My Dad always worked. He worked at his job at Howard. Worked when he got home. Worked on weekends and birthdays. Reveled blasphemous in the Lord's Season. When I think of him, work is the first image in my mind. I see him unloading boxes of books. Mashing saddle-stiched staplers. Frying fish. Mixing cornbread from scratch. Whacking kids; Quashing our young brief rebellions.
We were enrolled into his life. And though he would surely deny it, we worked. Hauling books. Counting inventory. Packing and shipping. Hustling our wares at Art-Scape. Pitching the press at African Liberation Day. Remanded to Ayi Kwei Armah. Dommed to Ishmael Reed. Dad would sit in an easy-chair, with reading glasses low, and lecture from Up From Slavery. He had been a late 60s radical. But at his heart he was a puritan conservative dispensing a strange gospel rooted in the acquiring of knowledge, the inevitibaility of violence, and everywhere, the work.
He had labored from the start. Sweeping floors. Delivering groceries. Grasping at whatever his chid-hands could handle. His money went to his mother saddled with three kids, alcoholism. Down on relief. He devoured books even then. He would cut class for libraries and museums. He would walk downtown, running his hand along large buildings, feeling the unrelenting textures, dreaming of something, somewhere, larger than the poverty and despair of Old Philly.
How he came to love French, I do not know. I have asked him, but he can't remember. He's always loved movies, so perhaps a few spare words from the moving pictures. At all events, the salient fact is this--one season he saved his change and sent off for series of records that promised, by sheer listening and repetition, to imbue him with this beautiful language of waves and undulation. He remembers laying on his bed playing the record over and over, repeating the words, summoning France through incantations of greeting and conjugation.
He was, like me, like nearly every Coates boy, a poor student. It is a curse with us. A thing embedded deep in the strands and nucluei. Someday a great scientist shall stick us in a big machine. Electrodes will crown our heads. On a large screen, a teacher puts chalk to blackboard. The scientist grows wide-eyed. Data spits across the scene showing our neurons not so much firing, as stretching back to yawn.
Left alone, my Dad played that record like it was music. Because it was music. This word Bonsoir is its own magic. It is beautiful coming off your tongue. Your mouth make it's own happy ending. Your lips draw in for a kiss. And this magic is regardless of literal meaning. It is held in the very form.
Dad never made it to fluency. But I've thought about him throughout my own experience. And I've thought about ancestry, itself. To be black is to be able to reach back and touch people whose lives were, by law, foreclosed of certain possibility. No one cared about your intelligence, or curiosity. You were assigned to a certain lane, and there you stayed less you tempt all the violence the state brought to bear.
I understood education as a means of warding off death. You went to school to not go to prison. To not get shot. To not be, as my mother called them, an "If I had my gun" nigger standing on the corner. This is a product of the actual environment. In so many neighborhoods education must be about saving lives. But if you are ranger, this is slavery. Wonder took my father to French. And wonder to my father Nam. And wonder took my father to the Panthers. And wonder took him to my mother. And wonder carries me now to you. To see wonder daily reduced to plastic is another kind of death.
I write to you early this Tuesday morning, Brel in the background, from a street that is far from the streets, as a boy, I once knew. Those of us who are rangers have seen so much more than our fathers. But they walk with us. I imagine my father in the evening, sprawled across his bed, a child again. Record on. Lights off. Music forking down through darkness. Striking green imagination. Catching fire.
*The artist is Jean Baptiste-Siméon Chardin. The piece is Boy With A Top. More info here.
In his first official White House briefing, Sean Spicer blasted journalists for “deliberately false reporting,” and made categorical claims about crowd-size at odds with the available evidence.
In his first appearance in the White House briefing room since President Trump’s inauguration, Press Secretary Sean Spicer delivered an indignant statement Saturday night condemning the media’s coverage of the inauguration crowd size, and accusing the press of “deliberately false reporting.”
Standing next to a video screen that showed the crowd from President Trump’s vantage point, Spicer insisted that media outlets had “intentionally framed” their photographs to minimize its size. After attacking journalists for sharing unofficial crowd-size estimates—“no one had numbers,” he said—he proceeded to offer a categorical claim of his own. “This was the largest audience ever to witness an inauguration, period, both in person and around the globe,” he said, visibly outraged. “These attempts to lessen the enthusiasm of the inauguration are shameful and wrong.”
Images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
In Washington, DC, today, hundreds of thousands of protesters filled the streets in a demonstration called the Women’s March on DC, while even more marched in cities across the United States and around the world, one day after the inauguration of President Donald J. Trump. Larger-than-expected crowds of women and their allies raised their voices against the new administration, and in support of women's rights, health issues, equality, diversity and inclusion. Below are images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
Popular demonstrations can bring change and topple governments. They can also spark retaliation from those in power.
The signs were so clever.
“We shall overcomb.”
“Viva la vulva.”
“I MAKE THE BEST SIGNS I REALLY DO EVERYONS SAYS SO THEY’RE TERRIFIC.”
Someone even made a papier-mâché vagina dentata.
The people were so cheerful and happy to be with one another, forgetting the cold and enjoying what often seemed less like a protest and more like a block party. There were families there, with grandmas in wheelchairs and babies in strollers. They were ecstatic and in disbelief at the number of people. TheWashington Post reported that the organizers put the attendance at up to half a million. They had hoped for less than half that.
It was surreal how similar this all felt, and my Russian friends on social media confirmed it: “Totally Bolotnaya,” one of them wrote. Bolotnaya is the square in the center of Moscow, right across the river from the Kremlin, where on December 10, 2011 around 50,000 people came out to protest fraudulent parliamentary elections. They had expected 3,000 and were stunned by their success. It was cold and gray that day, too, and the feeling of being in that joyous crowd was unforgettable, which is why I remembered it so vividly today. It is the giddiness of watching people vent their political frustrations with a sense of humor and good cheer, and the euphoria of observing people discover that they are not alone, that there are thousands and thousands of people just like them.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
The Women’s March on Washington was a protest that also, in its own way, marked a peaceful transition of power.
WASHINGTON, D.C.— In the middle of the National Mall, on the same spot that had, the day before, hosted the revelers who had come out for the inauguration of Donald Trump, a crowd of people protesting the new presidency spontaneously formed themselves into a circle. They grasped hands. They invited others in. “Join our circle!” one woman shouted, merrily, to a small group of passersby. They obliged. The expanse—a small spot of emptiness in a space otherwise teeming with people—got steadily larger, until it spanned nearly 100 feet across. If you happened to be flying directly above the Mall during the early afternoon of January 21, as the Women’s March on Washington was in full swing, you would have seen a throng of people—about half a million of them, according to the most recent estimates—punctuated, in the middle, by an ad-hoc little bullseye.
Most presidents view inaugural addresses as a rare opportunity to appeal beyond “the base.” This was base-only.
For my sins, I have read every U.S. presidential inaugural address ever given, and played a small part in writing one of them—Jimmy Carter’s, delivered 40 years ago today.
The first one I remember hearing, John F. Kennedy’s in 1961, I saw on a fuzzy black-and-white TV from my 7th-grade American history classroom in California. The arctic conditions that day in Washington practically radiated through the TV screen. I remember seeing the revered 87-year-old poet Robert Frost hunch against the wind and squint in the low-sun glare as he tried to read the special inaugural ode he had composed. Then Richard Nixon, just defeated by Kennedy in a hair’s-breadth race, reached across to block the glare with his top hat. Frost waved him off and began reciting from memory one of his best-known poems, “The Gift Outright.” [Update: Other images suggest it could have been VP Lyndon Johnson who was offering Frost the hat. I didn’t really notice at the time; whoever it was, the lasting image was of Frost’s struggling with his script and then beginning to recite.]
Part of it depends on whether they believe personality is fixed or constantly changing.
It’s a question that often plagues people after a painful break-up: What went wrong? As they work to figure out the answer, people typically create new relationship stories, analyzing the events leading up to the breakup and using them to build a cohesive narrative. In some cases, this type of storytelling can be positive, helping people to make sense of—and come to terms with—painful things that happen to them. Other times, though, the storytelling process can be a negative one, compounding pain rather than easing it.
My colleague Carol Dweck and I research why some people are haunted by the ghosts of their romantic past, while others seem to move on from failed relationships with minimal difficulty. Over the course of our research, I’ve read hundreds of personal stories about the end of relationships, and these stories offer some clues as to what pushes a person into one group or the other.
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
More clues that the Facebook founder is eyeing a run for office
There’s a long-running theory that Mark Zuckerberg has presidential aspirations. It makes sense to wonder. After all, if the civically engaged and ambitious billionaire leader of the most powerful media company on the planet wanted to take on a new challenge, why not try running a country? It’s not like he has many other opportunities for a promotion.
But only in recent weeks has a Zuckerberg run for the American presidency started to seem like a legitimate possibility. First there was his personal challenge for 2017: Zuckerberg’s aiming to visit and meet with people in all 50 states by the end of the year.
And not just that, but he framed the exercise in a way that sounds, well, political: “Going into this challenge, it seems we are at a turning point in history,” he wrote in a Facebook post. “For decades, technology and globalization have made us more productive and connected. This has created many benefits, but for a lot of people it has also made life more challenging. This has contributed to a greater sense of division than I have felt in my lifetime. We need to find a way to change the game so it works for everyone.”
The phrase used by President Trump has been linked to anti-Semitism during World War II.
President Trump’s speech Friday will go down as one of the shorter inaugural addresses, but it will also be remembered for its populist and often dark tone.
“From this day forward,” Trump said at one point, “it’s going to be only America first. America first.”
Trump appears to have first used the phrase last March in an interview with The New York Times when he denied he was an isolationist. “I’m not isolationist, but I am ‘America First,’” he said. “So I like the expression. I’m ‘America First.’”
Trump insisted publicly that he wrote his own speech, going as far as to tweet a picture of himself holding a pen and piece of paper in his hotel at Mar-A-Lago. But as The Wall Street Journalreported Friday, Trump’s speech was at least in part written by Steve Bannon and Stephen Miller, two of Trump’s senior advisers. Bannon, as has been widely reported, was previously CEO of Breitbart, the conservative news site that he’s described as a platform for the alt-right, a movement that combines elements of white nationalism and economic populism.