The Perilous Shoals of Memory: Back to that Dicey NYT Mag Story

Memory is unreliable. But there's a difference between misremembering and making things up.
HaysAirplane.jpg

[TL;DR Executive summary of what's below: Patrick Smith, of Ask the Pilot, has seen maintenance records from the flight described in a controversial NYT Magazine piece. These records show no evidence of the "landing gear failure" on which the entire story was based.]

Let's step away from NSA and Edward Snowden, and even from Pooh and Tigger, for a moment. Earlier I said I would not re-prosecute the case against the recent, fantasized NYT Magazine "Lives" story on what a writer felt when an airliner was (supposedly) about to plunge to its doom. For a refresher on the story, see this -- plus later details from Patrick "Ask the Pilot" Smith, from Clive Irving, from the Economist's Gulliver site, and from John Warner at Inside Higher Ed.

I have two new reasons to go back into this article. One makes me think more gently of the story and the author. The other, much more harshly.
___

1. I'll start with Mr. Nice Guy. The controversy over the story involved whether what was recounted by the author, Noah Gallagher Shannon, could have happened as described. To choose one notorious example:
The captain came out of the cockpit and stood in the aisle. His cap dangled in one hand. "All electricity will remain off," he said. Something about an open current and preventing a cabin fire. Confused noises spread through the cabin, but no one said a word. "I'll yell the rest of my commands from the cockpit." I could see sweat stains under his arms. "Not going to sugarcoat it," he said. "We're just going to try to land it."

I was not on that plane, but I can tell you: This. Did. Not. Occur. The dangling cap-in-hand; the sweat stains; the captain coming out of the cockpit and saying he would "yell" his commands; the "not going to sugarcoat it" and "just going to try to land it." No. But the explanation from the magazine's editor, Hugo Lindgren, was that the story aspired to describe what one writer "felt and heard," what he remembered, rather than what anyone else might recall. ("Naturally, not every detail matches everybody else's experience. Surely even people on that plane would remember it differently.")

At first, I thought this explanation was mainly artful in rendering the story un-falsifiable. I thought about it differently and more sympathetically after hearing, this weekend, a remarkable episode of the the TED Radio Hour, hosted by my former All Things Considered comrade Guy Raz.

The subject of the show was the unreliability of even the "strongest" and clearest memories. The first segment, with a legal authority named Scott Fraser, went into the very great likelihood of error, false certainty, and wishful filling-in of facts that accompanied most eyewitness recollections. The second segment, with the sociologist and economist  psychologist (who won a Nobel prize in economics) Daniel Kahneman, was even more directly applicable to the NYT Mag case. It dealt with extremely "vivid" memories that might never have happened, or with details very different from what the rememberer became "sure" had occurred. Kahneman described one of the most powerful episodes from his childhood as a Jewish boy in Nazi-occupied France. And then he explained why he couldn't be sure the event had ever happened the way he "recalled." (The final segment was the writer Joshua Foer describing how he won the national trained-memory championship.)

By chance, immediately after that show I listened to a recent episode of Radiolab, which in one chilling segment reinforced the Memento / Inception / Matrix- like point that we can very rarely be sure what is "really" going on. So maybe that was the story with the New York Times. Something happened on an airplane; a passenger on that plane imagined and then remembered something else; and that something-else is what he, in all sincerity, described to us.

Presented by

James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

Never Tell People How Old They Look

Age discrimination affects us all. Who cares about youth? James Hamblin turns to his colleague Jeffrey Goldberg for advice.

Video

Never Tell People How Old They Look

Age discrimination affects us all. James Hamblin turns to a colleague for advice.

Video

Would You Live in a Treehouse?

A treehouse can be an ideal office space, vacation rental, and way of reconnecting with your youth.

Video

Pittsburgh: 'Better Than You Thought'

How Steel City became a bikeable, walkable paradise

Video

A Four-Dimensional Tour of Boston

In this groundbreaking video, time moves at multiple speeds within a single frame.

Video

Who Made Pop Music So Repetitive? You Did.

If pop music is too homogenous, that's because listeners want it that way.

More in National

From This Author

Just In