An Obviously True Point About the NYPD Coward Cop

More

Adrian Lesher, a staff attorney with the NY Legal Aid Society, writes with the following observation about police abuses-of-power during the Wall Street protests, noting that he's speaking not for Legal Aid but for himself:


One point that I haven't seen made is that this sort of abusive behavior is reported routinely by people of color and by people of lower economic status. Yet their complaints are routinely dismissed or ignored in the media. Sometimes it takes middle and upper class white people getting hurt to get the media moving.
Of course that's true. But I think there's an additional interesting and crucial element in this case. Despite the largely white, largely educated nature of the crowd in these protests, to me it's obvious that the abuse stories would have disappeared if not for the videos. Very much like the original Rodney King police-beating video, they have the amazing property of rendering debate moot. The NYPD spokesman can talk all he wants about the pepper-spraying being "appropriate." But no reasonable person who spends a minute looking at the video, even allowing for selectivity in filming, can think that the coward-cop* behaved appropriately (or in accordance with NYPD guidelines).

And the make-or-break nature of the videos in this case not only raises the obvious questions about the other cases that are never captured. It also underscores the importance of a point another reader makes:

What disturbs me most about this incident - even more than the abuse of pepper spray - is the evident targeting of people carrying cameras and video cameras.  Also, the focus on going after women.  In one of the videos we see a different white-shirted cop seize a loudly-protesting dark-skinned woman by her big head of hair, drag her across the barricade and smash her head on the ground.  (I think this is the attack that caused the group of women to start freaking out, just before the pepper spray attack)  Yes, granted, she's being very loud and obnoxious, but she appears to be behind the netting and is not offering any physical threat to the cop. 

In another one of the videos, apparently taken just prior to the pepper spray attack, a large woman with what looks to be a professional-level video camera is set upon by police, pulled into the street, thrown down and handcuffed.  It doesn't appear that she did anything wrong at all, or even said anything, before being targeted.  I think these elements of the story are worth going into.  If the cops are intent upon preventing citizens from taking photos/video of them doing their work, there's obviously a problem.
Yes. The only time I got in trouble with the police in China, as I'll say more about in a forthcoming book, was when I made the same mistake -- that of taking pictures of cops who were roughing up someone else. At the time I thought: cops hyper-sensitive about being photographed? What do I expect: this is authoritarian China. It turns out that I could just as well have been saying: this is America. This is New York.

For the record: police have a hard job; most of them (especially the blue shirts rather than the higher-ranking white shirts) in these videos seem to be keeping their cool, often under provocation; videos could be selective or misleading; and the point is not to be anti-police. But enough people in uniform, starting with the coward, seem to have assumed that they could casually abuse people and not be called on it, that they need to be called. 



*And, yes, OK I know from the Daily Show last night that the pepper sprayer, Anthony Bologna, is on the verge of being immortalized Onion-style as "Tony Baloney." There is a danger of the whole episode passing straight to oddball joke status. You can imagine this guy showing up soon on the talk shows, Joey Buttafuoco style. But there is a serious side to it -- which is why I have harped on it this long.
Presented by

James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.
Get Today's Top Stories in Your Inbox (preview)

Why Did I Study Physics?

In this hand-drawn animation, a college graduate explains why she chose her major—and what it taught her about herself.


Elsewhere on the web

Video

Why Did I Study Physics?

Using hand-drawn cartoons to explain an academic passion

Video

What If Emoji Lived Among Us?

A whimsical ad imagines what life would be like if emoji were real.

Video

Living Alone on a Sailboat

"If you think I'm a dirtbag, then you don't understand the lifestyle."

Video

How Is Social Media Changing Journalism?

How new platforms are transforming radio, TV, print, and digital

Video

The Place Where Silent Movies Sing

How an antique, wind-powered pipe organ brings films to life

Feature

The Future of Iced Coffee

Are artisan businesses like Blue Bottle doomed to fail when they go mainstream?

Writers

Up
Down

More in National

From This Author

Just In