From their onsets, suffragists and abolitionists shared many of the same values, so what caused the movements to split apart?
Susan B. Anthony (Wikimedia Commons)
The reformer mind was accustomed to dealing in abstractions, not specifics. -- Christine Stansell, The Feminist Promise
In those circles where radicals and progressives debate the history of their various struggles, the late 19th-century split between the nascent feminist and early civil rights movement is much mourned. Briefly, abolition was the primary cause of Northern reformers in the years leading up to the Civil War. The women's rights advocates who would push for suffrage, from Seneca Valley on, generally started out as abolitionists and temperance activists. It is not to say that Woman's Rights -- as was the phrase of the day -- was not on the table. But the abomination of slavery, especially in the wake of the Civil War, tended to blot out all other causes.
After the War, with abolition achieved, the movement turned to broadening the franchise. It was generally agreed. among the reformers, that universal emancipation -- for black men and all women -- was the ideal. But the old abolitionists split on the matter of timetables. On one side you had activists like Julia Ward Howe, Antoinette Brown, Lucy Stone and ultimately Frederick Douglass, who favored the enfranchisement of black men as a first step. On the other side stood Susan B. Anthony and Elizabeth Cady Stanton, who argued that the incrementalism was bankrupt and that the franchise should be expanded to include black men as well as black and white women.
The subsequent fight destroyed the old antebellum alliance and eventually sent both movements into a (short) dark age. Anthony and Stanton, the leaders of the revolution, would eventually make common cause Southern racists. Meanwhile, the reformers would soon find that, in the Deep South, the constitutional assurance for black men meant nothing in the face of white terror. Black leaders like Booker T. Washington would eventually go so far as to effectively surrender all claim to the franchise. (At least temporarily.)
The Great Schism has echoed down through the ages, and it haunts any talk of gender and race on the left. Not to put my commenters on blast, but here is a typical rendering:
It's one of the great embarrassments of first-wave American feminism that so many supporters of women's suffrage turned against the 15th amendment, using the grossest racial politics, too. I've never felt the same way about Susan B Anthony since I learned of her opposition to black suffrage.
That's basically the rendition I was treated to in college debates under the flag pole, or on the steps of Douglass where nascent leftists, like yours truly, deployed arcane formulas to determine who had the most privilege, who could pile up the most layers of jeopardy. The sense was that if one could be born a half-Native American, half-African-American lesbian, who'd done a bid on the reservation, or in the projects, some mystical ascension awaited.
But I digress.
As it happens, our great creation myth did not match the history. From Stansell's The Feminist Promise:
The break has long been described as between a group committed to the freedpeople's cause and a racist, all-white Stanton-Anthony faction, but the judgment is facile and ignores the facts.
For sure, Stansell has a critique. She does not shirk from outlining the racism which plagued the movement from the postbellum years on.The pattern begins in the years right after the War with Elizabeth Cady Stanton and Susan B. Anthony campaiging for women's suffrage with the scandalous George Train, under the slogan "Woman first and negro last." Stanton dubbed Train, "the most wonderful man of the century," and frustrated by the stonewalling of women's suffrage began a a long pattern of justifying women's rights through bigotry:
Think of Patrick and Sambo and Hans and Yung Tung who do not know the difference between a monarchy and a republic, who never read the Declaration of Independence, or Webster's spelling book, making laws for Lydia Marie Child, Lucretia Mott or Fanny Kemble.
It got worse. By the dawn of of the 20th century, Anthony and Stanton were openly courting avowed white supremacists like Belle Kearney. 1903 found the old stalwart abolitionist, Anthony, in New Orleans at the National Association of Women's Suffrage Association's convention, enduring a rousing rendition of Dixie, and tolerating Kearney's "semi-barbaric denunciations of blacks."
By that point, some of the most ardent suffrage activists were outright racists like Rebecca Felton, who fervently supported lynching, and Kate Gordon who eventually abandoned the suffrage movement because a national amendment would threaten white supremacy. "State sovereignty and white supremacy are inextricably linked," said Gordon. Kearney argued that "the enfranchisement of women would insure immediate and durable white supremacy."
By 1915 (after Anthony's death) NAWSA, founded by an abolitionist, friends of Frederick Douglass had thoroughly absorbed the rhetoric of white supremacists:
In Germany, German men governed German women; in France, French men did the same, "but in this country, American women are governed by every kind of man under the light of the sun," complained Anna Howard Shaw, successor to Anthony as NAWSA president.
How did a movement once rooted in the principles of abolition come to be associated with white nationalists?
I think one way of looking at this -- among many others -- is to not look at the movement post-1865, but post-1835, when abolitionist women, like Anthony and Stanton, were subject to unbridled sexism among their allies and enemies alike. In antebellum America, for a woman to speak before a promiscuous audience--that is to say an audience of mixed-gender--was to invite charges of prostitution. To travel, unescorted, as some reformers did was to increase the risk of accusation. To take these actions in opposition to the Southern Slave Society--an ostensibly divine institution deeply entwined with theories of family--and "Woman's Rights" was nigh blasphemous. And the penalties for doing such were not theoretical:
...the spread of women's rights thought fueled anti-abolitionist fires. Sexual imagery conflated the two causes: It was "old maids" and "nigger-lovers" who made up the female societies. Rhetorical violence in newspapers and pamphlets fed mob violence....Women were not exempt. In 1835 in Boston, a crowd of several thousand threatened members of the BFASS [Boston Female Anti-Slavery Society] who were thought to be hiding a visiting British abolitionist in there meeting rooms...
Afterward, Maria Weston Chapman, a leading member....could not walk in the streets of her own city without passerby and shop clerks hurling abuse at her. The Boston women noted acidly the double standard that divided acceptable female behavior from activity that as reviled. They were all involved in several reform causes...."No one said then, 'women had better stay home.'" Doing the same thing on behalf of the slaves, though, was another matter bringing threats bordering on lethal.
Stansell doesn't say this, but I have to believe that the prospect of rape often hung in the background.
Nor were threats of sexism strictly the province of the foes of women abolitionists. Sarah Grimke -- who credited abolition with helping awaken her to the persistent oppression of women -- was denounced by her abolitionist allies for daring to publicly raise the cause of women's rights alongside abolition. After thugs in Philadelphia broke up a meeting of one of the Anti-Slavery Societies, The Colored American (a black newspaper) took the opportunity to warn black women in the abolitionist movement away from the Grimkes, and toward the work of hearth and home:
Colored females from education, are more especially deficient in fulfilling their appropriate duties, and in redeeming the character and carrying forward the interests of their oppressed and injured people. As wives, as mothers and as daughters, they are too inert not sufficiently self-sacrificing.
In 1840, the World Anti-Slavery Convention -- the first of its kind -- refused to seat the eight American women delegates. Evidently this humiliation was insufficient. The conveners then made the women observe the deliberations from behind a curtain. Elizabeth Cady Stanton--barely 25--was there, and as was her wont, fuming righteously:
When we consider that Lady Byron, Anna Jameson, Mary Howitt, Mrs. Hugo Reid, Elizabeth Fry, Amelia Opie, Ann Green Phillips, Lucretia Mott, and many remarkable women, speakers and leaders in the Society of Friends, were all compelled to listen in silence to the masculine platitudes on woman's sphere, one may form some idea of the indignation of unprejudiced friends...
Judging from my own feelings, the women on both sides of the Atlantic must have been humiliated and chagrined, except as these feelings were outweighed by contempt for the shallow reasoning of their opponents, and their comical pose and gestures in some of the intensely earnest flights of their imagination.
What do we make of all of this? Stansell argues that the two tragically misread the politics of the day:
Why did the suffragists lose women's suffrage? The question has dominated scholarship about the postwar years? But one can also ask, really, why did they ever think they could win. From any angle the prospect was faint.
Whereas black male suffrage had actual political support, women's suffrage did not.From the Republican Party view, black male suffrage was a singular boon--a weapon which advantaged the loyalist, and hurt the defeated Confederates. The math of women's suffrage--which would double the black vote and the Southern white vote--was decidedly different.
And yet, I find myself in sympathy both Stanton and Anthony. They were not latter day Geraldine Ferraros, or white supremacists like Kearney or Felton. On the contrary, the two spent much of their early careers very much devoted to the cause of black people, and took their share of abuse for it. When the goal -- abolition -- was achieved, they hoped for some reciprocity. It did not come. "When I think of all the wrongs that been heaped upon womankind, " wrote Stanton. "I am ashamed that I am not forever in a condition of chronic wrath."
Frankly, given the sort of gender bigotry that women abolitionist faced, I'm a little surprised that more didn't take the absolutist path. I also don't think too much should be made of associations. They offer context, but they aren't the story. There's also the model of Frederick Douglass, who after splitting bitterly with Stanton and Anthony reconciled with them both, singling out Stanton, in particular, for making him a "Woman's Rights Man." The day Douglass died, he attended a suffrage conference where he was saluted by Anthony and her compatriots.
And finally there is my own personal bias. The other day I was reading over Robert E. Lee's famous quote about slavery...
In this enlightened age, there are few I believe, but what will acknowledge, that slavery as an institution, is a moral & political evil in any Country. It is useless to expatiate on its disadvantages. I think it however a greater evil to the white man than to the black race, & while my feelings are strongly enlisted in behalf of the latter, my sympathies are more strong for the former. The blacks are immeasurably better off here than in Africa, morally, socially & physically. The painful discipline they are undergoing, is necessary for their instruction as a race, & I hope will prepare & lead them to better things. How long their subjugation may be necessary is known & ordered by a wise Merciful Providence.
...and I found myself filled with rage and contempt. It is moral cowardice, a willingness to not merely abide by a great evil -- but to actually profit from it -- that really grates.
I think of Lee utterly quitting on the great moral question of his day, and still enjoying a place of honor in this country, and I am baffled. Then I think of Stanton and Anthony, misstepping, but always pushing, always agitating, always expanding, and I feel a strong kinship. I don't need my personal pantheon to be clean. But I need it to be filled with warriors.
As always, I invite the professionals to fill in the gaps here -- both in terms of actual facts and context.
Thicker ink, fewer smudges, and more strained hands: an Object Lesson
Recently, Bic launched acampaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
Early photographs of the architecture and culture of Peking in the 1870s
In May of 1870, Thomas Child was hired by the Imperial Maritime Customs Service to be a gas engineer in Peking (Beijing). The 29-year-old Englishman left behind his wife and three children to become one of roughly 100 foreigners living in the late Qing dynasty's capital, taking his camera along with him. Over the course of the next 20 years, he took some 200 photographs, capturing the earliest comprehensive catalog of the customs, architecture, and people during China's last dynasty. On Thursday, an exhibition of his images will open at the Sidney Mishkin Gallery in New York, curated by Stacey Lambrow. In addition, descendants of the subjects of one of his most famous images, Bride and Bridegroom (1870s), will be in attendance.
“Consumers are jaded about advertising in a way they weren’t several decades ago.”
MasterCard unveiled its new logo earlier this summer, and as far as rebrandings go, the tweaks were subtle: The company kept its overlapping red and yellow balls intact, and moved its name, which was previously front and center, to beneath the balls, while making the text lowercase. With increasing frequency, MasterCard said, it would do away with using its name in the logo entirely. The focus would be more on the symbol than the words.
MasterCard’s move reflects a wider shift among some of the most widely recognized global brands to de-emphasize the text in their logos, or remove it altogether. Nike was among the first brands to do this, in 1995, when its swoosh began to appear with the words “Just Do It,” and then without any words at all. Apple, McDonald’s, and other brands followed a similar trajectory, gravitating toward entirely textless symbols after a period of transition with logos that had taglines like “Think Different” or “I’m lovin’ it.”
Even in big cities like Tokyo, small children take the subway and run errands by themselves. The reason has a lot to do with group dynamics.
It’s a common sight on Japanese mass transit: Children troop through train cars, singly or in small groups, looking for seats.
They wear knee socks, polished patent-leather shoes, and plaid jumpers, with wide-brimmed hats fastened under the chin and train passes pinned to their backpacks. The kids are as young as 6 or 7, on their way to and from school, and there is nary a guardian in sight.
A popular television show called Hajimete no Otsukai, or My First Errand, features children as young as two or three being sent out to do a task for their family. As they tentatively make their way to the greengrocer or bakery, their progress is secretly filmed by a camera crew. The show has been running for more than 25 years.
Who will win the debates? Trump’s approach was an important part of his strength in the primaries. But will it work when he faces Clinton onstage?
The most famous story about modern presidential campaigning now has a quaint old-world tone. It’s about the showdown between Richard Nixon and John F. Kennedy in the first debate of their 1960 campaign, which was also the very first nationally televised general-election debate in the United States.
The story is that Kennedy looked great, which is true, and Nixon looked terrible, which is also true—and that this visual difference had an unexpected electoral effect. As Theodore H. White described it in his hugely influential book The Making of the President 1960, which has set the model for campaign coverage ever since, “sample surveys” after the debate found that people who had only heard Kennedy and Nixon talking, over the radio, thought that the debate had been a tie. But those who saw the two men on television were much more likely to think that Kennedy—handsome, tanned, non-sweaty, poised—had won.
Trump’s misogyny is shocking because it’s so brazen, but it’s infuriating because it’s so familiar. Chances are, if you’re a woman in 2016, you’ve heard it all before.
* * *
The first time you meet Donald Trump, he’s an older male relative who smells like cigarettes and asks when you are going to lose that weight. You’re nine years old. Your parents have to go out and buy a bottle of vodka for him before he arrives. His name is Dick. No, really, it is. At dinner one night, he explains to you that black people are dangerous. “If you turn around, they’ll put a knife in your back.” Except Bill Cosby. “He’s one of the good ones.” Turns out he’s wrong about Cosby and everything else, but the statute of limitations on Dick’s existence on Earth will run out before that information is widely available.
Most campaign ads, like most billboards or commercials, are unimaginative and formulaic. Our candidate is great! Their candidate is terrible! Choose us!
With the huge majority of political ads, you would look back on them long after the campaign only for time-warp curio purposes—Look at the clothes they wore in the 80s! Look how corny “I like Ike!” was as a slogan! Look how young [Mitch McConnell / Bill Clinton / Al Gore] once was!—or to find archeological samples of the political mood of a given era.
The few national-campaign ads that are remembered earn their place either because they were so effective in shifting the tone of the campaign, as with George H. W. Bush’s race-baiting “Willie Horton” ad against Michael Dukakis in 1988; or because they so clearly presented the candidate in the desired light, as with Ronald Reagan’s famous “Morning in America” ad in 1984. Perhaps the most effective campaign advertisement ever, especially considering that it was aired only one time, was Lyndon Johnson’s devastating “Daisy Girl” ad, from his campaign against Barry Goldwater in 1964. The power of the Daisy Girl ad was of course its dramatizing the warning that Goldwater might recklessly bring on a nuclear war.
In Greenwich, Darien, and New Canaan, Connecticut, bankers are earning astonishing amounts. Does that have anything to do with the poverty in Bridgeport, just a few exits away?
BRIDGEPORT, Conn.—Few places in the country illustrate the divide between the haves and the have-nots more than the county of Fairfield, Connecticut. Drive around the city of Bridgeport and, amid the tracts of middle-class homes, you’ll see burned-out houses, empty factories, and abandoned buildings that line the main street. Nearby, in the wealthier part of the county, there are towns of mansions with leafy grounds, swimming pools, and big iron gates.
Bridgeport, an old manufacturing town all but abandoned by industry, and Greenwich, a headquarters to hedge funds and billionaires, may be in the same county, and a few exits apart from each other on I-95, but their residents live in different worlds. The average income of the top 1 percent of people in the Bridgeport-Stamford-Norwalk metropolitan area, which consists of all of Fairfield County plus a few towns in neighboring New Haven County, is $6 million dollars—73 times the average of the bottom 99 percent—according to a report released by the Economic Policy Institute (EPI) in June. This makes the area one of the most unequal in the country; nationally, the top 1 percent makes 25 times more than the average of the bottom 99 percent.
How Washington men working in national security dress—for better or for worse
In 2017, shortly after the next president is inaugurated, thousands of newly appointed federal officials will struggle with the same existential question: What do I wear to my first day of work? I understand their anxiety, having languished over wardrobe during eight years of federal service and pondered the fashion choices of my male colleagues during the interminable meetings that are the hallmark of government work. It’s hard to point to a solid “real world” professional competency that I learned during those years of meetings and memo writing, but one skill I developed is an uncanny ability to tell you where any man in the national security community works based on his apparel. But first, to understand the fashion choices these professionals make, you must understand the culture—and keep in mind that not every employee falls into these stereotyped camps. (I’m also leaving a thorough assessment of female fashion to other writers more qualified.)
The Texas senator’s about-face risks undermining his political brand and alienating the supporters who hailed his defiant stand in Cleveland.
Ted Cruz set aside his many differences with Donald Trump on Friday to endorse for president a man whom he once called a “serial philanderer,” a “pathological liar,” “utterly amoral,” and a “sniveling coward”; who insulted his wife’s looks; who insinuated Cruz’s father was involved in the assassination of John F. Kennedy; who said he wouldn’t even accept his endorsement; and who for months mocked him mercilessly with a schoolyard taunt, “Lyin’ Ted.”
The Texas senator announced his support for the Republican nominee late Friday afternoon in a Facebook post, writing that the possibility of a Hillary Clinton presidency was “wholly unacceptable” and that he was keeping his year-old commitment to back the party’s choice. Cruz listed six policy-focused reasons why he was backing Trump, beginning with the importance of appointing conservatives to the Supreme Court and citing Trump’s recently expanded list of potential nominees. Other reasons included Obamacare—which Trump has vowed to repeal—immigration, national security, and Trump’s newfound support for Cruz’s push against an Obama administration move to relinquish U.S. oversight of an internet master directory of web addresses.