Frederick Douglass was a soldier, years before his country went to war. He learned to read on his own, against the wishes of his masters. In Baltimore he took Bible classes from an older black man, under threat of being whipped.
When he returned to the Eastern Shore he organized more classes, with himself as the teacher, until those classes were broken up by thugs. Judged -- at the young age of 16 -- as a slave who did not know his place, he was sent to live at "Mount Misery" under the tutelage of the "Negro-Breaker" Edward Covey. Douglass was repeatedly whipped, until he whipped Covey himself, and thus broke the breaker. Donald Rumsfeld now lives on the old farm of the "Negro-Breaker."
Returned to his home, and hired out again, Douglass, with a group of slaves, hatched a plot to escape. Here he reflects on their thinking:
To look at the map and observe the proximity of Eastern shore, Maryland, to Delaware and Pennsylvania, it may seem to the reader quite absurd to regard the proposed escape as a formidable undertaking. But to understand,
some one has said, a man must stand under...
The case sometimes, to our excited visions, stood thus: At every gate through which we had to pass we saw a watchman; at every ferry a guard; on every bridge a sentinel, and in every wood a patrol or slave-hunter. We were hemmed in on every side. The good to be sought and the evil to be shunned were flung in the balance and weighed against each other. On the one hand stood slavery, a stern reality glaring frightfully
upon us, with the blood of millions in its polluted skirts, terrible to behold, greedily devouring our hard earnings and feeding upon our flesh. This was the evil from which to escape.
On the other hand, far away, back in the hazy distance where all forms seemed but shadows under the flickering light of the north star, behind some craggy hill or snow-capped mountain, stood a doubtful freedom, half frozen, and beckoning us to her icy domain. This was the good to be sought. The inequality was as great as that between certainty and uncertainty. This in itself was enough to stagger us; but when we came to survey the untrodden road and conjecture the many possible difficulties, we were appalled, and at times, as I have said, were upon the point of giving over the struggle altogether.
The reader can have little idea of the phantoms which would flit, in such circumstances, before the uneducated mind of the slave. Upon either side we saw grim death, assuming a variety of horrid shapes. Now it was starvation, causing us, in a strange and friendless land, to eat our own flesh. Now we were contending with the waves and were drowned. Now we were hunted by dogs and overtaken, and torn to pieces by their merciless fangs. We were stung by scorpions, chased by wild beasts, bitten by snakes, and, worst of all, after having succeeded in swimming rivers, encountering wild beasts, sleeping in the woods, and suffering hunger, cold, heat and nakedness, were overtaken by hired kidnappers, who, in the name of law and for the thrice-cursed reward, would, perchance, fire upon us, kill some, wound others and capture all.
This dark picture, drawn by ignorance and fear, at times greatly shook our determination, and not unfrequently caused us to
Rather bear the ills we had,
Than flee to others which we knew not of.
I am not disposed to magnify this circumstance in my experience, and yet I think that, to the reader, I shall seem to be so disposed. But no man can tell the intense agony which was felt by the slave when wavering on the point of making his escape. All that he has is at stake, and even that which he has not is at stake also. The life which he has may be lost and the liberty which he seeks may not be gained.
Patrick Henry, to a listening senate which was thrilled by his magic eloquence and ready to stand by him in his boldest flights, could say, "Give me liberty or give me death;" and this saying was a sublime one, even for a freeman; but incomparably more sublime is the same sentiment when practically asserted by men accustomed to the lash and chain, men whose sensibilities must have become more or less deadened by their bondage.
With us it was a doubtful liberty, at best, that we sought, and a certain lingering death in the rice-swamps and sugar-fields if we failed. Life is not lightly regarded by men of sane minds. It is precious both to the pauper and to the prince, to the slave and to his master; and yet I believe there was not one among us who would not rather have been shot down than pass away life in hopeless bondage.
There's so much to say here, but I just want to take a moment and geek out on the writing --On the other hand, far away, back in the hazy distance where all forms seemed but shadows under the flickering light of the north star, behind some craggy hill or snow-capped mountain, stood a doubtful freedom, half frozen, and beckoning us to her icy domain.
How often have you felt like that in your life? "a doubtful freedom, half frozen, beckoning us to her icy domain." It's good that Douglass circles back to Patrick Henry, because it reinforces the point of his life. African-American history and mythology, is American history and mythology. If you don't grapple with Douglass craving even an "uncertain freedom," then you can't really understand why black people support Obama. You can't really get the dumb optimism that penetrates the American core across race, and yet is so often puzzled at when it bubbles up in the black community.
African-Americans were made here. This is our home. With apologies to Andrew, this is, in so many ways, a black country. Even if it is at pains to acknowledge the point.
Black poverty is fundamentally distinct from white poverty—and so cannot be addressed without grappling with racism.
There have been a number of useful entries in the weeks since Senator Bernie Sanders declared himself against reparations. Perhaps the most clarifying comes from Cedric Johnson in a piece entitled, “An Open Letter To Ta-Nehisi Coates And The Liberals Who Love Him.” Johnson’s essay offers those of us interested in the problem of white supremacy and the question of economic class the chance to tease out how, and where, these two problems intersect. In Johnson’s rendition, racism, in and of itself, holds limited explanatory power when looking at the socio-economic problems which beset African Americans. “We continue to reach for old modes of analysis in the face of a changed world,” writes Johnson. “One where blackness is still derogated but anti-black racism is not the principal determinant of material conditions and economic mobility for many African Americans.”
As Coldplay blandly strained for the universal, she and Bruno Mars pulled off something more specific and more daring.
What a perfect Beyoncésong name: “Formation.” All great pop involves people acting in formation. So does all great change. And while fans scream that Beyoncé’s a “queen” and “goddess,” her core appeal really is as a drill sergeant. With Beyoncé in command, greatness is scalable, achievable, for the collective. Everyone waves their hands to the same beat. Everyone walks around like they have hot sauce in their bag.
But in pop and in politics, “everyone” is a loaded term. Stars as ubiquitous as Beyoncé have haters, the “albino alligators” who “Formation” informs us she twirls upon. And in a more general historical sense, “everyone” can be a dangerous illusion that elevates one point of view as universal while minimizing others. Beyoncé gets all of this, it seems. As a pop star, she surely wants to have as broad a reach as possible. But as an artist, she has a specific message, born of a specific experience, meaningful to specific people. Rather than pretend otherwise, she’s going to make art about the tension implied by this dynamic. She’s going to show up to Super Bowl with a phalanx of women dressed as Black Panthers.
The former president’s heated assault on Bernie Sanders is a reminder of how the Clintons have long reacted to any opposition.
One of my oldest Hillary Clinton memories: Twenty-six years ago, I stood in the second-floor rotunda of the Arkansas Capitol half-listening to a news conference by Tom McRae, an earnest Democrat challenging Governor Bill Clinton for re-election. Then I heard it: Click. Clack. Click. Clack. Click. Clack.
The sound of Hillary Clinton’s low-heeled shoes on a hidden marble hallway jarred McRae, who in 1990 was Bill Clinton’s biggest obstacle to a fifth term and a presidential bid two years later. The first lady of Arkansas rounded the corner and stormed his news conference. “Tom!” she shouted. “I think we oughta get the record straight!”
Waving a sheaf of papers, Hillary Clinton undercut McRae’s criticism of her husband’s record by pointing to McRae’s past praise of the governor. It was a brutal sandbagging. “Many of the reports you issued not only praise the governor on his environmental record,” she said, “but his education and his economic record!”
For decades the Man of Steel has failed to find his groove, thanks to a continual misunderstanding of his strengths.
Superman should be invincible. Since his car-smashing debut in 1938, he’s starred in at least one regular monthly comic, three blockbuster films, and four television shows. His crest is recognized across the globe, his supporting cast is legendary, and anybody even vaguely familiar with comics can recount the broad strokes of his origin. (The writer Grant Morrison accomplished it in eight words: “Doomed Planet. Desperate Scientists. Last Hope. Kindly Couple.”) He’s the first of the superheroes, a genre that’s grown into a modern mass-media juggernaut.
And yet, for a character who gains his power from the light of the sun, Superman is curiously eclipsed by other heroes. According to numbers provided by Diamond Distributors, the long-running Superman comic sold only 55,000 copies a month in 2015, down from around 70,000 in 2010—a mediocre showing even for the famously anemic comic-book market. That’s significantly less than his colleague Batman, who last year moved issues at a comparatively brisk 150,000 a month. Mass media hasn’t been much kinder: The longest-running Superman television show, 2001’s Smallville, kept him out of his iconic suit for a decade. Superman Returns recouped its budget at the box office, but proved mostly forgettable.2013’s Man of Steel drew sharp criticism from critics and audiences alike for its bleak tone and rampaging finale. Trailers for the sequel, Batman v Superman: Dawn of Justice, have shifted the focus (and top billing) to the Dark Knight. Worst of all, conventional wisdom puts the blame on Superman himself. He’s boring, people say; he’s unrelatable, nothing like the Marvel characters dominating the sales charts and the box office. More than anything, he seems embarrassing. Look at him. Truth? Justice? He wears his underwear on the outside.
Will the Democratic Party nominate a candidate who hasn’t been a member of their party, and who has long denounced it?
When a party chooses its presidential candidate, it also chooses its party leader in the election. This year the Democrats face an unusual situation. Bernie Sanders isn’t just an outsider to the party establishment; he’s not even been a member of the party, and has long excoriated it in unsparing language. Although the media haven’t much focused on this history, the early signs suggest it could become a problem for Sanders in getting the nomination—and a problem for the party if he does get it.
According to the entrance polls at the Iowa caucuses, there was a 30-percentage-point split between self-identified Democrats and independents in their support for Sanders. Hillary Clinton won 56 percent of self-identified Democrats but only 26 percent of independents, while Sanders won only 39 percent of Democrats but 69 percent of independents.
Humbled by his struggling presidential campaign, can the once-mighty New Jersey governor vault back into contention after Saturday’s debate?
SALEM, New Hampshire—Chris Christie was accustomed to being a big man: a man of stature, a man of power, a man who demands and gets his way.
But recently, the big man (this is a description of his personality, not his size) was seeming awfully small.
On Friday evening here, the governor of New Jersey was desperately trying to talk some sense into the people of New Hampshire, a couple hundred of whom had come out to see him on a snowy night. The night before, Christie’s rival Marco Rubio had played the same venue, filling a larger room of the elementary school beyond its capacity. Christie was begging the crowd not to pile on the bandwagon of the apparent winner, but instead, to show some courage.
Immediately, the pings from fellow journalists (and media-adjacent folk) came pouring in, all saying something along the lines of, “Can you actually let me know what you find out? I’m addicted to that stuff.”
They mean “addicted” in the jokey, dark-chocolate-and-Netflix-streaming way, but the habit can border on pathological. For me, rock bottom was a recent, obscenely long workday during which an entire 12-pack of coconut La Croix somehow made it down my throat, can by shining can.
Tracking them down is a globe-trotting adventure that rivals any jungle expedition.
In the darkness of the Akeley Hall of Mammals, swarms of kids gawk at beautifully staged dioramas of Africa’s wildlife. The stuffed safari, nestled in the American Museum of Natural History (AMNH) in New York, includes taxidermied leopards stalking a bush pig, preserved ostriches strutting in front of warthogs, and long-dead baboons cautiously considering a viper. In one corner, in a display marked “Upper Nile Region,” a lone hippo grazes next to a herd of lechwe, roan antelope, and a comically stern shoebill stork.
“This is my favorite one,” says Evon Hekkala, pointing to the display. “There’s a taxidermied crocodile tucked away down there.”
It takes a while to spot it and I have to crane my head to do so, but yes, there it is—a large crocodile, in the back, mouth agape, next to the hippo. It’s mostly hidden from view, and until recently, it was hidden from science, too.
Because it’s an old tired man perplexed by modernity, and it’s having trouble pooping.
Each year, the great minds that sell us so many of our beloved consumer staples get together to assess the state of the American psyche. Is America tired? Hangry? Missing the golden age of Bruces Willis and Springsteen, the Buick GNX, and avuncular sexism?
Believe it or not, this meeting happens not at a Madison Avenue steakhouse, or atop a mountain in Jackson Hole, or even in Papa John Schnatter’s meteor-crater lair. Instead, it plays out in full view of the American public during the 47 hours or so of television advertisements that punctuate the Super Bowl. As the nation’s burliest athletes wrestle each other’s lycra-clad bodies for control of that most potent symbol of fragile masculinity (literally an ovoid ball), corporations take stock of a more general struggle happening off the pitch: an existential crisis that concerns the very fabric of the American character.
A Chicago cop who shot the 19-year-old seeks $10 million in damages in a countersuit filed against the man’s family.
In a country where police are rarely prosecuted for killing civilians, and where those who are prosecuted are rarely convicted, civil lawsuits filed by victims of police violence and their families have become perhaps the foremost tool for law-enforcement accountability. The wrongful-death suit is a familiar step in the all-too-common story arc.
But something stranger is happening in Chicago: The police officer is suing the estate of his victim.
On December 26, Chicago police officers responded to a domestic-disturbance call. According to police, 19-year-old Quintonio LeGrier was threatening his father and wielding a baseball bat. During the response, Officer Robert Rialmo shot and killed LeGrier as well as Bettie Jones, a mother of five and downstairs neighbor.