many places there are. It's some time everywhere, and everybody is doin' something."
The sheriff stood there for a few moments. Lloyd felt as he had when he was a child watching TV -- he couldn't imagine how all those people got inside that little box. Now he couldn't fathom people inside the little dots. The world was vast and stranger than he had ever imagined.
"We are all here doin' things," the sheriff said, "inside this bubble that is not a vacuum. We all breathe the same air, and everything we do nudges everything else." He stepped over and propped himself on the edge of his desk, next to the map, and crossed his legs. The lamp's soft light cast him in half shadow.
"And this is why I'm sick at heart. Because I thought I knew you. Separation is the most terrible thing there is, especially for a man like me." The sheriff gestured to take in the whole room. "This is what I got. It ain't much. You and I aren't that far apart, son. Both of us solitary. But what you done, son, and I do believe you did all that, that separates a man from the whole world. And that's why I said you need to get right with yourself."
Lloyd bowed his head.
"You don't need to tell me you ain't done that." The sheriff's voice rose and quickened, began to quiver. "You and I both know you ain't. But that itself -- a negativity, a vacuum -- ain't nothin' to breathe in. Things die without air. So what I'm askin' you is, I want to do my own competency exam, for my own self. This is between Lloyd Wayne Dogget and Archibald Alexander Lynch. I need to know what's inside you to know what's inside myself. So you tell that lawyer of yours I'll stipulate to whatever he wants. Remember that word -- 'stipulate.' Now get out a' here." He turned from Lloyd and began folding the map with shaking hands. The corner weighted by the tape dispenser tore. Lloyd could not move.
"Shit," the sheriff muttered. He wheeled unsteadily on Lloyd, his eyes wide with panic and surprise at what he'd said. Lloyd could tell he was afraid, but not of him, as Mr. Mac had been. The sheriff was afraid that he might show his own soul to Lloyd and so break out of the bubble in which he lived. "Git!" he yelled. "Go tell Gonzales to take you back! Get outta here before I say somethin' foolish!"
E wants you to do what?" Schwartz paced in the little white room, looking at the floor.
Lloyd was sitting at the table, turning his head to follow Schwartz. Was Schwartz right with himself? He repeated what the sheriff had told him.
"What does that son of a bitch want?" Schwartz said to himself.
"I wish you'd stop cussing around me."
Schwartz made a distracted noise.
"I mean it," Lloyd said. "It's offensive."
Schwartz made another noise. He had gathered his lips together into a pucker with his fingers, and he looked at the floor as he paced.
"Especially cussing on the sheriff." When Schwartz didn't answer, Lloyd said, "Are you hearing me? Don't cuss on the sheriff."
"I don't know what kind of game he's trying to play." Schwartz did not stop or raise his eyes from the floor. "But I would guess he's trying to trick some kind of confession out of you."
"Sheriff don't play no games with me," Lloyd said. "He don't have no tricks. You're the one with all the tricks."
"I'll take that as a compliment."
"Sheriff's the one tryin' to help me get right."
"Sheriff's the one tryin' to help you get dead," Schwartz said, mimicking Lloyd.
"Okay, man." Lloyd stood up and pushed his chair away. It squealed on the floor, and Schwartz stopped. Lloyd saw that his own fists were clenched. He hesitated.
"What are you gonna do, Lloyd? Beat me up? Go ahead. I've been expecting this."
"You think I'm stupid," Lloyd said. "And all them tests is to make me look pitiful and incompetent. What do you think that's done to my trying to get right?"
"What do you think that means, Lloyd -- 'getting right'?" Schwartz moved close to him. He stared straight at Lloyd as he spoke. "It means giving up."
That night, and for the days and nights to come, Lloyd turned over in his mind all he had seen and heard. What he had known before was like some foreign language that now he couldn't understand. The worlds of Schwartz and the sheriff, of man and God, of what was in the law and what was in the fields, began to blur, and yet between them grew a chasm in which he hung suspended. He tried to remember what had happened in the places Blanchard had said he'd been, but he couldn't. He could not make them connect the way the sheriff had said all the people in all those dots on the map did. An indifference grew around him, a thin glass glazing that separated him from the rest of humankind.
HE sheriff led him down the hallway to the white room without a word or a look, and left him with Schwartz. The hearing was the next day. Lloyd felt as though he were about to take another test. He had fought with Schwartz tooth and nail over the sheriff's proposal, and in the end had gotten his way by threatening to fire him. After Lloyd sat down across the table from him, Schwartz explained that he and the sheriff had struck a deal: the sheriff had agreed that he would not testify about his "competency exam," as he called it, on the condition that he not have to reveal to Schwartz beforehand what it was going to be about.
"I don't like this," Schwartz said, pacing, clicking the top of a ballpoint pen so that it made a tick-tick sound, like a clock. He sat down again, his elbows on the table and his hands joined as though in prayer, and brought his face close to Lloyd's.
"I want to tell you the truest thing I've ever seen, Lloyd. I've seen a man executed. When you are executed in Texas, you are taken to a powder-blue room. This is the death chamber, where the warden, a physician, and a minister will stand around the gurney. Since executions can take place in Texas only between midnight and dawn, it will have that eerie feeling of a room brightly lit in the middle of the night. Before this, in an anteroom, a guard will tell you to drop your pants. Then he will insert one rubber stopper in your penis and another in your anus, to prevent you from urinating and defecating when your muscles relax after you have died. When you are lying on the gurney, the guard will secure your arms, legs, and chest to it with leather straps. The guard will insert a needle, which is attached to an IV bag, into your left arm. Above you will be fluorescent lighting, and a microphone will hang suspended from the ceiling. The warden -- I think it's still Warden Pearson -- will ask whether you have any last words. When you're finished, three chemicals will be released into your blood: sodium thiopental, a sedative that is supposed to render you unconscious; pancuronium bromide, a muscle relaxant, to collapse your diaphragm and lungs; potassium chloride, a poison that will stop your heart.
"I could tell that my client could feel the poison entering his veins. I had known him for the last three of his fifteen years on death row; he was old enough to be my father. At his execution I was separated from him by a piece of meshed security glass. There was nothing I could do when he began writhing and gasping for breath. The poison -- later I found out it was the potassium chloride, to stop his heart -- had been injected before the thiopental. Imagine a dream in which your body has turned to lead, in which you can't move and are sinking in water. You have the sensations given you by your nerves and understood in your brain, but you can't do anything about them. You struggle against your own body. But really, it is unimaginable -- what it is like to try to rouse your own heart.
"What if everything goes as planned? A nice, sleepy feeling -- the sedative tricking your nerves -- will dissolve your fear. The question is, will you want it taken away, fear being the only thing that binds you to life? Will you want to hold on to that, like the survivor of a shipwreck clinging to a barnacled plank? Will you struggle, in the end, to be afraid?"
CHWARTZ slumped back in his chair and began again to tick-tick the top of his pen so that it made a sound like a clock. The whiteness and silence of the room seemed to annihilate time, as though the two men could sit there waiting forever. They fell on Lloyd like a thin silting of powdered glass.
"You spend a lot of time thinkin' about that, don't you?" Lloyd said.
"You told me that to scare me, didn't you?"
Lloyd thought that Schwartz might have gotten right with himself, in his own way, by seeing what he had seen and thinking on it. But something still didn't add up.
"How do you know I'd be afraid?" Lloyd said. "How do you know that would be the last thing I'd feel?"
"I don't know that." Schwartz tick-ticked the pen. "You can never know. That's what's terrible about death."
"Lots of things you don't know when you're alive. So what's the difference?"
Schwartz's fingers stopped, and he stared at Lloyd as though he had seen him purely and for the first time. A knock at the door broke the brief, still moment, and Sheriff Lynch entered. He carried under his arm a stack of manila folders, which he put down on the table. Schwartz rose, studying Lloyd. He shook the sheriff's hand when it was offered. His eyes, though, were fixed on Lloyd. The sheriff caught this, but smiled pleasantly and told Schwartz it was good to see him again.
"Lloyd," he said, and nodded at him. He lifted a chair from the corner, put it at the head of the table, and sat.
"I think I need a little more time to consult with my client," Schwartz said.
The sheriff pressed his fingers a few times on top of the folders. "Okay. How much time do you think you'll need?"
"We don't need no more time," Lloyd said, rocking back and forth in his chair. "I'm ready."
"I'd like to look at what you've got there first."
"But that wasn't the agreement, Mr. Schwartz."
"Come on," Lloyd said. "I'm ready."
"Why don't you listen to your client?"
Looking from Lloyd to the sheriff, Schwartz paled. He seemed pinned in place for a moment; then he took off his glasses and rubbed them on his shirt. He put them on again. Sheriff Lynch stared at the stack of folders, his fingertips resting on them like a pianist's, his expression one of patient indulgence toward a child who was finishing a noisy tantrum. Lloyd clenched his hands between his thighs, wondering what would be revealed to him.
"Do you mind if I stand?" Schwartz said.
"Go right ahead." Sheriff Lynch pressed his fingers again to the top folder, as if for luck or in valediction, took it from the stack, and opened it in front of Lloyd. Lloyd did not see at first what was there, because Schwartz had made a sudden movement toward the table, but Sheriff Lynch, with the slightest warning lift of his hand, checked him. He faced Schwartz a moment and then turned to Lloyd.
"Go ahead, son," he said. "Tell me what you see."
When Lloyd looked down, he was disappointed. It was another one of those crazy tests. He saw shapes of red and pink and green and black. It was the inkblot test, only in color. He studied more closely to try and make sense of it. He realized it was a picture of something. He realized what it was.
"I think I got it," he said to the sheriff. The sheriff nodded to help him along. "It's a sheep," Lloyd said.
"Look at it a little more closely, son." Lloyd saw Schwartz again move and the sheriff again check him while keeping his neutral blue eyes on Lloyd. Lloyd went back to the picture. He had missed some details.
"It's a sheep gutted after slaughter," he said.
"Turn the picture over, son," the sheriff said. This time Schwartz did not move and the sheriff did not hold up his hand. Paper-clipped to the back of the picture Lloyd found a smaller photo of a young woman. She had straight brown hair, wore blue jeans and a red-and-white checkered blouse, and sat in a lawn chair, smiling to please the person who held the camera.
"Now turn the picture over again," the sheriff said, in his calm, steady voice. "What do you see?"
Lloyd tried to puzzle it out, but he couldn't. There must be something he wasn't seeing. He studied the picture. As he followed the shapes and colors of the sheep's emptied body, a trickle of pity formed in him for all three of them -- the woman, the sheep, and himself -- and dropped somewhere inside him. The glaze over him tightened. He could only tell the sheriff that he saw a sheep.
After the sheriff left, gathering the folders under his arm, the room went back to its silence.
"If I'd known," Schwartz said, "I would've had him testify."
"What?" Lloyd said. "If you'd known what?"
"Never mind." Shielding his face with his pale fingers, Schwartz laid his other hand on Lloyd's shoulder. "Never mind, Lloyd. You're perfect the way you are."
They had sat there a long time, the sheriff opening a folder in front of him, asking him the same questions, and then putting it aside. And in each folder Lloyd had seen the same things: a gutted sheep and a pretty young woman. He knew that the sheriff was trying to do something to help him get right, but as the glaze thickened, that chance seemed ever more remote. Before he left, the sheriff had nodded to Lloyd, to acknowledge that he had found his answer, but his gesture was as distant as that of a receding figure waving a ship out to sea. With each drop of pity Lloyd felt himself borne away yet drowning, so that he knew the heart of the man in the execution chamber, suffocating and unable to move, and he wondered how he would survive in this new and airless world.
Copyright © 1999 by The Atlantic Monthly Company. All
Copyright © 1999 by The Atlantic Monthly Company. All