Road Report: Sarah Lee Guthrie

Why someone had to invent the word "serendipity."

I had planned this evening to finish a report I'm really interested in: the "Fringe City" explanation that I previewed several days ago, and that helps explain why both the economy and the civic culture of our beloved Sioux Falls, S.D., work the way they do.

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But my wife and I got caught in a downpour here in our current stop, of Burlington, Vermont, and we took refuge in the nearest restaurant we saw, a very nice, moderate-priced, local-local-local place near the lakefront, where we'd been before, called The Skinny Pancake (a creperie). As the rain kept pouring we kept eating and drinking. Future theme: from Michigan to the Plains states to New England, this is the golden age of local beer. How long can this go on? How much excellent beer can even the most appreciative nation absorb?

The rain kept us there, and we talked and ate and had more beers. Then  suddenly a band started playing at the far end of the room. As soon as the lead male and female singer struck their first notes, every head in the room turned directly at them. They were good, no normal brewpub act. And when I got a look at her I thought, can it be

Anyone who had seen Arlo Guthrie, in his Alice's Restaurant phase, would think, I know who this is. And then, "I'm Johnny Irion, this is Sarah Lee Guthrie, we'll introduce the rest of the band as we go on. We hadn't expected to be here tonight ..."  

They hadn't expected to be there; a different gig got mixed up. We hadn't expected to be there; it was the rain. The hundred or so people who happened to be having dinner were divided roughly between her contemporaries -- Sarah Lee Guthrie's, and younger -- who no doubt realized they were hearing something special, and our contemporaries, who realized the same thing, but also that that they were hearing Arlo Guthrie's daughter, and Woody's granddaughter. In preparing for our travels, we'd been catching up on Woody Guthrie's chronicles of Americana. This hit us at the right moment.

Plans go awry, sometimes in ways that take time to recover from, sometimes in ways that help you understand why someone invented the word "serendipity." More of "fringe city" soon, but for now we are reflecting on what we almost missed. 

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

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