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Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

'Black People Deserve Better Than This'

By Ta-Nehisi Coates
Feb 13 2012, 11:00 AM ET Comment

Famous first L. Douglas Wilder was supposed to be putting together a powerhouse slavery museum in Virginia. It looks like no such museum is in the offing:

"Governor Wilder disappeared," said Rev. Lawrence Davies, the former longtime mayor of Fredericksburg who was a member of the board. Davies stopped getting notices about board meetings, and when he tried to reach Wilder, he never heard back. 

"No one could ever get through to him,'' Davies said. "We didn't know what to think." It wasn't just board members and city officials who were left to wonder. There are donors, too, asking what happened. 

 "I trusted them," said Therbia Parker Sr., a general contractor from Suffolk, Va., who gave the museum nearly 100 artifacts he had collected over 40 years, including rare and invaluable pieces such as leg shackles, a handwritten bill of sale for slaves, and a collar with a plantation name and slave number on it. 

 "I'll never forget the first time I saw a newspaper with ads for runaway slaves," he said. "The reality of it: This really happened." 

He wanted future generations to feel that history as he had. But he doesn't know where the artifacts he donated are now. And he is furious that the museum, slated to open in 2004, was never built. 

"Black people deserve better than this," he said.

Indeed. Parker has yet to get any of those artifacts back. He doesn't even know where they are. The callousness here is breathtaking.


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