Michael Janeway and The Atlantic

By James Fallows

I was sorrier than I can say to have learned today that Michael Janeway, a friend who influenced many journalistic institutions but probably most of all The Atlantic, had died of cancer.

The Boston Globe, where Mike held a sequence of editing roles including that of editor in chief, ran a wonderful appreciation by Joseph Kahn, which is true to the range of achievements and complexities in his life and career. I mention it both in hopes that you'll read Kahn's article and as an excuse to offer a screen shot of the Globe photo by Stan Grossfeld that accompanied the obit, which is of Michael Janeway in his mid-40s and captures him at his sunniest.


  


Mike Janeway is known in journalism for a series of influential roles: at the Globe, where he fostered talent and invented or revitalized sections before a stormy period as head editor; then as a book editor at Houghton Mifflin; then as dean of the Medill School of Journalism at Northwestern, where he foresaw and discussed many of the trends all of journalism is now coping with; then as a professor at Columbia Journalism School; and as an author, including of a history-memoir of the New Deal-and-afterwards policy intelligentsia.

This last (The Fall of the House of Roosevelt) was cast as memoir because Mike's parents, the economist Eliot Janeway and the novelist Elizabeth Janeway, were in the middle of this group, and Mike grew up hearing stories about them and meeting luminaries around the house. It also turned on Mike's difficult relationship with his then-quite famous father, as you can see from the book itself or via Michael Beschloss's fine review in the NYTBR. Among the Janeways' New Deal contacts had been the rising Congressman Lyndon Johnson. As a teenager Mike had a summer job working on Capitol Hill for Senator Johnson, and he remained deeply interested in the grandeur and the tragedy of the ultimate Johnson saga: the ambitions for a Great Society and a "we shall overcome!" civil-rights movement, the disaster of Vietnam. The circle of people grappling with the contradictions of Johnson -- of whom Robert Caro is best known now but that also includes Billy Lee Brammer, Bill Moyers, Doris Kearns Goodwin, James C. Thomson, Harry McPherson -- very much included Mike Janeway.

That's the journalism world in general. His influence on the Atlantic specifically was profound. In 1967, five years out of college, he joined the magazine as a staff editor. Robert Manning had just become editor and was shifting the magazine toward coverage of the great upheavals of that time -- race relations, wealth and poverty, Vietnam, all the rest. On their watch the magazine published probably the best real-time assessment of what was going wrong in Vietnam, James C. Thomson's "How Could Vietnam Happen? An Autopsy" -- and a long sequence of other journalism that stands up nearly two generations later. In 1968, when Mike was 28, he and Manning co-edited an influential book of writing about Vietnam, called Who We Are. The magazine you see today is an extension of what Manning, Janeway, Richard Todd, Louise Desaulniers, Michael Curtis, and others (including Elizabeth Drew, the Washington correspondent) created in those years.

I was in college then, and I would rush out to the newsstand -- yes, that's how it worked in those days -- to get the new issues of The Atlantic, and Harper's, and the nascent Rolling Stone.I barely dared imagine then that I could eventually write for one of these publications, and that I managed to write for the Atlantic is due to Mike Janeway.

After I heard the news about Mike today, I stopped to reflect that a small group of people (outside my family) gave me crucial opportunities, support, and direction at important early moments in my path. One, perhaps improbably, was Ralph Nader, under whose auspices and at whose prodding I ended up writing two books very soon after leaving college. Another was, of course, Charles Peters, whose role in training generation after generation of reporters and writers at The Washington Monthly is well-known at least within the business.

Another was Michael Janeway. After I had finished my Washington Monthly stint and was trying to get a start as a free-lancer based in Texas,he entertained one proposal for an Atlantic story. After he nursed me through that one, there was another, and another. Years later, when he was at Houghton Mifflin and I had run into trouble with a different publisher with my idea for a book, he took it over and guided it to what I found a very satisfying conclusion. (This was More Like Us.) When he was dean at Medill-Northwestern, he invited me to give a speech that became the outline and impetus for my book Breaking the News. All of this doesn't matter to anyone else, but it mattered a lot to me, and his example (plus others') is in my mind as I think about dealing with people now trying to get a start. 

As Joseph Kahn's excellent Globe story conveys, Michael Janeway was not always an easy-going man -- toward others, or on himself. I am glad for the reports that he became more contented in his latest years. I am sorry that I did not think to tell him directly how much he had meant to his profession, and to this magazine, and to me, but I wanted to say it to his family members now.

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This article available online at:

http://www.theatlantic.com/national/archive/2014/04/michael-janeway-and-em-the-atlantic-em/360914/