The Civil War Isn't Tragic

More
Some words from Private Thomas Strother of the USCT, writing in the Christian Recorder, the 19th century paper published by the African Methodist Episcopal Church:

To suppose that slavery, the accursed thing, could be abolished peacefully and laid aside innocently, after having plundered cradles, separated husbands and wives, parents and children; and after having starved to death, worked to death, whipped to death, run to death, burned to death, lied to death, kicked and cuffed to death, and grieved to death; and, worst of all, after having made prostitutes of a majority of the best women of a whole nation of people...would be the greatest ignorance under the sun.

This follows on a long series posts I've been doing (they are collected here) and an essay I pulled together last year.

I came across this quote watching the rather amazing Death and the Civil War, which is chock-filled with the sense of the war as tragic. But what delineates this film, is its willingness to consider that everyone won't see the war the same. (The film is based on Drew Gilpin Faust's magnificent This Republic of Suffering, a book that does the same.) The film-makers argue that African Americans had a particular view of the "good death" during the Civil War, that was divergent from whites. The "good death" was to die in pursuit of freedom. A "bad death" was to die under the oppression of slavery.

Now, this speaking symbolically. If you are a slave in, say, Texas "good death" doesn't have much reality for you. But the same is true of the white version of the "good death." This is war. You probably will not die on the battlefield surrounded by your comrades, after a gallant charge. It's more likely you'll die after an agonizing amputation and an infection sets in. Or maybe you'll just drink from the wrong well and die of dysentery or diarrhea. (Yes, diarrhea killed Americans back then.) So we're not so much talking how war and death actually happened but about symbols and imagination.

And from the moment the first shots were fired, the black imagination conceived of the Civil War differently than the rest of the country. That difference continues up to the present day. Were I not the descendant of slaves, if I did not owe the invention of my modern self to a bloody war, perhaps I'd write differently.
Jump to comments

Ta-Nehisi Coates is a senior editor at The Atlantic, where he writes about culture, politics, and social issues. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore -- not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-'90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

Get Today's Top Stories in Your Inbox (preview)


Elsewhere on the web

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

Miami: The Next Big Start-Up City?

How the city became a center for innovation

Video

Video

A Brief History of Romantic Comedies

From The Atlantic's Chris Orr

Video

Life in 'the New Arctic'

A moving portrait of a fading landscape

Video

Video

The Rise of New York City

A fascinating look at Manhattan in the 1940s

Video

What Is Methane Hydrate?

"Flaming ice" is a vast natural energy source

Video

NASA's Time-Lapse of the Sun

Now with epic dubstep music

Video

Shaken Not Tuned: Cocktail Experiments

Can a tuning fork improve a cocktail?

Video

Video

Is He Cheating? A 1950s Guide

'That little blonde secretary from the office?’

Video

New Yorkers: Vintage Vacuum-Tube Amps

Risking electric shock to restore old amplifiers

Video

The DIY Piano-Bicycle

Everybody needs a hobby

Writers

Up
Down

More in National

In Focus

Photos of Tornado Damage in Moore, Oklahoma

From This Author

Just In