Skip Navigation
Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

'The Queen of Rage'

By Ta-Nehisi Coates
Aug 10 2011, 10:00 AM ET Comment

Paul Waldman on the now infamous Newsweek cover:

On the other hand, they did pick a photo where she looks crazed. Bachmann does sometimes look that way, but presumably they had lots of shots from which to choose. I wouldn't be surprised if Newsweek chief Tina Brown, who knows a thing or two about buzz, picked that photo because she knew it would generate controversy. And it worked! 

The "Queen of Rage" headline is where things get interesting. Is that accurate? To a degree, in the sense that Bachmann's primary appeal is to the GOP's angry wing. Her constituency is the resentful, the conspiracy-minded, the get-government's-hands-off-my-Medicare crowd (this applies to Bachmann herself, who personally profits from farm subsidies and Medicaid payments while decrying the tyranny of government spending). If you're looking for a sensible, experienced manager, Bachmann is not your candidate. 

What's interesting, though, is that as she stokes and profits from angry voters, she is extremely careful to keep a smile on her face. If Newsweek put an unflattering picture of Sarah Palin on its cover, you can bet she'd be whining about the lamestream media and their campaign to keep her down. But Bachmann hasn't said a thing about the Newsweek cover. She knows there's nothing to be gained by complaining, and the controversy is actually great for her.

I was turning this over in my head this morning: Would Newsweek label Rick Perry "The King of Rage?" I don't know. Maybe that isn't the right comparison.

But I do know that, as a writer, I really hate when editors pick an image that totally overshadows the story. The goal is to draw eyeballs, of course. The challenge, however, is drawing eyeballs to the actual story. I am speaking non-cynically, and assuming an editorship that really does think about more than making magazines fly off the stands. Even assuming that that's all they want, you don't want to be that writer. For the rest of your career, you'll be answering for that image. Not your editor. Not the photographer.

It goes without saying that I would have picked a different picture, mostly because I don't enjoy spectacle. Everyone takes unflattering photos. But not everyone believes that emancipation would have been inhumane. I don't much like watching media go for the face. I've always prefered the jugular.


Presented by

More at The Atlantic

The Edwards Trial: A Bad Idea From Before the Start The Edwards Trial: A Massive Waste of Time
The Pathbreaking Flight of SpaceX's Dragon Capsule, by the Numbers SpaceX Dragon's Pathbreaking Flight, by the Numbers
Why Are Democrats Losing the Wisconsin Recall? Why Are Democrats Losing the Wisconsin Recall?
Visit Afghanistan's 'Little America,' and See the Folly of For-Profit War The Folly of For-Profit War
For the St. Louis Art Museum, a Legal Victory Raises Ethical Questions Museum Ethics: Are Finders Keepers?

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.
blog comments powered by Disqus
View All Correspondents

The Biggest Story in Photos

Afghanistan: May 2012

Jun 1, 2012

Subscribe Now

SAVE 59%! 10 issues JUST $2.45 PER COPY

Facebook

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)

Ta-Nehisi Coates
from the Magazine

Why Do So Few Blacks Study the Civil War?

Ta-Nehisi Coates is an Atlantic senior editor.

Fade to White

A filmmaker maps Austin’s shifting ethnic landscape.

The Legacy of Malcolm X

Why his vision lives on in Barack Obama