"In school (in Venezuela) we learned about the United States' Civil War and slavery. I learned to have a negative view of the flag -- I basically associated the image of the flag with slavery, racism and the KKK," said Bermudez.
"In 1983, I was a college student in Texas and saw a group of KKK clansmen in their hooded robes, standing on a street corner yelling and waving the (Confederate) flag. My English was limited at the time, so I'm not sure what they were yelling, but I probably wouldn't want to know. It only happened once in the 12 years that I lived there, but that image stuck with me...
"This is very much what I feel and think about when I see that flag. It's just my personal feelings about it. It's an accumulation of the things I've seen, studied and read over the years," Bermudez said.
"When visiting the KKK website, the (Confederate) flag is used often. Recently, the KKK has had public meetings near (my home), which scares me because of their anti-Latino immigration sentiments."
Although the finished piece is how Bermudez sees the flag, not everyone agrees with his views. Public response to the piece was so strong that Gainesville State's administration asked that the picture be removed from the faculty showing in the Roy C. Moore Art Gallery on the college's Oakwood campus, Bermudez says. "I wasn't expecting that kind of feedback. I've been an artist for 25 years. I've always known that artwork can be powerful, but I never dreamed it would be this powerful to the point that I would be censored."
Instead of a painting, his artist's statement explaining what inspired the absent piece is now hanging in the gallery. The college declined to share with The Times any of the feedback that prompted the removal of the painting; however, at least one "Southern heritage" website described the painting as "despicable" and prompted visitors to contact Martha Nesbitt, the college's president, about the picture. Site administrators even posted her e-mail address and telephone number.
"Even though I don't agree with the decision to take it down, I do respect it," Bermudez said. "I know if I was in that kind of position, I'd have a difficult time making a decision, because it's a hard one to make."
It's fascinating to me that his objection to flag comes from a totally different perspective. Still it's a bit to literal for effete liberal taste.
Ta-Nehisi Coates is a national correspondent at The Atlantic, where he writes about culture, politics, and social issues. He is the author of The Beautiful Struggle and the forthcoming Between the World and Me.
Forget credit hours—in a quest to cut costs, universities are simply asking students to prove their mastery of a subject.
MANCHESTER, Mich.—Had Daniella Kippnick followed in the footsteps of the hundreds of millions of students who have earned university degrees in the past millennium, she might be slumping in a lecture hall somewhere while a professor droned. But Kippnick has no course lectures. She has no courses to attend at all. No classroom, no college quad, no grades. Her university has no deadlines or tenure-track professors.
Instead, Kippnick makes her way through different subject matters on the way to a bachelor’s in accounting. When she feels she’s mastered a certain subject, she takes a test at home, where a proctor watches her from afar by monitoring her computer and watching her over a video feed. If she proves she’s competent—by getting the equivalent of a B—she passes and moves on to the next subject.
Even when a dentist kills an adored lion, and everyone is furious, there’s loftier righteousness to be had.
Now is the point in the story of Cecil the lion—amid non-stop news coverage and passionate social-media advocacy—when people get tired of hearing about Cecil the lion. Even if they hesitate to say it.
But Cecil fatigue is only going to get worse. On Friday morning, Zimbabwe’s environment minister, Oppah Muchinguri, called for the extradition of the man who killed him, the Minnesota dentist Walter Palmer. Muchinguri would like Palmer to be “held accountable for his illegal action”—paying a reported $50,000 to kill Cecil with an arrow after luring him away from protected land. And she’s far from alone in demanding accountability. This week, the Internet has served as a bastion of judgment and vigilante justice—just like usual, except that this was a perfect storm directed at a single person. It might be called an outrage singularity.
Bernie Sanders and Jeb Bush look abroad for inspiration, heralding the end of American exceptionalism.
This election cycle, two candidates have dared to touch a third rail in American politics.
Not Social Security reform. Not Medicare. Not ethanol subsidies. The shibboleth that politicians are suddenly willing to discuss is the idea that America might have something to learn from other countries.
The most notable example is Bernie Sanders, who renewed his praise for Western Europe in a recent interview with Ezra Klein. “Where is the UK? Where is France? Germany is the economic powerhouse in Europe,” Sanders said. “They provide health care to all of their people, they provide free college education to their kids.”
On ABC’s This Week in May, George Stephanopoulos asked Sanders about this sort of rhetoric. “I can hear the Republican attack ad right now: ‘He wants American to look more like Scandinavia,’” the host said. Sanders didn’t flinch:
Netflix’s revival of the ensemble cult film does far more than play on nostalgia—it’s an absurd, densely plotted prequel that never forgets to be funny.
At some point, given time, word of mouth, and endless rewatching, a cult classic evolves into a universally beloved media property. Netflix, it seems, has become the arbiter of that transformation—first and most notably by reviving the adored-but-prematurely-canceled Arrested Development for a fourth season. Now the service is continuing this effort by turning the 2001 comedy Wet Hot American Summer, a critical and commercial bomb on its release, into an eight-episode prequel miniseries. Though it all but vanished without a trace on release, Wet Hot’s shaggy, surreal charm and its cast of future stars have helped it endure over the years, and despite its bizarre positioning, the Netflix edition hasn’t missed a beat, even 14 years later.
A hawkish senator doesn't apply the lessons of Iraq
Earlier this week, Senator Lindsey Graham, a hawkish Republican from South Carolina, used a Senate Armed Services Committee hearing to stage a theatrical display of his disdain for the Obama administration’s nuclear deal with Iran.
The most telling part of his time in the spotlight came when he pressed Defense Secretary Ashton Carter to declare who would win if the United States and Iran fought a war:
Here’s a transcript of the relevant part:
Graham: Could we win a war with Iran? Who wins the war between us and Iran? Who wins? Do you have any doubt who wins?
Carter: No. The United States.
Graham: We. Win.
Little more than a decade ago, when Senator Graham urged the invasion of Iraq, he may well have asked a general, “Could we win a war against Saddam Hussein? Who wins?” The answer would’ve been the same: “The United States.” And the U.S. did rout Hussein’s army. It drove the dictator into a hole, and he was executed by the government that the United States installed. And yet, the fact that the Iraqi government of 2002 lost the Iraq War didn’t turn out to mean that the U.S. won it. It incurred trillions in costs; thousands of dead Americans; thousands more with missing limbs and post-traumatic stress disorder and years of deployments away from spouses and children; and in the end, a broken Iraq with large swaths of its territory controlled by ISIS, a force the Iraqis cannot seem to defeat. That’s what happened last time a Lindsey Graham-backed war was waged.
The IOC’s selection of Beijing as the host of its 2022 games is met with a lukewarm response.
When the International Olympic Committee selected Beijing on Friday as the host for the 2022 Winter Olympic Games, the Chinese capital became the first city to have hosted both the Summer and Winter games. This, most likely, isn’t coincidental: Beijing’s hosting of the Summer games in 2008 was generally considered a success, and Almaty, the Kazakh city whose bid placed second, lacks comparable experience.
A closer examination of Beijing’s 2022 bid, though, reveals the selection is far more peculiar than it seems at first glance. One reason: It barely snows in Beijing. China’s northern plain is extremely dry, and what precipitation that falls in the capital tends to occur during the summer. Beijing’s Olympic planners have assured the IOC this won’t be a problem—the country will simply use artificial snow to accommodate events, such as skiing, that require it.
An alpenhorn performance in Switzerland, a portrait of Vladimir Putin made of spent ammunition from Ukraine, Prince Charles surprised by an eagle, wildfire in California, a sunset in Crimea, and much more.
An alpenhorn performance in Switzerland, a portrait of Vladimir Putin made of spent ammunition from Ukraine, fireworks in North Korea, Prince Charles surprised by an eagle, wildfire in California, protests in the Philippines and Turkey, a sunset in Crimea, and much more.
Who can devise the most convoluted way to wipe out the Islamic State?
Everyone with a stake in Middle Eastern geopolitics publicly declares that ISIS must be defeated. Yet opinions range widely on how this should be achieved.
Saudi Arabia, for example, believes ISIS cannot be defeated unless Syrian President Bashar al-Assad is removed from power. Turkey has just convinced NATO nations that the war against ISIS can only be won if Turkey’s traditional Kurdish opponents are neutralized first. Israel sees only one way to defeat ISIS: destroy Iran’s nuclear program and clip its wings regionally.
So what explains these apparently contradictory aims? The cynical view would be that all these parties are less interested in defeating ISIS than in achieving their own regional goals, and that they’re only pretending to be concerned about wiping out the group. Clearly, however, there is no place for cynicism in Middle Eastern politics. Everyone involved in the region is known to be sincere, albeit in radically different ways.
The Vermont senator’s revolutionary zeal has met its moment.
There’s no way this man could be president, right? Just look at him: rumpled and scowling, bald pate topped by an entropic nimbus of white hair. Just listen to him: ranting, in his gravelly Brooklyn accent, about socialism. Socialism!
And yet here we are: In the biggest surprise of the race for the Democratic presidential nomination, this thoroughly implausible man, Bernie Sanders, is a sensation.
He is drawing enormous crowds—11,000 in Phoenix, 8,000 in Dallas, 2,500 in Council Bluffs, Iowa—the largest turnout of any candidate from any party in the first-to-vote primary state. He has raised $15 million in mostly small donations, to Hillary Clinton’s $45 million—and unlike her, he did it without holding a single fundraiser. Shocking the political establishment, it is Sanders—not Martin O’Malley, the fresh-faced former two-term governor of Maryland; not Joe Biden, the sitting vice president—to whom discontented Democratic voters looking for an alternative to Clinton have turned.
On “Back to Back Freestyle” and “Charged Up,” the rapper forgoes the high road in his beef with Meek Mill.
Once upon a time, Drake made a vow of silence. “Diss me, you'll never hear a reply for it,” he said on “Successful,” the 2009 song in which the Toronto rapper correctly predicted he’d soon be superwealthy. This week, Drake has broken his vow twice over, a fact about which he seems conflicted. “When I look back,” he says on the new track “Back to Back Freestyle,” “I might be mad that I gave this attention.”
“This” is the beef started by the 28-year-old Philadelphia rapper Meek Mill, who recently tweeted accusations that Drake doesn’t write his own material. Depending on who you talk to or how you look at it, this is either a big deal or no deal at all. On Instagram, Lupe Fiasco had a good take: “Ghostwriting, or borrowing lines, or taking suggestions from the room has always been in rap and will always be in rap. It is nothing to go crazy over or be offended about unless you are someone who postures him or herself on the importance of authenticity and tries to portray that quality to your fans or the public at large. Then we might have a problem.”