The man who inspired the world with his technology anonymously inspired one writer with the simple beauty of his home
A Palo Alto resident looks upon the flowers, candles, and apples placed on the sidewalk outside Steve Jobs's home / Reuters
The world is mourning the loss of Steve Jobs this week, and with him, the inspiration he provided to so many innovators, technologists, designers, thinkers, and everyday consumers. But in perusing some of the news coverage of his death, I came across one particular photo that stopped me in my tracks.
It was a picture of Jobs' house in Palo Alto, California -- a low-roofed, brick and slate cottage straight out of some English or French countryside -- with bundles of flowers and memorials piled up against its split-rail garden fence. And it stopped me in my tracks because I know that house. Really well. It was, in fact, an important source of inspiration for me, for the 7 1/2 years I lived in that neighborhood. It's just that, ironically, the inspiration it and its owner provided had nothing to do with technology.
I moved to Old Palo Alto in the aftermath of the dot.com bust, when rents in the area plummeted to merely expensive, instead of stupid, ungodly, unbelievably expensive. I rented a small writer's cottage a few blocks away from where Jobs lived, although I had no idea, until I saw that photo, that he (or anyone else I might have heard of) lived anywhere nearby. The cottage I rented had been built by Herbert Hoover in 1937, after he moved out to start the Hoover Institution at Stanford University, a few blocks away. He built four small cottages on a piece of property near the campus for writers to live in while they worked with the Institution. I'm even told that General Douglas MacArthur lived in my cottage while he wrote his memoirs.
It was, in other words, quite literally a writer's cottage -- which seemed appropriate, seeing as that's what I do for a living. But when the muse didn't speak, or some personal or professional setback got the better of me, or I needed to de-stress, or I just felt too unhappy to produce anything useful.... I'd go walking in the neighborhood. Because Old Palo Alto is one of the most beautiful neighborhoods the city has to offer.
I heard somewhere that the eclectic designs of the houses there stem from the fact that the professors and professionals Leland Stanford recruited to teach at the new Stanford University, at the turn of the 20th century, all built homes there that reminded them of the various places from whence they'd come. That explanation might or might not be true, but the diversity was certainly there. Strolling under a canopy of grand and leafy old trees, I might pass an English Tudor house, and then a Dutch Colonial, followed by a southern Georgian, which would be next to a California Craftsman, which might be next to a mission-style hacienda, which might be next to... well, a medieval English cottage, compete with tousled and carefree-looking shrubbery and gardens.
The corner where Jobs lived, however, was my favorite corner and block in the entire neighborhood. If I was really upset or stressed, I might walk up and down the two blocks that framed his house multiple times, just because it was so beautiful, and somehow so calming that I'd always leave there feeling better. Reminded, in some wordless way, of the simple beauty in the world that existed before, after, and beyond career or relationship mishaps. And on more than one occasion, freed of the writers' block that had driven me away from my desk in the first place.
On numerous occasions, as I walked around that block, I would also see a slender man moving around inside the house. Unlike many houses in the neighborhood, the windows of that house were, at least on one side, almost right up against the sidewalk. Close enough for me to admire the furnishings, anyway, and see anyone walking through the rooms on that side. I never did anything but glance that way, but I honestly used to wonder what that man did for a living, that he'd be there in the late afternoon, calmly going about his business in that lovely and soul-soothing cottage.
I'm actually glad, now, that I didn't know. Because if I had, I couldn't have looked at that cottage, or the man walking around inside it, the same. Even if I'd tried. As it is, I find it both ironic, and oddly fitting, that the man who inspired the world with his technology anonymously inspired me, instead, with the simple beauty of his garden and his home. After all, simplicity and beauty were the two trademark qualities Jobs brought to all the personal technology he designed. It makes sense that a man who valued those things so highly would surround himself with them in his home life, as well.
The seemingly calm man I glimpsed as I walked down that block might not match at all with how the people who worked with him remember him, of course. But that's okay. They can have their Steve Jobs. I have mine. And I like being able to remember him that way: quiet, calm, and anonymous, surrounded by simplicity and beauty that changed with the seasons, but were always, somehow, inspiring.
Black poverty is fundamentally distinct from white poverty—and so cannot be addressed without grappling with racism.
There have been a number of useful entries in the weeks since Senator Bernie Sanders declared himself against reparations. Perhaps the most clarifying comes from Cedric Johnson in a piece entitled, “An Open Letter To Ta-Nehisi Coates And The Liberals Who Love Him.” Johnson’s essay offers those of us interested in the problem of white supremacy and the question of economic class the chance to tease out how, and where, these two problems intersect. In Johnson’s rendition, racism, in and of itself, holds limited explanatory power when looking at the socio-economic problems which beset African Americans. “We continue to reach for old modes of analysis in the face of a changed world,” writes Johnson. “One where blackness is still derogated but anti-black racism is not the principal determinant of material conditions and economic mobility for many African Americans.”
As Coldplay blandly strained for the universal, she and Bruno Mars pulled off something more specific and more daring.
What a perfect Beyoncésong name: “Formation.” All great pop involves people acting in formation. So does all great change. And while fans scream that Beyoncé’s a “queen” and “goddess,” her core appeal really is as a drill sergeant. With Beyoncé in command, greatness is scalable, achievable, for the collective. Everyone waves their hands to the same beat. Everyone walks around like they have hot sauce in their bag.
But in pop and in politics, “everyone” is a loaded term. Stars as ubiquitous as Beyoncé have haters, the “albino alligators” who “Formation” informs us she twirls upon. And in a more general historical sense, “everyone” can be a dangerous illusion that elevates one point of view as universal while minimizing others. Beyoncé gets all of this, it seems. As a pop star, she surely wants to have as broad a reach as possible. But as an artist, she has a specific message, born of a specific experience, meaningful to specific people. Rather than pretend otherwise, she’s going to make art about the tension implied by this dynamic. She’s going to show up to Super Bowl with a phalanx of women dressed as Black Panthers.
In Homs, Syria, where entire city blocks have been reduced to rubble by years of civil war, a Syrian wedding photographer thought of using the destruction of the city as a backdrop for pictures of newlywed couples “to show that life is stronger than death.”
In Homs, Syria, where entire city blocks have been reduced to rubble by years of civil war, a Syrian wedding photographer thought of using the destruction of the city as a backdrop for pictures of newlywed couples “to show that life is stronger than death,” according to AFP photographer Joseph Eid. Here, Nada Merhi, 18, and her husband, Syrian army soldier Hassan Youssef, 27, pose for a series of wedding pictures amid heavily damaged buildings in Homs on February 5, 2016.
Most people in the U.S. believe their country is going to hell. But they’re wrong. What a three-year journey by single-engine plane reveals about reinvention and renewal.
When news broke late last year of a mass shooting in San Bernardino, California, most people in the rest of the country, and even the state, probably had to search a map to figure out where the city was. I knew exactly, having grown up in the next-door town of Redlands (where the two killers lived) and having, by chance, spent a long period earlier in the year meeting and interviewing people in the unglamorous “Inland Empire” of Southern California as part of an ongoing project of reporting across America.
Some of what my wife, Deb, and I heard in San Bernardino before the shootings closely matched the picture that the nonstop news coverage presented afterward: San Bernardino as a poor, troubled town that sadly managed to combine nearly every destructive economic, political, and social trend of the country as a whole. San Bernardino went into bankruptcy in 2012 and was only beginning to emerge at the time of the shootings. Crime is high, household income is low, the downtown is nearly abandoned in the daytime and dangerous at night, and unemployment and welfare rates are persistently the worst in the state.
For decades the Man of Steel has failed to find his groove, thanks to a continual misunderstanding of his strengths.
Superman should be invincible. Since his car-smashing debut in 1938, he’s starred in at least one regular monthly comic, three blockbuster films, and four television shows. His crest is recognized across the globe, his supporting cast is legendary, and anybody even vaguely familiar with comics can recount the broad strokes of his origin. (The writer Grant Morrison accomplished it in eight words: “Doomed Planet. Desperate Scientists. Last Hope. Kindly Couple.”) He’s the first of the superheroes, a genre that’s grown into a modern mass-media juggernaut.
And yet, for a character who gains his power from the light of the sun, Superman is curiously eclipsed by other heroes. According to numbers provided by Diamond Distributors, the long-running Superman comic sold only 55,000 copies a month in 2015, down from around 70,000 in 2010—a mediocre showing even for the famously anemic comic-book market. That’s significantly less than his colleague Batman, who last year moved issues at a comparatively brisk 150,000 a month. Mass media hasn’t been much kinder: The longest-running Superman television show, 2001’s Smallville, kept him out of his iconic suit for a decade. Superman Returns recouped its budget at the box office, but proved mostly forgettable.2013’s Man of Steel drew sharp criticism from critics and audiences alike for its bleak tone and rampaging finale. Trailers for the sequel, Batman v Superman: Dawn of Justice, have shifted the focus (and top billing) to the Dark Knight. Worst of all, conventional wisdom puts the blame on Superman himself. He’s boring, people say; he’s unrelatable, nothing like the Marvel characters dominating the sales charts and the box office. More than anything, he seems embarrassing. Look at him. Truth? Justice? He wears his underwear on the outside.
Humbled by his struggling presidential campaign, can the once-mighty New Jersey governor vault back into contention after Saturday’s debate?
SALEM, New Hampshire—Chris Christie was accustomed to being a big man: a man of stature, a man of power, a man who demands and gets his way.
But recently, the big man (this is a description of his personality, not his size) was seeming awfully small.
On Friday evening here, the governor of New Jersey was desperately trying to talk some sense into the people of New Hampshire, a couple hundred of whom had come out to see him on a snowy night. The night before, Christie’s rival Marco Rubio had played the same venue, filling a larger room of the elementary school beyond its capacity. Christie was begging the crowd not to pile on the bandwagon of the apparent winner, but instead, to show some courage.
Will the Democratic Party nominate a candidate who hasn’t been a member of their party, and who has long denounced it?
When a party chooses its presidential candidate, it also chooses its party leader in the election. This year the Democrats face an unusual situation. Bernie Sanders isn’t just an outsider to the party establishment; he’s not even been a member of the party, and has long excoriated it in unsparing language. Although the media haven’t much focused on this history, the early signs suggest it could become a problem for Sanders in getting the nomination—and a problem for the party if he does get it.
According to the entrance polls at the Iowa caucuses, there was a 30-percentage-point split between self-identified Democrats and independents in their support for Sanders. Hillary Clinton won 56 percent of self-identified Democrats but only 26 percent of independents, while Sanders won only 39 percent of Democrats but 69 percent of independents.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The number of American teens who excel at advanced math has surged. Why?
On a sultry evening last July, a tall, soft-spoken 17-year-old named David Stoner and nearly 600 other math whizzes from all over the world sat huddled in small groups around wicker bistro tables, talking in low voices and obsessively refreshing the browsers on their laptops. The air in the cavernous lobby of the Lotus Hotel Pang Suan Kaew in Chiang Mai, Thailand, was humid, recalls Stoner, whose light South Carolina accent warms his carefully chosen words. The tension in the room made it seem especially heavy, like the atmosphere at a high-stakes poker tournament.
Stoner and five teammates were representing the United States in the 56th International Mathematical Olympiad. They figured they’d done pretty well over the two days of competition. God knows, they’d trained hard. Stoner, like his teammates, had endured a grueling regime for more than a year—practicing tricky problems over breakfast before school and taking on more problems late into the evening after he completed the homework for his college-level math classes. Sometimes, he sketched out proofs on the large dry-erase board his dad had installed in his bedroom. Most nights, he put himself to sleep reading books like New Problems in Euclidean Geometry and An Introduction to Diophantine Equations.