An op-ed piece in TheNew York Times today chastised the NFL medical professionals for acting as if the evidence that concussions and repeated blows to the head can cause long-term brain injury were new. The piece cites research published in the Journal of the American Medical Association in 1928 that came to that very conclusion, from a study of former boxers who had been rendered, as the saying goes, "punch drunk."
How is it, says Deborah Blum, the piece's author, that we are still discussing this problem as new and perhaps unproven, 80 years after the fact?
It's simple. As Upton Sinclair said, "It is difficult to get a man to understand something when his salary depends on his not understanding it."
The NFL, and football in general, has not developed its warrior culture of clashing helmets, hand-to-hand combat, and hard-hitting sacks and tackles in a vacuum. Or even against the wishes of not only its coaches and owners, but the people who come to the coliseum to watch the gladiators grapple. As the Super Bowl looms this weekend, the crowds that gather to watch will be hoping more for battle than ballet. Without the bloodshed, of course, and with some really poetic passes and fakes, speed in motion, brilliant strategy, and breathtaking feats of impossibility in the fray. But battle, nonetheless.
There is money and excitement in the combat, so seeing the medical evidence that the action is not entirely without bloodshed or casualties is a really inconvenient truth. But the culture of football is also so closely linked with its fierce contact element that changing its approach to that element is not a simple switch.
Can a sport's culture change? Given that football players already wear far more padding than they used to, the easy answer is "yes." At least to some degree. And sportscasters are now making an effort not to glorify getting "jacked up" or the sounds of clashing helmets. Nobody gets a sense that they like it; it's just that sportscasters and networks recognize the fact that, somehow, a tide has turned.
But the truth remains that changing any culture is a slow and difficult process--especially in sports where participants get a certain amount of pride in the fact that it's not entirely safe.
Take, for example, the sports of flying and SCUBA diving. Both activities started out as necessarily "macho" endeavors, because the technology for each was pretty rudimentary, and the environments in which they operated were naturally hostile. An article in California Medicine in 1970 (23 years after Jacques Cousteau and Emile Gagnan invented the first regulator and open-circuit breathing system) estimated that SCUBA diving was approximately 96 times more dangerous than driving a car.
I don't have the exact statistics on early flying fatalities, but they were staggeringly high. A fighter pilot's average life expectancy in World War I was something in the order of three weeks. And in Ernest Gann's classic book Fate is the Hunter, he devotes five full pages to a double-column list of early airline pilots who died on the job, just flying the line. And that was after engines and materials had progressed considerably from the days of the barnstormer.
But those early risks meant that those who took on those risks took a lot of pride in survival. The swaggering barnstormers knew they were defying death, as did the diving pioneers of Jacques Cousteau's early era. And so a kind of "macho" culture evolved; one where risk-taking was at least tacitly admired.
Today, the culture associated with SCUBA diving is markedly different. Those who dismiss safety or regulations are not held up as heroes, but as idiots, and there's a much greater focus on safety practices like having a dive buddy, decompression stops, and strict adherence to dive times and depths. Recreational SCUBA diving still has some risk (each year, somewhere around 100 people still die out millions of divers, worldwide), but its safety record, and its culture, have shifted dramatically toward the safety end of the scale.
How did the SCUBA industry improve its safety record so dramatically? Throughout the 1960s and 1970s, a greater emphasis on training and technique was certainly was a piece of it. But improved equipment also meant that the sport could start attracting less physically fit and risk-tolerant people into its midst. And the greater number of clients that allowed meant more money for SCUBA industry operators. So there was an incentive to skew toward safety. There may have been other factors at play, as well. But at some point, a critical mass developed to turn the tide, and the sport developed a culture and reputation as something relatively "safe," with safety as a high priority for its promoters and participants.
Aviation, on the other hand, has remained a tougher nut to crack. It still requires a lot of training and investment of money to become a pilot, and airplanes are far more expensive to buy, and far more complex to maintain, than SCUBA equipment. So despite all the manufacturers' efforts to market the idea of "an airplane in every garage," the pilot population, unlike the SCUBA population, has not grown significantly in the past three decades. As a result, the old guard who pride themselves on their bravery remain a larger percentage of the pilot population. And there is less internal pressure for the culture to change.
Given that football is not about to start attracting less physically fit individuals, and that the NFL is not about to become a recreational family sport, what is perhaps surprising is not that it's taken this long for the tide to start turning with regard to the injuries its players sustain, but that it's even beginning to turn now.
What caused the shift? The fact that football, unlike flying or diving, is a spectator sport. So even if we're not playing on the teams, we--the ticket-buying, bet-placing, television-watching public--influence its culture. And over the past year, enough evidence and stories emerged, with enough publicity, in enough places, that even if we wanted to believe otherwise, it became difficult to avoid the truth. Images of former hero athletes no longer able to conduct their daily lives, or even fill out a form without help, began to tweak our collective conscience. It's hard not to have the realization lodge, somewhere inside, that this heartbreaking damage occurred, at least in part, because of our own selfish desire for entertainment.
If we didn't have those twinges of guilt, the impassioned arguments of people like Gay Culverhouse, the former president of the Tampa Bay Buccaneers who's become a leading advocate for disabled players, would not have had such an impact. Indeed, the NFL's initial resistance to the growing swell of publicity and medical reports this past fall arguing a link between on-the-job head injuries and neurological problems later in life felt very much like an unfortunate delayed reaction on the part of its managers. The public got over its reluctance to see the evidence before the industry did.
Football is still a contact sport, and its appeal will remain rooted in its conflict. So it's unlikely to become domesticated anytime soon. But quarterbacks now routinely wear rib protection. Helmets are larger. Change has already begun creeping in around the edges, if only to protect each team's assets. And we, the spectators, have adjusted. Just as collegiate ice hockey players today can't imagine a world in which face guards didn't exist, we will soon get used to players going off the field and not coming back in the game--and a culture that doesn't glorify the crash of helmets quite so gleefully.
The old guard might complain that the sport is losing its edge. But what we gain is an ability to enjoy the game with a little less guilt. We may still cringe at some of the more spectacular take-downs on the field. But at least our consciences won't have to cringe, as well.
Defining common cultural literacy for an increasingly diverse nation.
Is the culture war over?
That seems an absurd question. This is an age when Confederate monuments still stand; when white-privilege denialism is surging on social media; when legislators and educators in Arizona and Texas propose banning ethnic studies in public schools and assign textbooks euphemizing the slave trade; when fear of Hispanic and Asian immigrants remains strong enough to prevent immigration reform in Congress; when the simple assertion that #BlackLivesMatter cannot be accepted by all but is instead contested petulantly by many non-blacks as divisive, even discriminatory.
And that’s looking only at race. Add gender, guns, gays, and God to the mix and the culture war seems to be raging along quite nicely.
As the world frets over Greece, a separate crisis looms in China.
This summer has not been calm for the global economy. In Europe, a Greek referendum this Sunday may determine whether the country will remain in the eurozone. In North America, meanwhile, the governor of Puerto Rico claimed last week that the island would be unable to pay off its debts, raising unsettling questions about the health of American municipal bonds.
But the season’s biggest economic crisis may be occurring in Asia, where shares in China’s two major stock exchanges have nosedived in the past three weeks. Since June 12, the Shanghai stock exchange has lost 24 percent of its value, while the damage in the southern city of Shenzhen has been even greater at 30 percent. The tumble has already wiped out more than $2.4 trillion in wealth—a figure roughly 10 times the size of Greece’s economy.
A new book by the evolutionary biologist Jerry Coyne tackles arguments that the two institutions are compatible.
In May 1988, a 13-year-old girl named Ashley King was admitted to Phoenix Children’s Hospital by court order. She had a tumor on her leg—an osteogenic sarcoma—that, writes Jerry Coyne in his book Faith Versus Fact, was “larger than a basketball,” and was causing her leg to decay while her body started to shut down. Ashley’s Christian Scientist parents, however, refused to allow doctors permission to amputate, and instead moved their daughter to a Christian Science sanatorium, where, in accordance with the tenets of their faith, “there was no medical care, not even pain medication.” Ashley’s mother and father arranged a collective pray-in to help her recover—to no avail. Three weeks later, she died.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
In 1992, the neuroscientist Richard Davidson got a challenge from the Dalai Lama. By that point, he’d spent his career asking why people respond to, in his words, “life’s slings and arrows” in different ways. Why are some people more resilient than others in the face of tragedy? And is resilience something you can gain through practice?
The Dalai Lama had a different question for Davidson when he visited the Tibetan Buddhist spiritual leader at his residence in Dharamsala, India. “He said: ‘You’ve been using the tools of modern neuroscience to study depression, and anxiety, and fear. Why can’t you use those same tools to study kindness and compassion?’ … I did not have a very good answer. I said it was hard.”
Former Senator Jim Webb is the fifth Democrat to enter the race—and by far the most conservative one.
In a different era’s Democratic Party, Jim Webb might be a serious contender for the presidential nomination. He’s a war hero and former Navy secretary, but he has been an outspoken opponent of recent military interventions. He’s a former senator from Virginia, a purple state. He has a strong populist streak, could appeal to working-class white voters, and might even have crossover appeal from his days as a member of the Reagan administration.
In today’s leftward drifting Democratic Party, however, it’s hard to see Webb—who declared his candidacy Thursday—getting very far. As surprising as Bernie Sanders’s rise in the polls has been, he looks more like the Democratic base than Webb does. The Virginian is progressive on a few major issues, including the military and campaign spending, but he’s far to the center or even right on others: He's against affirmative action, supports gun rights, and is a defender of coal. During the George W. Bush administration, Democrats loved to have him as a foil to the White House. It’s hard to imagine the national electorate will cotton to him in the same way. Webb’s statement essentially saying he had no problem with the Confederate battle flag flying in places like the grounds of the South Carolina capitol may have been the final straw. (At 69, he’s also older than Hillary Clinton, whose age has been a topic of debate, though still younger than Bernie Sanders or Joe Biden.)
The Fourth of July—a time we Americans set aside to celebrate our independence and mark the war we waged to achieve it, along with the battles that followed. There was the War of 1812, the War of 1833, the First Ohio-Virginia War, the Three States' War, the First Black Insurrection, the Great War, the Second Black Insurrection, the Atlantic War, the Florida Intervention.
Confused? These are actually conflicts invented for the novel The Disunited States of Americaby Harry Turtledove, a prolific (and sometimes-pseudonymous) author of alternate histories with a Ph.D. in Byzantine history. The book is set in the 2090s in an alternate United States that is far from united. In fact, the states, having failed to ratify a constitution following the American Revolution, are separate countries that oscillate between cooperating and warring with one another, as in Europe.
The executive producer of Masterpiece says Jane Austen works a lot better on screen than Hemingway does.
For 44 years, PBS’s Masterpiece franchise has brought high-end Britain TV programs to American audiences. While the ultra-successful Downton Abbey comes from an original screenplay, many of Masterpiece’s shows over the years have been adapted from great works of literature. And the vast majority of those great works of literature, unsurprisingly, have been British.
But every so often, an American novel—like James Agee’s A Death in the Family or Willa Cather’s The Song of the Lark—has been turned into a Masterpiece. On Friday at the Aspen Ideas Festival, Rebecca Eaton, the longtime executive producer of Masterpiece, said she wished that the program had tackled more U.S. authors over the years. “The reasons that we haven't are twofold,” she said. “One is money, the second is money. And the third is money. Also, the dark nature of American literature, which is something to think about for a moment."
For centuries, experts have predicted that machines would make workers obsolete. That moment may finally be arriving. Could that be a good thing?
1. Youngstown, U.S.A.
The end of work is still just a futuristic concept for most of the United States, but it is something like a moment in history for Youngstown, Ohio, one its residents can cite with precision: September 19, 1977.
For much of the 20th century, Youngstown’s steel mills delivered such great prosperity that the city was a model of the American dream, boasting a median income and a homeownership rate that were among the nation’s highest. But as manufacturing shifted abroad after World War II, Youngstown steel suffered, and on that gray September afternoon in 1977, Youngstown Sheet and Tube announced the shuttering of its Campbell Works mill. Within five years, the city lost 50,000 jobs and $1.3 billion in manufacturing wages. The effect was so severe that a term was coined to describe the fallout: regional depression.
Brian Grazer has some rules for success. He hasn’t always followed them.
There’s no secret formula to making a hit, according to Brian Grazer, the producer of film and TV successes like 24, Splash, Apollo 13, A Beautiful Mind, Empire, and Friday Night Lights. But there are some guidelines. “In television I don't ever want to try and reinvent the wheel,” he said on stage at the Aspen Ideas Festival on Friday. “But changing the spokes within the wheel is a good thing.”
Take Jack Bauer, the terrorist-fighting hero of 24. “He does thing that are very wish-fulfillment oriented,” Grazer said. “That makes people very excited, because wish fulfillment almost always works. You have to root for the character, and rooting for the character is rooting for what they want. It's easier to root for what somebody wants if what they want is noble.”