God Bless 'The New York Times'


Nick Kristof reports the delightfully heartening news that his employer has placed Joao Silva, the photographer who was severely injured in Afghanistan -- he lost his lower legs to a landmine -- on staff:

Joao was not actually a member of the Times staff, but a contract employee -- a common arrangement for photographers in war zones. Still, he was a part of the Times family, and he had risked his life getting photos to our readers. So, I recently learned, after the amputation the Times committed to hire him as a full-time staff member.

Frankly, news organizations don't always treat their people with the professionalism they deserve, and that is especially true of photographers and freelancers. Freelance photographers may have it worst of all. One could easily imagine a company saying that a photographer who lost his legs was now on his own. I once worked with an American television correspondent who was badly beaten up in Asia and left unable to work -- and his network pushed him out of a job.

The Times, of course, is not in the healthiest financial shape, but its management knows what the right thing is, and this is the right thing.

Silva is one of the best war photographers in the business. I've only seen him work up-close a couple of times, but he is a fearless professional, and people who know him much better than I do are hoping he'll be back shooting one day soon. These war photographers are a breed apart. I keep on my desk a photo taken by my friend Laurent Van der Stockt, who once stayed with me in a Pakistani madrassa, that reminds me of this kind of bravery. The photo was taken several years ago in Ramallah. In it, three Palestinians are running toward Laurent's camera. In the distance, four Israeli jeeps are lined up, the soldiers barely visible. Three seconds after Laurent took this photo, he was shot in the knee by one of the soldiers, just after the Palestinians had run past him. It never occurred to him to do anything but plant himself where he could get the best picture. He didn't lose his leg, but he suffered for years from his injury. To the best of my knowledge, no soldier was ever punished for kneecapping him.

The amazing thing about the photo is not its clarity, but the way he signed it to me: He wrote "To Jeff," and in the "o" of the word "to," he drew a smiley face. He is just irrepressible. Like all the best photographers.

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Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column. More

Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

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